This word expresses homesickness and travel worries in a low-key and euphemistic way, especially with a heart of stone as a fascinating language. The whole word borrows scenery to express emotion. "The scenery that is difficult to write is like the eyes, and there are endless opinions." (Ouyang Xiu's poem of June 1st). The theme of his poem Su Mu Zhe is general, but his writing style is unique, and his pen is gorgeous and affectionate, which reflects his unique temperament and talent.
The scenery of Shangque is full of weather, profound artistic conception and bright colors. "Blue sky and yellow leaves" two sentences, pitching posture, white clouds all over the sky, yellow leaves everywhere. A sky, a land, a blue and a yellow sum up the colors of autumn. It shows the variety of nature and gives people an open mind. The compromise of "farewell pavilion" in Wang Shifu's Romance of the West Chamber in Yuan Dynasty is "blue sky and yellow land", and what Fan Zhongyan did changed from beautiful and lofty weather to the sadness of traditional autumn colors. Then, the author looked ahead-"full of autumn waves, cold waves and thick smoke." The rich autumn colors blend with the continuous autumn waves. At the end of the horizon connected with autumn colors and autumn waves, there is an empty and slightly chilly autumn smoke. Here, Yun Lan, yellow leaves, green waves and green smoke are opened and closed together, and the viewpoint is advanced from top to bottom, from near to far, layer by layer, forming a colorful picture. The composition of "autumn colors" with blue, yellow and green also sweeps away the traditional autumn decline, presenting a beautiful and ethereal realm of autumn at the end of the pen. The phrase "the mountain reflects the sunset" brings a picture of green hills, which makes heaven, earth, mountains and water blend together and complement each other. At the same time, "Setting Sun" points out that dusk is autumn scenery. The phrase "the grass is ruthless" has changed from a real scene in the eyes to a virtual scene in the heart, and parting is hidden in it. "Grass" has always been one of the images on which "parting" is based in poetry, such as Qing Ping Le written by Li Yu, queen of the Southern Tang Dynasty: "Being away from hate is like spring grass, you can live farther and farther." The lingering of grass is a metaphor for constant emotional thinking; Complaining about the ruthlessness of Fangcao shows that the author is affectionate and righteous, which is used to set off guests who can't sleep at night. The last three sentences further integrate heaven, earth, mountain, water, sunset and grass, forming a vast picture of water and sky, which leads to homesickness and separation. The "fragrant grass" here is obviously not in harmony with the "autumn color" of the sky and the orange color of the earth, but only plays a symbolic role. It is illegal for pedestrians to bathe in the sunset while the grass is out of it. Only the word "heartless" points out sadness, which is still for the sake of scenery and does not leak traces, and has made a powerful rendering and bedding for Xiaque's lyric.
I am lyrical, and my feelings are integrated with the scenery. The phrase "the soul of homesickness" directly shows the author's nostalgia and entanglement with travel. A word "dark" has already revealed the poet's sadness and his lingering homesickness and yearning for travel. "Darkness" means melancholy, "chasing" means "following", and here is "entanglement", which is the entanglement of wandering thoughts. The phrase "every night unless" describes the depth of homesickness during a lonely journey at the end of the world. Only in a beautiful dream can we temporarily forget our homesickness. "Unless" means that there is no other possibility. But the end of the world is lonely, "good dreams" are rare, and homesickness is not an option for the time being. The following song "Lonely Rest" shows that the poet is disturbed by homesickness at night and his dream is difficult to come true. I want to go upstairs and overlook, so as to send away my troubles; But a bright moon reflects the poet's loneliness in a foreign land. The last two sentences are Li Bai's poems of "raising a glass to relieve sorrow", and the obstacles in his chest are overcome by drinking. Who knows that "drinking makes people sad and turns them into homesick tears". On a sudden whim, the author said, "Tears and wine are skillfully connected with a paragraph of sorrow, which is full of desolation and sadness, making people feel sad to read." The last two sentences are honest and extremely painful to write. His word "Yujiexing" also said: "There is no reason to get drunk when you are worried. Before the wine arrives, it becomes a tear first. " Then, before the smell of wine arrived, it was all tears of homesickness, and the pain was so deep that it seemed needless to say. "The whole word tactfully low, but do not lose Shen Xiong green gang spirit. This is a work full of true feelings and strong vibrations.
Words are written with beautiful and open scenery and deep feelings. The scene seems to be uncoordinated, but it is written with ups and downs and its appeal is multiplied. Judging from the individual images in Zhang Huiyan's and Liaoyuan Huang's ci poems in the Qing Dynasty, they think that their ci poems are not homesick, but they express their worries about the country through autumn scenery, which is inevitably suspected of being imposed. However, the scene written by the poet Fan Zhongyan is so imposing that it is praised by later generations.
In a word, let's evaluate this word with the words of predecessors: the whole word is low and euphemistic, but it does not lose its vitality. Zou Zuomo's Yuan Zhizhai's Ci: "Fan's Su Mu Gai was an instant hit, with many beautiful words in front and pure feelings behind it, which became a swan song."
That's it.