In the poet's works, willow is the messenger of spring, and it first conveys the message of Spring Girl to people. Yuan Zhen, a poet in the Tang Dynasty, wrote in Twenty Poems on Spring Life (the ninth poem): "Where does spring come early? Spring gives birth to willow eyes ",and Zhu, a poet in the Song Dynasty, also wrote a poem" Give priority to the east wind every year, win glory first "(the first poem of" Two Poems on the Willow "). When winter goes and spring comes, "the spring breeze is bright", and there is a willow green world everywhere.
Ancient poets deliberately described the scene of willow sprouting, dyeing green and decorating spring scenery with its exotic flowers. Qing Liu, written by Xiao Yi, Emperor of the Liang Yuan Dynasty in the Southern Dynasties, is one of the representative works in this respect: long strips hang down to the ground, and flowers chase the wind lightly.
Dewdrops are stained with green, and the leaves are small but not harmful. The first sentence of this poem describes the sweeping of the land with the skill of gentle and long willows, and the poet Gao Ding of the Qing Dynasty also famously said, "Sweep willows on the levee and get drunk in spring" ("Village Residence"); The second sentence describes catkins dancing with the wind; The third sentence is inked with willow leaves; The last sentence was written with willow leaves.
The whole poem uses willow branches, catkins, willow colors and willow leaves as pens, highlighting the word "green". Vivid image, seemingly light but beautiful. How the poet of the Tang Dynasty wrote "Singing Willow" is more poetic: Jasper is dressed as a tree, and thousands of strands of green silk tapestries hang down.
I don't know who cut the thin leaves, but the spring breeze in February is like scissors. This poem uses "Jasper" as a metaphor for the green willows in early spring and February, "Green Silk Tapestry" as a metaphor for the countless pendants in green Necole Liu, and "Scissors" as a metaphor for the spring breeze, which vividly depicts the graceful willows and praises the magical power of the spring breeze. It is a world-recognized masterpiece of Liu Yin.
Yang Wanli, a poet in the Southern Song Dynasty, said in his poem "New Willow": "The wicker has swept a hundred feet across the silver pool, and the dark green is only light yellow. Not necessarily the wicker can dip in the water, but the willow shadow in the water leads him to grow! " It's not surprising to recite the new willow in the Spring Festival, but it conveys the charm of the new willow and is full of interest. It is also one of the representative works of Yong Liu.
Willow branches are soft and slender, and the spring breeze blows, just like a young woman dancing and graceful, so ancient poets call them "willow waist", which is often used to describe women's slender waist. This is from Yu Xin, a poet in the Northern Zhou Dynasty, whose waist is thin in the Woods, and the wine trail in Xinfengduo (Kunming Pool and People's Night Banquet) and Han Wo, a poet in the Tang Dynasty, whose willow leaves are as slender as eyebrows, giving people a feminine beauty. So ancient poets used it to describe women's long and beautiful eyebrows.
Li Shangyin, a poet in the Tang Dynasty, wrote a poem, "Liu Mei is empty, and Yu Gui flies to buy money to laugh" (Mother's Tomb). Liu Hua's color is like goose yellow, with white fluff on her face, which falls into catkins with the wind.
The description of willow in ancient poetry not only has the scene of catkins fluttering in the wind, but also describes other things in this way. In Liu Yiqing's Shi Shuo Xin Yu Yan Er in the Southern Song Dynasty, a short story was recorded: Xie Jin 'an discussed literature with his children on a cold snowy night.
Xie Gong immediately asked, "What is snow like?" His nephew Xie Lang went on to say, "The air difference of desalting can be worked out." And his niece Xie Daowen said, "If catkins were not due to the wind."
(1) This short story is a household name. Xie Daowen wrote the scene of snowflakes falling with the wind in the form of "catkins rising with the wind", which is vivid, appropriate and novel, especially praised by later generations. From China's first collection of poems, The Book of Songs, there is such a sentence: "I have passed, Yang Liu Yiyi; Today I think about it, it's raining "("Xiaoya Cai Wei "). These poems have been sung through the ages, and the willow tree has forged an indissoluble bond with the world. There was a custom of folding willows to give people away in Han Dynasty.
According to "Three Auxiliary Huang Tu", when the Han people send guests to Baqiao (ancient Chang 'an, now the east of Xi City, Shaanxi Province), they often fold willows to bid farewell, that is, they are pedestrians (the homonym of "willow" and "stay"), indicating farewell. According to legend, the word "Liu Se, Ba Ling farewell" in Qin Yi 'e by Li Bai, a great poet in the Tang Dynasty, refers to this matter.
Rong Hong, a poet in the Tang Dynasty, wrote in "Moving Home to Kohantei" that "wicker vines leave their feelings", and chanting willow in ancient poetry is often integrated with expressing their feelings of parting. Among Yuefu's cross-blowing songs is Broken Willow, which is mostly taken from the works of Han, Wei and Six Dynasties. Its content is nothing more than writing a broken willow as a farewell. The so-called "Qu Chengpan only complains about parting" (Chen Cenzun Southern Dynasties: Broken Willow).
Bai Juyi and Liu Yuxi, great poets in the Tang Dynasty, also wrote Yang Liuzhi Ci, which inherited the old Yuefu song "Folding Willow" and made some innovations. Bai Juyi wrote in Eight Poems of Yang Liuzhi (I): "Don't listen to old songs, listen to the new version of Yang Liuzhi". We know from Bai Juyi's Eight Poems of Yang Liuzhi (the eighth poem) that "willow leaves are like frowning, and sorrow is like willow silk."
There should be no continuation period for each other. "It can be seen that this kind of poetry is indeed a blend of chanting willow and expressing feelings of parting. Folding willows to bid farewell is mostly in spring.
Peach and willow are green, birds are singing and flowers are fragrant, and the singing and dancing spring scenery reflects the hopeless parting, which makes people feel worried and go further. Therefore, Wang Wei, a poet in the Tang Dynasty, wrote in his poem "Send Shen Zi to Jiangdong": "When you visit the willow, you will paddle to the door. Only acacia is like spring scenery, and Jiangnan Jiangbei will send you home. "
Ancient poets loved and chanted willows, and they also liked to plant willows. Ouyang Xiu, the leader of the poetry reform movement in the Northern Song Dynasty, loved willow trees. When he was the magistrate of Yangzhou, he built Pingshan Hall and planted a willow tree in front of it, named "Ou Gong Liu".
Chao Zhongcuo's sentence "There are several willows planted in front of the hall" in "Seeing Liu out of Weiyang" is to recall the poet's willow planting. Su Shi, a great poet in the Northern Song Dynasty, also had a soft spot for willow trees. Song Zhezong Yuan You five years (A.D. 1090), served as the magistrate of Hangzhou, collecting relief services, dredging the West Lake, building dikes on the lake and planting hibiscus willows, which looked like pictures. Hangzhou people named it "Su Gong Di".
"Dawn in Su Causeway" is now one of the "Ten Scenes of West Lake". There is a close relationship between ancient poetry and Liu, who is sincere and has a unique expression.
May contemporary poets learn the essence from ancient poems and nutrients from life, and create more newer and more beautiful poems about willow.
2. What is Liu Yong's poem? Bai Juyi was a sad tree in Tang Dynasty. He had been hating several people.
Send more farewells near the Doumen, and fold the strip in half to reduce the spring breeze. At the beginning of the strange cloud in Chang' an Guangjiu, the yellow willow has been new.
The sky is different from the garden, and spring comes first. The color is light and slightly dew, and the silk is light but not dusty.
I want to break one and go back to this morning. Linchuan saw new willows and mi, but the river surface three or four days ago, as well as the willows and old gold thread by the bridge, were gone.
The south bank of the bank crosses the north, and it is filled with rain and smoke. The place where my hometown leads my dreams is twice as prosperous and declining as other countries.
The grass in Tingzhou is all the same color, and everyone knows how to kill it. When the wind is slow in Liutang and Cuizhang, smoke is dragged and water is blown.
If you annoy the general, you will be tied to a short branch. Zhang Lang's bones are soft and thin, and her waist is light and hungry.
My hometown has not returned, and my heart hurts. The topic of Liu Tang is all over the world, where is the shadow dance?
Emerald color can't be folded, leave more feelings. Caged on the shore after the rain, smoke on the Suihe River.
It has its own good name, followed by Qin Song. Du Mu of Tang Dynasty in Liu Xin, the wind can't move, and his waist looks like envy.
The shade didn't cover the long dike water, and the golden spike greeted Yuan Chun first. A few sad roads, a branch, the rain sees the dust.
More is the departure outside the east gate, fearing to kill the opposite person. Liu Jue said that several trees of Du Mu in Tang Dynasty have newly opened green shadows, and they are full of amorous feelings, so they are fascinated by spring.
Fan Chuan, the old country hates her, half built the village bridge and half blew the stream. Liu tang style shakes, and the embankment is soft and silky.
You'll know when you're strong, but it's hard to persist when you're weak. Learn to dance branches and turn sleeves to make up Ye Mei.
How to climb, bosom friend and poetry. A cage of gold thread bent the bridge of Liutang Hanwo, and several children broke her waist.
But the spirit and standard are there, and spring is still long. Liu Tang and Han Cong broke the green strips in willow songs and moved to Jindian to plant blue clouds.
Shang Yang's maid-in-waiting made a noise and then came back to dance with her waist. At the end of Liu, Tang and Han dynasties, the snow was all poured, the shadows were hazy, the warm wind was late, and the early warbler returned.
If you leave spring with thin leaves, you must tie the long strips to shine. Pengze is still depressed, and the Sui embankment is ownerless and reluctant.
In the world, people hate this, but pedestrians give it away. Hanwo, who was in the prosperous Tang Dynasty, couldn't resist the rain and dragged the wind, and his whole body was powerless to hang down to people.
Jade fiber is folded, like the hand of Guanyin. He Biyu in the Tang Dynasty, dressed as a tree, hung with ten thousand green silks.
I don't know who cut the thin leaves, but the spring breeze in February is like scissors. Liu Tang, Li Jiao, Liu Yang, dense, golden embankment evergreen.
Flowers are like snow in front of the courtyard, and leaves are like clouds between the buildings. The column is divided into Dragon Shadow and Fangchi writes Phoenix.
How to play the flute? It's like thinking about you. In the Tang Dynasty, Li Shangyin lived in a small and graceful garden, which was graceful to the east of Quchi.
The fairy clothes are full of wind when she hangs down to the ground. Seven sages are better at bamboo, and three products are pine.
Heartbroken spirit and temple, the first royal jade seat is empty. By the time of Liu Tang, the snow in Jiangnan and Jiangbei described by Li Shangyin began to disappear.
Ba 'an has climbed the guest's hand, and Chu Palace has danced first. Qingming brings rain to the official road, and the night wind blows the wild bridge.
If the thread is like silk, it is hatred, and Wang Sungui has a long way to go. During the Liu Tang period, Li Shangyin danced with Dongfeng and swam in the Spring Garden.
How to get to the late autumn season, it's already sunset, and Qiu Chan laments a scene. Liu Tang Jong Li turned away from the pavilion, and spring was full of hands.
Flowers are not gorgeous, but soft and affectionate. The moon clips the river, and the wind shakes the wild warbler.
Suidi March dusk, flying catkins want to vertical and horizontal. A cluster of blue smoke locks the Luoyinyu Building in Liutang, with half-hanging columns and half-hanging ditches.
There will be more new articles next year, and the spring breeze has not stopped. Liu You is a gift given by you in ancient times, and has been reborn many times.
Five plants lean on the deep Ming house, and thousands of trees hang low in Taiwei camp. There is smoke and jade in the water, and the sound of warblers leaves rain.
Emperor Yangdi's bank was reluctant to leave, which made the song at that time blow. During the Liu Tang period, Pei Shuo brushed the dangerous building high and the dust low, and Baqiao climbed a product.
Thought is a heartless tree. You don't know how to welcome people but give them away. Wu Rong, a poet in Liu Tang, is a land of singing, and does not teach flowers as a medium.
Fine response and rain break, light only love wind shear. It's good to brush the brocade barrier, but don't build a bronze sparrow terrace.
There are thousands of trees in Baling, and they don't leave at dusk. Liu Huan's lonely gold bars are slightly coquettish, and they report to the Spring Festival first every year.
Unlock the cage and fly to extend the scenery instead of chasing flowers in the evening. Birds make cicadas look disappointed, and smoke dances and shakes water.
After five famous Taoists, I saw that the glory of species is rare. In the Tang Dynasty, Feng Xue, a delicate plant, was frightened by the wind and injured itself, and her thoughts were melodious at dusk.
I once wandered with Zimo, and dared to caress Zhu Lan to argue with her. Flying, flapping like ice and snow.
Mo Ling's road climbs frequently, and gradually plans to hang curtains to the painting hall. Ting Liu Tang Yao is a willow branch, when the porch is mixed, it hangs.
Yin is always * * * dense, and each article is appropriate. Because dependence seems to be permanent, knotting will be more painful.
Love this beautiful spring, the autumn wind does not blow. Liu Tang, Zhang Xu, the smoky land, and the buildings on the edge of the city are full of spring thoughts.
Please take a closer look at the romantic feeling, without reducing the spirit and time in the temple. Liutang Zhenggu Half Smoke and Half Rain River Bridge, Taoshan Road reflects apricot.
You will leave people with infinite meaning, and thousands of things will anger the spring breeze.
3. Liu Yong adopted Wei's The Book of Songs in his poems. In the past, I am gone, and the willows are reluctant.
The road is muddy and difficult to walk, and people are thirsty and hungry. [Note] The Book of Songs, Xiaoya and Cai Wei, describes the feelings of soldiers who went to defend their country and missed their loved ones and hometown. This is the earliest poem in China's ancient poetry with willow as its image.
The general idea is: when fighting, willows fall; Now that we are back, it is raining and snowing all over the sky. Liu Yong [Song] Ceng Gong's prose is not yellow, and he is crazy about the east wind.
I wonder if there is frost in heaven and earth. [Note] This poem, entitled "Chanting Willow", actually refers to something.
Through the description of willow "leaning on the east wind to make it crazy" and "flying flowers cover the sun and the moon", the madness of those little people when they succeed is written; And warned them that "there is frost in heaven and earth" will not come to a good end, nor will it escape the fate of extinction. If you dream of a dream of red mansions, is it embroidered velvet and residual vomit, rolling up half a curtain of fragrant fog and picking it up with your hands, which makes cuckoo cry and swallow envy?
Live, live! Don't let spring go. This word was written by Shi Xiangyun, a character in A Dream of Red Mansions written by Cao Xueqin. It is very interesting to read.