Du Mu has made many achievements in literature. Let’s learn about Du Mu’s literary achievements together. Everyone is welcome to read! What are Du Mu’s literary achievements?
Summary of achievements
Du Mu’s literary creation has many achievements. His poems, poems, and ancient prose are all written by famous writers, and he likes Lao-Zhuang Taoism. Du Mu advocated that writing should be based on meaning, supplemented by Qi, and guarded by words and sentences. He had a relatively correct understanding of the relationship between the content and form of the work. And it can absorb and melt the strengths of its predecessors to form its own special style. Du Mu's ancient poetry was influenced by Du Fu and Han Yu, with broad themes and vigorous writing. Du Mu's modern poetry is famous for its clear and beautiful words and ups and downs of emotion. His ancient poetry was influenced by Du Fu and Han Yu, with broad themes and vigorous writing. His modern poetry is distinguished by its clear and beautiful words and ups and downs of emotion. The seven-rhythm "Early Wild Geese" expresses nostalgia for the people in the northern frontier fortress who were invaded and displaced by the Uighurs in a way that expresses their nostalgia. It is graceful and has an aftertaste. "Climbing the Mountain in Nine Days" uses a bold style to describe his broad-minded mind, but also contains deep sadness. The general trend of poetry in the late Tang Dynasty is to draw rich and detailed pictures. Influenced by the trend of the times, Du Mu also paid attention to diction. This unique tendency of emphasizing diction is combined with his personal characteristics of "majestic and heroic", which is graceful and graceful, bold and elegant.
Poetry Achievements
Lin Jianlue's "Late Tang Poet Du Muzhi" believes that Du Mu's poems can be divided into two categories: one is heroic and the other is fragrant. The former "may be "Qianchou" is either a tribute to the past or a sentimental work, and it is mostly written in a strong and steep style, with a strange idea." The latter "mostly use a fresh style of writing to understate it, so that it does not fill up the page. I’m all pissed off.” Wang Shuxiang's "Poet Du Mu" believes that Du Mu's "writing is so sophisticated and unique, and his poetry is so heroic and majestic." "His poems are charming and moving, and are too steep. Because of this, they sometimes become delicate. However, you must know that Yuan Zhen, Bai Juyi, Li Shangyin, Wen Tingyun, etc. were all at the same time as him. He neither wanted to imitate the Yuanhe style created by the popular Yuan Bai, nor wanted to imitate the obscurity of Wen Li; he had to make his own "One color, trying to correct the shortcomings of the times, must be innovative." Miao Qian's "A Brief Commentary on Du Mu's Poems" believes that the handsome style in Du Mu's poems can be graceful and graceful in the late Tang Dynasty. Outstanding and original in the entire Tang Dynasty poetry circle. This is the characteristic of Du Mu's artistic genius, which is intertwined with his great concern for the country and the people, and his tenderness and nostalgia for spring and farewell. Ge Xiaoyin's "Du Mu and His Poems" believes that "the desire to serve the country has brought rich imagination and bold spirit to Du Mu's poems, but his pragmatic spirit makes his imagination and metaphors never resemble the fairy world. "Dangerous colors." And because of Du Mu's unique talent in "expressing a keen sense of the beauty of life in direct language," "He can always discover unique beauty in daily scenery and find a certain kind of artistic conception. The most harmonious mood is expressed through the ingenious organization of the picture. "Wang Xiping and Zhang Tian's "A Brief Analysis of the Artistic Beauty of Du Mu's Poetry" believes that the artistic beauty of Du Mu's poetry lies in its "bold and vigorous image beauty" and "strong and magnanimous". "Poetic beauty" and "fresh, bright and clean artistic conception". Wang Xiping's "A Comprehensive Review of Du Mu's Creative Personality and Artistic Style" points out that Du Mu mostly uses frank and direct poems in expression, integrates reasoning into poetry, and uses twists and turns, while counterarguments (reversal of verdicts) and questioning are the main reasons for Du Mu's twists and turns. Means, thus forming a bold and handsome style. Wu Zaiqing's "A Preliminary Study on Du Mu's Poetry Expression Techniques" believes that "the reason why his poems are vivid and contagious is more closely related to his use of metaphors, personification, embedding emotions in scenes, using scene expressions, contrasts and other techniques." Expression techniques such as overturning the case, skipping the end, asking in-depth questions, and using allusions are also helpful in opening up a new artistic conception of his poems and deepening the ideological connotation. ""The direct expression of one's feelings and the inversion of grammatical sentence patterns have also contributed to the development of his ancient poetry. "The bold, vigorous, melancholy and unruly style has a direct impact", "and the implicit and tactful, tail-turning, embodying emotions in the scene, using scene expressions, asking in-depth questions, etc., more obviously contribute to the distant rhyme and distant spirit of his quatrains." The formation of the characteristic style of flowing emotion and euphemism. ”
Ancient Poetry
Du Mu’s ancient poetry was influenced by Du Fu and Han Yu, and was good at integrating narrative, argumentation and lyricism, with a tight style. Strong, the sentences are thin and vigorous, such as "Feelings of Feelings", "Du Qiuniang's Poems", "Zhang Haohao's Poems", "Li Gan's Poems", "Drinking Alone in the Junzhai", "Books in the Snow", "Sent Off to the Eastern Hebei Scholars", "Send off Shen Chushi to Suzhou", "Send off Meng Chi's ancestors to Chizhou", "Indicate Chizhou to stop water", etc. are all typical examples. The more common ones are prose-like narratives and discussions. Du Mu's ancient poems were influenced by Han Yu and were prone to discussion. But sometimes he uses metaphors and figurative language to discuss, which is full of lyrical charm. Du Mu's ancient poems often have a different realm, written in a simple and honest style, majestic and vigorous, such as "Chizhou Farewell to Meng Chi's Ancestors". The style of poetry in the late Tang Dynasty is humble and consists mostly of verses and quatrains. Few people can compose long ancient poems. Du Mu's ancient poems are also outstanding in the poetry world of the mid-late Tang Dynasty. His poems of this type are known for their "coolness" Symmetrical rhythms and excellent compositions constitute the three main aspects of his poetry creation.
Quatrains
The number of Du Mu's quatrains is equivalent to that of rhymed poems. He is also highly accomplished and has always enjoyed a high reputation.
Guan Shiming's "Preface to Reading Tang Poems in the Snow Mountain Fang" says: "Du Ziwei is a genius, with a Taibai style, and sometimes comes in and out of dreams. His seven-character quatrains are integrated into one, which is especially special." He Sang's "Poetic Talk in the Wine Garden" "In Du Ziwei's poems, only the quatrains have the most style, long and interesting flavor, and have the image of the bright moon reflecting alone, and the sky rising alone, but the rest of the poems cannot." "Shen Deqian believes that Du Mu's quatrains "enlighten the faintness", which can be He calls it "Si Xiang" who is the most outstanding poet in the prosperous Tang Dynasty, and summarizes his characteristics as "Yuan Yuan Shen." Du Mu's lyrical quatrains describing scenes have beautiful artistic conception and meaningful charm. They are unique and wonderful beyond the seven masterpieces of the prosperous Tang Dynasty. Du Mu is good at capturing the beautiful images of natural scenery, describing them in quatrain style poems, which are implicit and refined, and the scenes blend together in a short period of time. In the four sentences, a complete and beautiful scene is written, like a picture, such as "Jiangnan Spring Quatrains"
Rhymed Poems
The number of Du Mu's rhythmic poems is considerable. There are about 100 poems in "Collected Works of Fan Chuan", and together with "Fan Chuan Wai Ji" and "Part Collection", there are about 1,670 poems. His rhythmic poems occupy an important position in all poems. The artistic achievements are also very high, especially the Qilu. The cool, vigorous and majestic style of Du Mu's poems is the most prominent in the verses of the Song Dynasty. Poetry critics of later generations have pointed out that the "sharp" style is the characteristic of Du Mu's verses in Song Dynasty. "Village Poetry Talk" says: "Du Mu and Xu Hun were at the same time, but each has his or her own style. In the laws of the Tang Dynasty, Mu often included less obtrusive and steeper styles to correct the shortcomings of the times. "Yang Shen of the Ming Dynasty said: "In the late Tang Dynasty, Li Yishan was the best in verse poetry, but Du Mu was the best. People in the Song Dynasty commented that his poems were bold and beautiful, and his poems were graceful and graceful. He especially included obscurity and steepness in his rhymed poems to correct the shortcomings of the times, which is true. The reason why Du Mu "contains less oblique and steep" or "specially incorporates oblique and steep" in his rhymed poems is that, as Zhao Yi of the Qing Dynasty said: "Since the mid-Tang Dynasty, rhymed poems have become popular, and they compete with vocal problems, so they have many syllables. Harmonious, round and beautiful. Du Mu was afraid that he would be weak, so he created a bold and powerful faction to correct his shortcomings. "Strong, on the one hand, refers to the steep and majestic momentum caused by the use of verses that do not follow the rhythm of the rhythm; on the other hand, it refers to the bold and majestic style shown in the rhythmic poetry, which is somewhat similar to the ancient poetry. Du Mu pretends to be awkward in the rhythm, or expresses an ancient style, showing a strong and vigorous momentum, in order to correct the weak and mature style in the poetry world. Reality, in addition, Du Mu's verses often use ancient tunes, and there is a simple and unrestrained charm in the bold and lingering style.
Prose achievements
Wang Xiping and Zhang Tian "A brief discussion of Du Mu." "The Wen and Fu" of Du Mu's Wen and Fu in "Collected Works of Fanchuan" is more comprehensively discussed, and it is believed that its main characteristics are: 1. sharp writing and profound meaning; 2. extensive quotations, detailed analysis, and sufficient reasoning; 3. argumentation and lyricism Combined with this, the discussion has a strong lyrical color; fourth, he is good at describing and narrating vividly, vividly and realistically. The article also points out that the imprint of the transition from the Tang Dynasty to the Song Dynasty in his articles can be seen in two aspects: First, it pioneered the clear and smooth prose of the Song Dynasty, and second, it laid the foundation for the combination of arrogance and prose. Kou Yanghou (On Du Mu's Prose) 5 pointed out that Du Mu's prose achieved great achievements in ideological content, mainly in political discussions. Among Bing's long political essays, their artistic highlights are: vertical and horizontal arguments, rigorous structure, careful reasoning, and some of his narrative and lyrical articles. The art is also unique and original. The article concludes by saying, "While inheriting the fine traditions of the ancient prose movement led by Han Yu, Du Mu was able to find his own way and become his own." Wu Zaiqing's "Du Mu and Han Yu's Ancient Prose Movement" believes that from Du Mu's creative ideas and creations From a practical point of view, his origin relationship with Han Liu, especially Han Yu, is obvious. It is mainly reflected in the following aspects: 1. Du Mu inherited Han Liu's views on the relationship between the meaning, spirit and words of the article. There has been some development. 2. Du Mu’s idea that writing should be supplemented by Qi is roughly the same as Han Yu’s concept of “Qi”. 3. It can also be seen in the treatment of words, sentences, and stylistic forms. The article finally points out Du Mu's inheritance and development relationship with Han Liu. In the late Tang Dynasty, when Jiaowen developed along with the flashy style of writing, Du Mu was able to resist flashy style, insisting on the direction of prose writing and trying to avoid using it. Jiao is actually more thorough than Han Yu.