Country April
(Song Dynasty) The mountains and plains are green, and Zigui sounds like rain. In April, there were few idle people in the countryside, and sericulture was planted in the fields.
Edit the introduction of the author of this paragraph.
Weng Juan (a famous writer in Song Dynasty) is a native of Daitou Village, Danxi Town, Yueqing City, and moved to Yongjia County after middle age. In the third year of Chunyou (A.D. 1243), recommended by his hometown, he spent a period of staff life in the commander's office in Vietnam, Jianghuai and other places. After that, he engaged in teaching, expanded the rivers and lakes, and finally took cloth clothes. He has been good at poetry all his life and has many cutting-edge works. Together with Zhao Xu, Ji Xu and Zhao Shixiu, they formed the "Yongjia Four Spirits" school in the history of China's poetry development. They attacked "Jiangxi School", created a stubborn poetic style, exercised writing, deliberately worked for the work, opposed the use of allusions, and deliberately sketched. Although many of his poems are about landscapes, singing and socializing, there are also many masterpieces that care about current events and people's livelihood. The Silkworm Girl by the Road in Dongyang, April in the Country and Gift for Zhang Yi are all well-known masterpieces. Ye Shi commented on his poem "self-spitting and leaning aside." According to Qing Qianlong's "Wenzhou Fu Zhi", there is one volume of poetry, two volumes of Xiyan Collection and four volumes of Wei Bixuan Collection. In fact, the three are the same book. Due to the long time and the evolution of the banknote version, it was finally included in a book "Wei Bixuan Collection". There is a series of Yongjia Poets' Ancestral Temple compiled by Mao Guangsheng. The new edition of Yongjia Siling Poem, collated by Chen Zengjie, is relatively complete. Weng Juan's poetry occupies a precious position in the history of China literature, leaving a rare spiritual and cultural heritage for future generations, and also gaining some spiritual comfort for himself in the troubled Southern Song Dynasty.
Edit the time background of this paragraph.
Weng Juan lived in an era when Jiangxi Poetry School gradually declined. Weng Juan and other four Wenzhou poets are deeply dissatisfied with the style of Jiangxi Poetry School, which is "taking books as poems", piecing together old classics and sticking to their own opinions. Weng Juan and others started with the poets in the late Tang Dynasty, deliberately seeking new ideas, taking the road of "bitter songs" by Jia Dao and Yao He, and trying to be "surprisingly narrow". This is probably the same idea of Weng Juan and other Jianghu poets who came from Shan Yu after the Tang Dynasty. They felt that they were weak and wanted to make a difference, which was also a reason why the poetic circles valued Weng Juan and other "four spirits" poems at that time. Most of Weng Juan's poems adopt the technique of line drawing, and the poetic style is relatively simple, with a faint charm in simplicity. "Paying more attention to essence than seeking more, and being complacent about things" is his creative criterion and goal. Weng Juan lives in the lower class of society and is familiar with people's feelings and customs. Therefore, some of his poems reflect and care about reality, sympathize with people's livelihood and expose unreasonable social phenomena, which are naturally very true. Although his poem "Silkworm Girl by Dongyang Road" has only seven words, it vividly describes the hard life and economic pressure of the silkworm girl: "Dust on the temples, mulberry leaf dew. It is difficult to meet each other, and it is difficult for others to reel off silk. " We can think of Bai Juyi's Charcoal Man. Silkworm girl and charcoal seller are both real working people in ancient society. After thousands of years of feudal society, there are few poets who can sing for the working people. His landscape poems not only inherited the exquisite style of the late Tang Dynasty, but also included the rational characteristics of the Song Dynasty.
Weng Juan's portrait (3) is like a wild look: a cold and sunny bay on an autumn day, with countless peaks and mountains far and near. Wandering up the mountain to see wild water, I suddenly saw green mountains under the water. Another example is Shan Yu: The night is full of frost in Bai Yue, and there is no cloud or thunder. Pingming suddenly saw a stream running and knew that it was raining from another mountain.
Edit this paragraph comment.
Bai manchuan means that the water color in the river reflects the skylight. Sichuan: mountain plains, plains and rivers. Just now, Zigui cuckoo. Good karma, good spirit and gardening. Sericulture and sericulture. In order to finish cooking. It seems.
Edit the translation of this paragraph.
A small river flows in the green hills, and cuckoos sing happily in the drizzle and breeze. How busy people are in the countryside in April, before they finish sericulture and start farming.
Edit the central idea of this paragraph.
The whole poem highlights the busy labor in the countryside (now Danxi Town, Yueqing City) in April. The whole poem is like a colorful picture, which not only shows the poet's love and praise for rural scenery, but also shows his love for working people and praise for working life. Therefore, Weng Juan has a good reputation as a country poet. Weng Juan painted a picture of farmers' rich and busy rural life, which set off the tension and busyness of rural labor in April.
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This poem describes the early summer scene in the rural areas of the south of the Yangtze River (now Danxi Town, Yueqing City) in a simple way. The first two sentences focus on the scenery: green plains, Shirakawa, Zigui and misty rain, and a few strokes outline the unique scenery of the water town in early summer. The last two sentences are about people. The picture mainly highlights the image of farmers transplanting rice in paddy fields, thus setting off the tension and busyness of rural labor in April. Call before and answer after, interweaving into a colorful picture. In April in the south of the Yangtze River, the hillside is green, Yuan Ye is green, and green trees, grass and seedlings are displayed in front of the poet, which is a world dominated by green. In the green Yuan Ye, rivers and canals crisscross, and the roads are full, flowing and white; Paddy fields filled with water are also white. Looking up, the green fields and the white water are all shrouded in faint smoke. Is that fog? A cigarette? No, it was a drizzle. From time to time, a few cuckoo calls came from the trees and the air. The first two sentences of the poem describe the scenery of Jiangnan in early summer, with broad vision and delicate brushwork; Bright colors and hazy artistic conception; Dynamic and static combination, vivid and colorful. "The rain is like smoke in the sound of the sub-gauge", and the drizzle like smoke seems to be summoned by the sub-gauge, which is particularly sense of realm. "In April, there were few idle people in the countryside, and only silkworms were planted in the fields." The last two sentences are about busy farming in early summer in Jiangnan. Mulberry picking, sericulture and transplanting are two major agricultural activities related to food and clothing. Now is the busy farming season, and every household is very busy. Don't take the last sentence of the poem too seriously, thinking that every family picks mulberry to feed silkworms first, and some people transport seedlings and some transplant them; Some people put silkworms into the field first, some people put silkworms into the field first, some people are only busy with one of them, and many people have to do something else. "Planting fields only when raising silkworms" is just a simplification, which outlines the busy atmosphere of rural farmers in April. As for not directly saying that people are too busy, but that there are few idle people, it is deliberately euphemistic and soothing, in order to maintain a leisurely tolerance in people's busy tension, which is in harmony with the watercolor-style hazy colors described in the first two scenes. Agree with 0| comment 2012-4-19: 06120695718 | level 1.
Country April
Song Weng Juan
The mountains and plains are all green, and the sound of Zigui is raining like smoke.
In April, there were few idle people in the countryside, and sericulture was planted in the fields.
To annotate ...
Baimanchuan-refers to the water color that reflects the skylight in the river. Sichuan: mountain plains, plains and rivers.
Rules-cuckoo.
Just-just now.
Good karma-good spirits and yuanye.
Sericulture-planting mulberry and sericulture.
It's over.
Like-like.
translate
The mountains and Yuan Ye are lush, and from a distance, lush, and the water color in the rice fields is in harmony with the sky. The cuckoo crows and the sky is foggy and rainy. Busy April has arrived, and farmers are busy with farm work. There are no idle people in the village. They just finished planting mulberry and raising silkworms and went to transplant rice seedlings.
April in the Country is a poem by Weng Juan, a poet in the Southern Song Dynasty. This poem describes the spring scenery in rural areas in the south of the Yangtze River in a simple way. The first two sentences focus on the scenery: green plains, white rivers, Zigui, misty rain, and a few strokes outline the unique scenery of the early summer water town. The last two sentences are about people. The picture mainly highlights the image of farmers transplanting rice in paddy fields, thus setting off the tension and busyness of rural labor in April.
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This poem describes the early summer scene in the rural areas of the south of the Yangtze River (now Danxi Town, Yueqing City) in a simple way. The first two sentences focus on the scenery: green plains, Shirakawa, Zigui and misty rain, and a few strokes outline the unique scenery of the water town in early summer. The last two sentences are about people. The picture mainly highlights the image of farmers transplanting rice in paddy fields, thus setting off the tension and busyness of rural labor in April. Call before and answer after, interweaving into a colorful picture.
In April in the south of the Yangtze River, the hillside is green, Yuan Ye is green, and green trees, grass and seedlings are displayed in front of the poet, which is a world dominated by green. In the green Yuan Ye, rivers and canals crisscross, and the roads are full, flowing and white; Paddy fields filled with water are also white. Looking up, the green fields and the white water are all shrouded in faint smoke. Is that fog? A cigarette? No, it was a drizzle. From time to time, a few cuckoo calls came from the trees and the air. The first two sentences of the poem describe the scenery of Jiangnan in early summer, with broad vision and delicate brushwork; Bright colors and hazy artistic conception; Dynamic and static combination, vivid and colorful. "The rain is like smoke in the sound of the sub-gauge", and the drizzle like smoke seems to be summoned by the sub-gauge, which is particularly sense of realm.
"In April, there were few idle people in the countryside, and only silkworms were planted in the fields." The last two sentences are about busy farming in early summer in Jiangnan. Mulberry picking, sericulture and transplanting are two major agricultural activities related to food and clothing. Now is the busy farming season, and every household is very busy. Don't take the last sentence of the poem too seriously, thinking that every family picks mulberry to feed silkworms first, and some people transport seedlings and some transplant them; Some people put silkworms into the field first, some people put silkworms into the field first, some people are only busy with one of them, and many people have to do something else. "Planting fields only when raising silkworms" is just a simplification, which outlines the busy atmosphere of rural farmers in April. As for not directly saying that people are too busy, but that there are few idle people, it is deliberately euphemistic and soothing, in order to maintain a leisurely tolerance in people's busy tension, which is in harmony with the watercolor-style hazy colors described in the first two scenes.