Throughout his life, he was proud of his integrity and made his own achievements, and advocated the war of resistance all his life. He once appeared in "Ten Treatises on Meiqin" and "Nine Discussions", showing outstanding military talent and patriotic enthusiasm, and maintained a deep friendship with Song Zhishi and Neo-Confucianism Zhu, making great efforts to govern. Anti-gold and national rejuvenation are the main themes of his works, among which there are many laments of the lost direction of heroes and the idle resentment of the strong, which have distinct characteristics of the times. It also depicts the pastoral scenery, social customs and folk customs of the four seasons in the rural areas of the south of the Yangtze River with vivid and delicate brushstrokes. His ci has a wide range of subjects, and he also makes good use of predecessors' allusions. The style is heavy and heroic, and there is no lack of delicacy and gentleness. On the basis of Su Shi, he greatly developed the artistic conception of Ci and improved the literary status of Ci. Later generations called it "Su and Xin". His poems are also worthy of praise, especially his "powerful pen, ingenious convergence, correct and balanced theoretical style"
Xin Qiji, a patriotic poet in the Southern Song Dynasty, is a great poet with pronoun style and a national hero who is good at fighting and familiar with military affairs. His words "boring cymbals loudly, whispering, crossing the Liuhe River and sweeping the ages" have become a treasure in the history of China literature; As a court minister in the Southern Song Dynasty, he wrote an article "Discussing and Training the Militia to Defend Huai Shu", which expressed the author's strong patriotic feelings, incisive and profound analysis of the war situation and clear and concrete countermeasures. This applied essay is full of passion, ingenious, well-founded, accurate and concise. The article only uses more than 600 words, from asking questions, analyzing problems to solving problems in one go. The information, analysis, measures, predictions and words are simple and clear. A heroic and broad-minded poet can write such a rigorous and simple practical article according to the needs of different styles. It can be seen that great writing can't be confined to a narrow world. He should master several sets of pen and ink skillfully, not only have his own favorite style, but also write different genres and styles according to different requirements, just like a martial artist with profound kung fu. Although he is good at a weapon, he is right. Xin Qiji used two completely different styles to express his impassioned patriotic feelings from different sides, reflecting his lofty aspirations and lofty ideals of caring for the country and the people, and his lofty ambition of "a man who has tears does not flick, but wants to make up for the sky". (Excerpted from Applied WritingNo. 1, 0998, Master of Ci Poetry-Reading Xin Qiji)
Li Bai (70 1-762), Han nationality, with Taibai, the name of Qinglian lay, was born in Jiangyou, Sichuan, and was a great romantic poet in the Tang Dynasty. His poetic style is bold, elegant and free, with rich imagination, fluent and natural language and harmonious and changeable melody. He is good at absorbing nutrients from folk songs and myths, forming his unique magnificent and gorgeous colors, which is the new peak of active romantic poetry since Qu Yuan. He and Du Fu are also called "Da Du Li" and "Poet Fairy".
Li Bai's ancestral home is Ji Cheng (now Qin 'an County, Gansu Province). At the end of Sui Dynasty, he moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan), where Li Bai was born. He spent most of his life roaming. At the age of five, his family moved to Zhangming County, Mianzhou (now Jiangyou, Sichuan). At the age of twenty, he left Sichuan alone and began to wander widely, reaching Xiangjiang River in Dongting in the south and wuyue in the east, and living in Anlu (now Anlu City, Hubei Province). He traveled around, hoping to make friends and pay homage to celebrities, so as to get an introduction, climb high in one fell swoop and realize his political ideals and ambitions. However, after ten years of wandering, I have accomplished nothing. Continue to go north to Taiyuan and Chang 'an, east to Qi and Lu, and live in Rencheng, Shandong (now Jining, Shandong). At this time, he has made many celebrities and created a lot of excellent poems, which are famous all over the world. In the early years of Tianbao, on the recommendation of Taoist Wu Renyun, Emperor Xuanzong of the Tang Dynasty called him to Beijing and ordered him to worship the Hanlin. Soon, due to the remorse of the dignitaries, he was driven out of Beijing in Tianbao 34 (AD 744 or 745). Since then, he has been wandering in Jiang and Huai, and his thoughts are extremely boring.
In the winter of the 14th year of Tianbao (AD 755), An Lushan rebelled. At this time, he lived in seclusion in Lushan Mountain, which coincided with the great army of Wang Yong and invited Li Bai down the mountain to enter the shogunate. Later, Li Lin rebelled against Su Zong and was eliminated. Li Bai was implicated and sentenced to exile in Yelang (now Guizhou Province). He was pardoned and released halfway from Xunyang (now Jiujiang, Jiangxi) to Xuancheng (now Xuancheng, Anhui). In the first year of Baoying (AD 762), Dai Zong died in dangtu county, Anhui.
Li Bai lived in the prosperous Tang Dynasty. He had the progressive ideal of "helping the poor" and "settling down in peace", and he struggled to realize this ideal all his life. A large number of his poems not only reflected the prosperity of that era, but also exposed and criticized the debauchery and corruption of the ruling group, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals. In art, his poems are novel in imagination, unique in conception, strong in emotion, magnificent in artistic conception, fresh and bright in language, magnificent in momentum and unrestrained in style, forming a bold and unrestrained artistic style, reaching the peak of positive romantic poetry in ancient China. There are more than 900 poems such as Li Taibai Ji, which are the representative figures of romantic poems in the prosperous Tang Dynasty.
Masterpieces: Into the Wine, Difficult Road to Shu, Climbing Mount Tianmu in a Dream.
Du Fu (A.D. 7 12-770), a beautiful Han nationality, was originally from Xiangyang (now Xiangfan City, Hubei Province) and later moved to Gongxian County (now Gongxian County, Henan Province). Along with Du Gongbu and Du Fu, it is called Shaoling Night Old. He is a great realistic poet, poet saint and world cultural celebrity in Tang Dynasty, and he is also called "Du Li" with Li Bai. Du Fu was born in Gongxian County, Henan Province (now Gongyi, Zhengzhou). His ancestors were Du Yu, a famous poet in the early Tang Dynasty. Du Fu was originally Zuo Shiyi and Yuan Wailang, and later he was called Du Shiyi and Du Gongbu. Du Fu lived in the historical period of Tang Dynasty from prosperity to decline, and his poems mostly involved social unrest, political darkness and people's sufferings, and were known as "the history of poetry". Du Fu was concerned about the country and the people, with noble personality and exquisite poetic skills, and was honored as a "poet saint" by later generations. Du Fu wrote more than 1400 poems in his life, many of which are famous works that have been handed down through the ages, such as Three Officials, Three Farewells and Du Gongbu Collection. Among them, the "three officials" are Shi Haoguan, Xin 'an official and Tongguan official, and the "three farewell" are newly married, homeless and resigned. Du Fu's poems have a far-reaching influence on later generations.
Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis and refining words and sentences, which made this genre reach a fully mature stage.
The core of Du Fu's thought is the Confucian thought of benevolent government. He has a great ambition of "making the monarch Yao and Shun superior first, and then making the customs pure". He loves life, people and the great rivers and mountains of the motherland. He hated evil, criticized and exposed the corruption of the imperial court and the dark phenomenon in social life. He sympathized with the people and even fantasized that he was willing to make self-sacrifice to save their suffering. Therefore, his poetry creation always runs through the main line of worrying about the country and the people, with the most ordinary people as the protagonist, which shows Du Fu's greatness. His poems are rich in social content, rich in the color of the times and distinctive in political inclination, which truly and profoundly reflect the political current affairs and broad social life prospect of a historical era before and after the An Shi Rebellion, and are called the "history of poetry" of a generation. The style of Du Fu's poems is basically "gloomy and frustrated", and the language and text structure are full of changes, emphasizing the refinement of words and sentences. At the same time, his poems have many styles. Besides the five ancient poems, the seven ancient poems, the five laws and the seven laws, he also wrote many lines. There are also various artistic techniques, which are the epitome of the ideological art of Tang poetry. Du Fu also inherited the spirit of Yuefu in Han and Wei Dynasties, got rid of the shackles of the ancient Yuefu themes and created many new Yuefu themes, such as the famous Three Officials and Three Farewells. After his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems had a far-reaching influence on Bai Yuan's literary thought of "New Yuefu Movement" and Li Shangyin's near-body allegorical current affairs poems. However, Du Fu's poems were widely valued after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity. The influence of Du Fu's poems, from ancient times to the present, has long gone beyond the scope of literature and art. For details of his life, see Old Tang Book 190.
Three Officials and Three Farewells are the representative works of Du Fu's realistic poems. It truly describes the thoughts, feelings, actions and language of county officials, customs officials, old women, old people, brides, husbands and others in a specific environment, vividly reflects the social reality of that period and the profound disasters and pains of working people, and shows people tragic life tragedies. In these descriptions of life sufferings, on the one hand, the poet has deep sympathy for the people who have suffered greatly, and hates the enslavement and persecution of the people by officials; On the other hand, he supported the counter-insurgency war of the dynasty and hoped that the people would suffer hardships and cooperate with the dynasty to put down the rebellion. This complex and contradictory thought accords with the poet's thought of worrying about the country and the people.
The song "Autumn Wind Breaking the Cottage" is selected from Du Shaoling's anthology (People's Literature Publishing House, 1979 edition). The thatched cottage, Du Fu's thatched cottage by the Huanhua River in the western suburbs of Chengdu, was Du Fu's residence after he arrived in Chengdu.
Qu Yuan is one of the greatest romantic poets in China and the earliest famous poet and great politician in China. He created the style of "Chu Ci" (that is, the style of "Ci Fu") and the tradition of "vanilla beauty". Li Sao, Nine Chapters, Nine Songs and Tian Wen are the most important representative works of Qu Yuan. Li Sao is China's longest lyric poem. The works of Qu Yuan seen in later generations are all from the Songs of Chu compiled by Liu Xiang in the Western Han Dynasty. This book is mainly composed of Qu Yuan's works, including one Li Sao, nine songs and eleven chapters (Emperor Taiyi, Yunzhongju, Lady Xiang, Shao Siming, Hebo, National Mourning and Ritual Soul).
Qu Yuan was trusted by Chu Huaiwang in his early years and worked as Zuo Tu and a doctor in San Lv. He often discussed state affairs with Chu Huaiwang, participated in making laws, and advocated making clear statutes, appointing talents, reforming politics and uniting with Qin. While presiding over foreign affairs. He advocated that Chu should unite with Qi and * * * should contend with Qin. With the efforts of Qu Yuan, the national strength of Chu State has been enhanced. However, due to Qu Yuan's honest and frank personality and the slander and rejection of others, Qu Yuan was gradually alienated by Chu Huaiwang. In the first 305 years, Qu Yuan opposed the conclusion of the Yellow Thorn Alliance between Chu Huaiwang and Qin, but Chu completely embraced Qin. Qu Yuan was also expelled from the capital by Chu Huaiwang and exiled to the Northern Han Dynasty. Qu Yuan was expelled from Du Ying. During his exile, Qu Yuan felt depressed and began to create literature. His works are full of attachment to Chu and enthusiasm for the country and the people. His works, gorgeous words, strange imagination, novel metaphors and profound connotations have become one of the origins of China literature. In the first 278 years, the general of the State of Qin conquered the capital in vain. In desperation and indignation, Qu Yuan threw a big stone into the Miluo River and died. 1953 is the 2230th anniversary of Qu Yuan's death. The World Peace Council passed a resolution that Qu Yuan was one of the four cultural celebrities in the world that year.
Su Shi (1037 ~111), a native of Song Dynasty, was called "Dongpo Jushi" and posthumous title Wenzhong, at the age of 66. In the Southern Song Dynasty, Emperor Gaozong reigned for six years, giving a surname to chase posthumous title's "Wen". Meishan, Meizhou (now Meishan, Sichuan), Han nationality, is the fifth son of his father Su Xun. He is a famous writer, calligrapher, essayist, poet and representative of the unrestrained poets in the Northern Song Dynasty. In the second year of Jiayou (1057), he was a scholar with his younger brother. Dali was appointed as the judge and signed the book Fengxiang House. In the second year of Xining (1069), he returned to the DPRK after the expiration of his father's funeral system and sued the court for being a judge. Disagreement with Wang Anshi's political views, opposition to the implementation of the new law, self-employment, and imprisonment for General Hangzhou. Move to Mizhou (now Zhucheng, Shandong Province) and Xuzhou. In the second year of Yuanfeng (1079), he was involved in Wutai poetry case, and was responsible for granting Huangzhou (now Huanggang, Hubei Province) an assistant ambassador. He was placed in this state and was not allowed to sign books or official documents. Empress Dowager Zhe Li Zong came to the DPRK and was reinstated as Langfengzhi Dengzhou (now Penglai, Shandong Province); Four months later, he was transferred to the doctor of does; Before the term of office expires, in addition to living in the government, I moved to Zhongshu, moved to Hanlin Bachelor, and knew the imperial edict and the Ministry of Rites. Yuan You went out to know Hangzhou in four years (1089), and later changed to know Yingzhou, Yangzhou and Dingzhou. In the eighth year of Yuan You (1093), Zhe ruled the country and was successively demoted to Huizhou (now Huiyang, Guangdong) and Danzhou (now Danxian, Hainan). Hui Zong acceded to the throne and returned to the north for forgiveness. Yuan (1 10 1) died in Changzhou (now Jiangsu) at the age of 66 and was buried in Tancheng County (now jia county, Henan). He, his father Su Xun (1009 ~ 1066) and his brother Su Zhe (1039 ~12) are all famous for their literature, and they are also called "Three Sus". It is the same as "Cao San and his son" (Cao Cao, Cao Pi, Cao Zhi) at the end of Han Dynasty. The "Three Sus" are eight masters in Tang and Song Dynasties, namely Han Yu and Liu Zongyuan in Tang Dynasty and Ouyang Xiu, Su Xun, Su Shi, Su Zhe (Su Xun is Su Shi's father and Su Shi is Su Zhe's brother), Wang Anshi and Ceng Gong in Song Dynasty. Three of them (divided into two schools in Tang Dynasty and six schools in Song Dynasty) have works such as Seven Sets of Dongpo and Dongpo Yuefu. Politically, it belongs to the old party with Sima Guang as its leader.
Bai Yixiang Qing Liu Yong (about 987- about 1053) was born in Chong 'an (now Wuyishan, Fujian). Poet of the Northern Song Dynasty, founder of graceful and restrained school, and his masterpiece Yulinling. Formerly known as trilateral, the word Jingzhuang. Later renamed Yong, the word Qing. Ranked seventh, also known as Liu Qi. He is a scholar in the imperial court, and the official is Yuan Wailang, so he is known as Liu Tuntian in the world. Because of his bumpy career and poor life, he turned from pursuing fame to being tired of officialdom, indulging in the charming and prosperous urban life, and looking for sustenance in "leaning on the red and leaning on the green" and "singing lightly". As the first poet in the Northern Song Dynasty, he not only developed the theme of ci, but also created a large number of slow ci, developed narrative skills, and promoted the popularization and colloquialism of ci, which had a great influence in the history of ci. Beijing tour Jinshi, official wasteland Yuanwailang. As a bohemian, he was down and out all his life. His ci mostly describes the city scenery and the life of geisha, and he is especially good at expressing the feelings of traveling and service. Ci is very popular, "there is a well to drink, and you can sing Liu Ci". There is an action set.
Liu Yong's father, uncle and brother are all Jinshi, even his son and nephew. Liu Yong's own career is also bumpy. In the first year of Jingyou (1034), he was born as a scholar, nearly half a year old. He was awarded Yuan Wailang, also known as Liu Tuntian. The lyrics are excellent and widely circulated. Only one volume of his works, The Collection of Movements, has survived to this day. Describe the hardships of travel, such as Ling and Klang Ganzhou. They sang unbearable parting and unforgettable memories with a serious attitude, which is very infectious.
Liu Yong, a young boy, wandered in a misty alley. At that time, the voice of geisha was: "I don't want to be called by the king, I want to be called by Liu Qi;" I don't want thousands of gold, I want to get Liu Qixin; I don't want to see the gods, I want to know the seven sides of the willow tree. "5 1 year-old, Liu Yong finally arrived in Fujian, where he left" Boiling the Sea Song "and gave deep sympathy to people who cooked salt for a living at that time. In just two years, his name was included in the Record of Famous Officials in China, which shows his talent in economic affairs. Unfortunately, due to personality reasons, I have repeatedly created and lost, so I entered a wandering "floating life" and developed a preference for bleak autumn scenery. Liu Yong often compares himself with Song Yu, and he doesn't comment on it. Liu Yong was poor in his later years and died penniless. It was his geisha sisters who raised money for the funeral in the camp. After death, there were no relatives to pay homage. Every year in Tomb-Sweeping Day, geisha meet to pay homage to their tombs, and they are used to each other, which is called "Hanging Willow Seven" or "Hanging Willow Meeting".
Liu Yong has a persistent pursuit of official life all his life. The first time I went to Beijing to catch the exam, I failed the list. I failed the list for the second time. Supposedly, tutoring can make a comeback. Liu Yong, who does not admit defeat, just can't hold his breath. After failing the list for the second time, he indulged his temper and wrote the first song "Crane Soaring into the Sky", full of complaints and shallow knowledge. Liuyong, who is full of complaints, just wants to be happy for a while. He never imagined that it was the song "He" that made his life miserable. A few days later, Liu Yong's "cranes fly into the sky" arrived in Song Renzong. Renzong watched and sang repeatedly, and the more he read, the less he felt, and the more he read, the more annoying he became. In particular, the phrase "endure the floating name. Change to shallow singing. " It really hit a sore spot in Song Renzong. Three years later, Liu Yong took the exam again, and finally passed several levels, only waiting for the emperor to circle the list. Who knows, Emperor Renzong saw the word "Liu Yong" in the register, and Long Yan flew into a rage. He wished that Liu Yong's name could not be erased, and he criticized: "Why do you go to shallow wine and sing low?" There is also a saying that Liu Yong's drunken Penglai incident angered the incumbent, so I won't discuss it in detail here.