"The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building. Don't get up when reading a Taoist book, comb your hair under the crystal curtain. " It means: the mountain spring flows slowly around the street, and the small building is hidden by thousands of peach blossoms. I leisurely looked at the Taoist book without getting up and looked at my hair through the crystal curtain.
First, the source? The second of Yuan Zhen's five Thoughts in Tang Dynasty.
Second, the whole poem
In the self-love makeup mirror, the ring is full of moss.
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Third, poetry appreciation.
1, Yuan Zhen's poem, a sentence or two, also gives people an extraordinary sense of dust. Blue mountains and clear springs overflow, and thousands of trees and peach blossoms are hidden. It is no longer a small jasper in Cui Hu's "Chengnan Zhuang", and the beauty in the building must be as beautiful as a fairy. The scenery is from far to near, the color is light and the people are deep, and the focus is gradually prominent, setting suspense and specific environmental atmosphere for the characters to appear.
2, three or four sentences introduce the characters and explain the story of "thrush" in the boudoir. In contrast with the pen, writing from one side of the eye is also helpful to enrich the potential drama factors and the psychological level of the characters. The word "leisure" vividly depicts the ridiculous mode of absent-mindedness, which is a profound contrast between Ming Dow's Confucian classics and the secret seal of Yu Kexian's mind. "Unintentional" not only describes the delicate and touching in one side's eyes, but also shows infinite concern and affection, which is a profound contrast between the two layers; The beauty of boudoir is so chic and elegant, which is a deep musical contrast of three layers. There are also many twists and turns in Comb My Hair under the Crystal Curtain: crystal curtain and beauty makeup, one layer; Beauty is another layer in the eyes of lovers; The good times don't last long, and the hidden moon is deeper.
What does the poem Cong Si mean?
Congsi, a vernacular poem written by Yuan Zhen, a poet in the Tang Dynasty, means: once you get to the seaside, there is not enough water elsewhere; Clouds in other places are not called clouds except Wushan. Hurried through the flowers, too lazy to look back; This reason is partly due to the abstinence of monks and partly because you have had it.
The original text is as follows:
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
The poem uses the water of the sea and the cloud of Wushan as a metaphor for the depth of love. I have seen the sea and Wushan Mountain, but the water and clouds in other places are hard to see. No woman can make me emotional except the woman that the poet has read and loved. Later generations quoted the first two poems, meaning loyalty to love, indicating that there is only Iraq, and love is not him.
Extended data
About the author: Yuan Zhen, a native of Luoyang in Tang Dynasty. Father Yuan Kuan, mother Zheng. He is a descendant of Tuoba, a Xianbei nationality in the Northern Wei Dynasty, and the 14th grandson of Shi Yigui. In his early years, he advocated "New Yuefu" with Bai Juyi. People often call him and Bai Juyi "Bai Yuan".
The most prominent feature of this poem is to express the hero's deep love for his lost sweetheart in a clever way. It uses water, clouds and flowers in succession, and it is written in a tortuous and euphemistic way, with far-reaching artistic conception and intriguing.
There are only four sentences in the whole poem, that is, three sentences are used figuratively. On the surface, there is a poem or two saying that you have seen the vast sea, but you can't see the stream. Except for the colorful clouds on Wushan Mountain, other clouds are not worth seeing. In fact, he skillfully used the allusion of "Chaoyun" and compared it to a beloved woman, fully expressing his sincere feelings for that woman.
The poet shows that no other woman, even a beautiful woman, can touch his heart and win his favor and admiration. Only that woman can make him fall in love. Write enthusiastically and implicitly. The third sentence, "I am lazy to look back at flowers", is to compare flowers with people, even if I walk into the blooming flowers, it will pass inadvertently.
The fourth sentence "Half-life monarch, half-life monarch" gives the answer, which means that he who sees through the world of mortals has gone to monasticism, which is one of them. Secondly, because of the loss of her beloved, he never wants to see other "flowers" again. In this poem, various metaphors are used to express the deep affection for the female companion who once fell in love. The first three sentences are closely related to the theme, step by step, and the last sentence reveals the theme with the finishing touch.
"The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building. Don't get up when reading a Taoist book, comb your hair under the crystal curtain. " What does this poem mean?
"The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building. Don't get up when reading a Taoist book, comb your hair under the crystal curtain. " It means: the mountain spring flows slowly around the street, and the small building is hidden by thousands of peach blossoms. I leisurely looked at the Taoist book without getting up and looked at my hair through the crystal curtain.
First, the source? The second of Yuan Zhen's five Thoughts in Tang Dynasty.
Second, the whole poem
In the self-love makeup mirror, the ring is full of moss.
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Third, poetry appreciation.
1, Yuan Zhen's poem, a sentence or two, also gives people an extraordinary sense of dust. Blue mountains and clear springs overflow, and thousands of trees and peach blossoms are hidden. It is no longer a small jasper in Cui Hu's "Chengnan Zhuang", and the beauty in the building must be as beautiful as a fairy. The scenery is from far to near, the color is light and the people are deep, and the focus is gradually prominent, setting suspense and specific environmental atmosphere for the characters to appear.
2, three or four sentences introduce the characters and explain the story of "thrush" in the boudoir. In contrast with the pen, writing from one side of the eye is also helpful to enrich the potential drama factors and the psychological level of the characters. The word "leisure" vividly depicts the ridiculous mode of absent-mindedness, which is a profound contrast between Ming Dow's Confucian classics and the secret seal of Yu Kexian's mind. "Unintentional" not only describes the delicate and touching in one side's eyes, but also shows infinite concern and affection, which is a profound contrast between the two layers; The beauty of boudoir is so chic and elegant, which is a deep musical contrast of three layers. There are also many twists and turns in Comb My Hair under the Crystal Curtain: crystal curtain and beauty makeup, one layer; Beauty is another layer in the eyes of lovers; The good times don't last long, and the hidden moon is deeper.
Thinking, taking notes and appreciating the original text.
Original text:
Five poems of thought
Tang Dynasty: Yuan Zhen
In the self-love makeup mirror, the ring is full of moss.
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Translation:
In the self-love makeup mirror, the ring is full of moss.
I love to appreciate the residual makeup in the mirror in the morning, and the hairpin is full of hair.
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
In a short time, the rising sun shone on the rouge cheeks, as if a red flower was waking up and blooming, as if to melt.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
The mountain spring flows slowly around the street, and the small building is hidden in thousands of peach blossoms.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
I looked at Taoist books leisurely and didn't get up. I comb my hair through the crystal curtains.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Red-pressed Luo always pursues fashionable and novel patterns, and the tulle embroidered with patterns is dyed as tender as koji.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Don't think the material of cloth is too weak from the beginning. A little bit of latitude and longitude is the most pleasant.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Once you have experienced the boundless sea, you feel that the water elsewhere is dwarfed; Once I experienced the clouds in Wushan, I felt that the clouds in other places were eclipsed.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
Even among the flowers, I am too lazy to look back. Maybe it's because of the monastery, maybe it's because of you.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
At that time, a hundred flowers were blooming, but I just picked a white pear flower and gave it to you, a fair-skinned woman.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Now I stand quietly by the river like those two or three trees, but only a green leaf accompanies me through the last spring.
Precautions:
In the self-love makeup mirror, the ring is full of moss.
_: It's the same as the ancient "hairpin".
Soon the rising sun shone on Rouge's cheek, as if a red flower had come back to life, as if to be changed.
For a moment, for a short time.
The mountain spring flows around the steps, and thousands of trees and peach blossoms reflect the small building.
Sloppy: Slowly.
I turned the book lazily, got up lazily, and combed my hair through the crystal curtain.
Careless: lazy, lazy. Crystal curtains: curtains made in time; Transparent curtains.
Dahongluo always pursues fashionable and popular patterns, and the embroidered yarn is as tender as the patterned yarn dyed koji.
Lucky: Also known as Ji Qin, myna. Tender Qu: A tender Qu with a color like wine.
Don't think the material of the cloth is too weak yet. Silk and weft are the best.
Mao Biao: refers to silk with sparse warp and weft.
Once I tasted the vast sea, I felt that the water in other places was pale; Once you have experienced the clouds in Wushan, you feel that the clouds elsewhere are eclipsed.
Once the sea was difficult for water: this sentence comes from Mencius' "He who looks at the sea is difficult for water", which means that he has looked at the water potential of the vast sea, and rivers are not water. Forever amber: This sentence uses the allusion of "Wushan Yunyu" in Song Yu's Gao Tang Mi, which means that all clouds are not called Caiyun except the colorful clouds on Wushan.
Hurried through the flowers, lazy to look back; This reason is partly because of the ascetic monk, and partly because of who you used to be.
Hurry up: casually, hastily. Fate: because, for.
At that time, a hundred flowers were blooming, and I just picked a white flower for you, a woman with white skin.
F: It's open. White: A person with fair skin. This poem refers to a dead wife.
Now I stand quietly like two or three trees, and there is only one poor green leaf to spend the late spring with me.
Appreciate:
one
One is to recall the charming modality of residual makeup in the lover's mirror. When the poet married Wei Cong, they were deeply in love with each other. This poem is a touching feeling of "thinking" about lovers' lazy makeup after a night of love. The poet does not write directly, but is a lover who loves himself in the mirror. In the mirror, she has uneven hairpin rings and green lines. Soon, when the sun rises in the east, the cheeks are as red as rouge, and the skin on the face is ruddy and soft, as if it is about to melt, showing readers a beautiful and charming charm.
Secondly,
One or two sentences in Yuan Zhen's poems also give people an extraordinary sense of dust. Blue mountains and clear springs overflow, and thousands of trees and peach blossoms are hidden. It is no longer a small jasper in Cui Hu's "Chengnan Zhuang", and the beauty in the building must be as beautiful as a fairy. The scenery is from far to near, the color is light and the people are deep, and the focus is gradually prominent, setting suspense and specific environmental atmosphere for the characters to appear. Poetry is a picture with sound, and painting is a silent poem. If the two are mixed in the specified drama scene, it will produce unexpected excellent artistic effects.
Introducing the characters in three or four sentences and expounding the story of "thrush" in the boudoir, in contrast with the pen, written from one side of the eye, is also helpful to enrich the potential drama factors and the psychological level of the characters. The word "leisure" vividly depicts the ridiculous mode of absent-mindedness, which is a profound contrast between Ming Dow's Confucian classics and the secret seal of Yu Kexian's mind. "Unintentional" not only describes the delicate and touching in one side's eyes, but also shows infinite concern and affection, which is a profound contrast between the two layers; The beauty of boudoir is so chic and elegant, which is a deep musical contrast of three layers. There are also many twists and turns in Comb My Hair under the Crystal Curtain: crystal curtain and beauty makeup, one layer; Beauty is another layer in the eyes of lovers; The good times don't last long, and the hidden moon is deeper. Su Shi's poem "Jiangchengzi" said: "In the dead of night, I dream of going back to my hometown, and Xiao Xuan window dressing." Similarly, "writing sadness in a happy environment" also shows the deep yearning for his dead wife, and also breaks the boundary between time and space. The difference is that Su Ci expresses it as a dream, and when it enters, it comes out. "Nothing to worry about, only a thousand lines of tears"; Yuan poetry is immersed in infatuated memories, as if it were "frozen" on the screen, but I don't know why. The emotional yearning for combing hair under the crystal curtain can guide readers to the poetic realm of truth, goodness and beauty, so it has universal moral value and aesthetic significance.
third
This poem uses metaphor. The first two sentences say that Hong Luo always pursues novel tricks, just like other women are always moving one by one. The veils embroidered with Ji Qin patterns are dyed with delicate colors like charming wine songs. Don't say that the yarn is too thin, because only such yarn is the best. It is precisely because of his late wife Wei Cong's elegance and modesty that the poet compared her to a gauze with sparse warp and weft, which is of course Yuan Zhen's preference for his wife. But only those who are affectionate can show this eternal sincerity.
Fourth.
The most prominent feature of this poem is to express the hero's deep love for his lost sweetheart in a clever way. It uses water, clouds and flowers in succession, and it is written in a tortuous and euphemistic way, with far-reaching artistic conception and intriguing.
The first two sentences, "Once the sea was difficult for water, it was always amber", and the sea was extremely deep and wide, which dwarfed the water elsewhere. Wushan faces Yunfeng, facing the Yangtze River, and the clouds are steaming. According to Song Yu's "High Order", its cloud is transformed by the goddess, which belongs to the sky and goes down to Yuyuan. It is as lush as a pine tree and as beautiful as a charming girl. So in contrast, the clouds in other places are eclipsed. "Sea" and "Wushan" are the most beautiful images in the world. Poets use them as metaphors. Literally, they say that they have experienced the "sea" and "Wushan", and it is difficult to see the water and clouds elsewhere. In fact, they are used to comparing the feelings between husband and wife like the water in the sea and the clouds in Wushan. Their depth and beauty are unparalleled in the world, so no woman can make herself emotional except her wife.
"It's hard for water" and "it's not a cloud", which is of course Yuan Zhen's favorite thing to say to his wife, but the relationship between husband and wife like them is really rare. Yuan Zhen has a vivid description in the poem "Regret for the Past". So the third sentence says that he walked through the "flowers" and was too lazy to look, which shows that he has no attachment to women.
The fourth sentence is the reason for "lazy review". Throughout his life, Yuan Zhen respected Buddhism and Taoism with "attached free and unfettered films and paid Buddhist scriptures". In addition, the "cultivation" here can also be understood as paying attention to the cultivation of moral knowledge. However, for Yuan Zhen, respecting Buddhism and Taoism, cultivating self-cultivation and pursuing scholarship are nothing more than an emotional sustenance of his lovelorn grief. The anxiety expressed by "half cultivation" and "half monarch" is the same, and it is more meaningful to say "half cultivation"
Fifth.
"All kinds of flowers are in full bloom, especially pears and whites." In spring, when all the flowers are in full bloom, the poet just picked a white pear and gave it to his wife, the fair-skinned woman. Flowers bloom in spring, and the poet picks pears, not because his wife is not like other women, not only virtuous and dignified, but also knowledgeable in poetry. More importantly, she was born rich, but she was not rich and did not advocate vanity, just like the white pear flower, which quietly bloomed in the branches. However, his wife has died, the pear tree has withered, leaving only green leaves, and he spent the last spring alone. Poets use metaphors to compare pear flowers to wives and themselves to green leaves, expressing endless nostalgia for their dead wives.