Basic Introduction Chinese Name: Chinese Poetry mbth: Definition of Chinese Poetry: Chinese Poetry Related Journals: Introduction, Influence, Introduction Chinese Poetry was originally a vague formulation, which was first put forward by a group of poets in folk magazines in the mid-1980' s, actually referring to China's modern poetry. In the context of cultural root-seeking, this expression shows a kind of consciousness of China language and culture. The academic group related to Chinese poetry is the World Chinese Poetry Association, which was established in 2003. Its magazine World Chinese Poetry is a large-scale folk poetry magazine, which publishes classical poetry and modern poetry. Japanese poetry culture is the most developed country in China except China. In Japan, from Nara era, influenced by China culture, scholars began to create Japanese poems in the form of China's poems. The most obvious difference between Japanese Chinese poetry and Japanese native songs and haiku is that a Chinese poem has four (quatrains) or eight (metrical poems), each sentence usually has five or seven words, while songs and haiku have five, seven, five, seven, five, seven, seven and other long and short sentences, which are more like Chinese words. In 75 1 year, the earliest Chinese poem "Huaifengzao" in Japan came out. After the peak of Heian period, Ling, Ji and Ji appeared constantly, and their popularity was called "the dark period of national wind". Since then, Japanese Chinese poetry in Kamakura and Muromachi times has been continuously developed. For example, Crazy Party contains a large number of Chinese poems written by a Hugh Zongchun. The development of China's poetry reached its peak in the Edo period. During the Meiji Restoration, almost everyone who was educated in Japan could write good or bad Chinese poems. After the Meiji Restoration, the influence of Japanese Chinese poetry began to decline, especially in the Showa period. However, the ancient Chinese education above junior high school still includes the recitation, interpretation and creation of China's poems and Chinese. During the Korean dynasty, Chinese poetry gradually became popular in South Korea. Cui Chong, Li Kuibao, Zheng and other Korean poets all have a large number of Chinese poems handed down from generation to generation. In addition, Korean literati recorded ancient Korean folk songs in Chinese characters, forming a new form of poetry, which was later called "Biequ Style", also known as "Gyeonggi Style Song", and generally adopted the format of 334. For example, the famous Korean folk song Arirang, or the ancient opening song Call of the TV series Dae Jang Geum. From the mid-Koryo period, tunes with Korean language characteristics were developed until the Korean dynasty? This period reached its peak. Shidiao is a slang folk song in North Korea. However, because it was compiled and recorded by China poets, and many Poems were created by China poets, the Poems naturally incorporated the factors of China's poems in the development process. When Viet Nam was a county in China, Chinese characters were used as the official language. China became independent in the Northern Song Dynasty, but official proclamations and imperial examinations were still written in Chinese, and general works were also written in Chinese. China's poetry, as an important form of China culture, has also developed in Viet Nam. At the end of Chen Dynasty, China's famous poets were Tang, Hu and others. In the post-Li era, especially in the period of Li Shengzong, China's poetry reached its peak.