On the ideological and artistic characteristics of Du Fu's climbing the mountain.

1. This poem was written in the autumn of 767 in Dali, Tang Daizong. At that time, four years had passed since the Anshi Rebellion, but local warlords took the opportunity to compete for territory with each other. Du Fu entered the Yanwu shogunate and relied on Yanwu. Unfortunately, Yanwu died soon, which made him lose his dependence. He had to leave Chengdu Caotang, which had been in business for five or six years, and bought a boat to go south. He wanted to go straight to Kuimen, but because of illness, he stayed in Yun 'an for several months before arriving in Kuizhou. If it were not for the concern of the local government, he would not have lived here for three years. In these three years, his life is still very difficult and his health is very poor.

This poem was written by a 56-year-old poet in this extremely embarrassing situation. On that day, he boarded the high platform outside Bai Di, Kuizhou, and climbed up to watch with mixed feelings. What you saw in hope aroused your heart; The bleak scenery of Qiu Jiang evokes his wandering life experience and permeates his old illness and loneliness. Thus, there is this masterpiece, which is known as "the first and seventh speech method in ancient and modern times".

Second, this is a seven-character poem that best represents the desolation and vastness of Du Fu's poems. The first two couplets are about climbing mountains to see the scenery, while the last two couplets express the feelings of climbing mountains. Choosing scenery with emotion and embedding scenery with emotion fully expresses the poet's complex feelings of wandering for many years, worrying about the country and hurting the time, and being sick and lonely. But Gao Shuang's style is majestic, generous, vigorous and high-spirited, which is unique in ancient and modern times.

This metrical poem is very special Its four rhymes are all right, and the first two sentences are self-correcting. It can be said that "every sentence has a rhythm, and every sentence has a rhythm." As far as landscape description is concerned, there are meticulous descriptions (the first part), which describe the shape, sound, color and state of six kinds of scenery, such as wind, sky, ape, island, sand and bird. Each scene has only one word description, but it is vivid, refined and vivid; There are a lot of freehand brushwork couplets, which convey the charm of autumn. The lyrics are written for a long time, and they are written about the memories of "often visiting"; There is also ink in the sky. After "solo stage", write "Wan Li". From life wandering to soul and bone wandering, finally, the difficulties of the times are attributed to the root of poverty. The use of such intricate techniques makes the poet feel depressed and tragic when he is worried about the country and the people and hurts the heart of the country. It is no wonder that Hu Yinglin's poems in the Ming Dynasty say that the whole poem is "56 words", such as coral on the sea floor, which is thin and hard to name, unfathomable, but brilliant and powerful. There has never been anyone before, but it is Du Fu's poems that say something, not Tang Poetry. However, this poem should be the first of the seven laws in ancient and modern times, not necessarily the first in the Tang Dynasty. "