Writing Women in Modern China, co-edited by Amy D. Dooling and Kristina M. Torge, was recently published by Columbia University in hardcover edition, which included the works of 18 female writers. Let me write down their names: Qiu Jin, Chen Xiefen, Chen Hengzhe, Feng, Shi Pingmei, Lu Yin, Lu, Chen, Ling Shuhua, Su, Yuan, Xie Bingying, Ding Ling, Lin, Bing Xin, Iulian Rosu and Xiao Hong. The two editors of the filter advertisement are doctoral students of modern literature in China, Columbia University, and Amy is now a professor of China literature at the University of Connecticut. They wrote a 38-page introduction, and each female writer was accompanied by a preface and photos. In the upper left corner of the photo is the author's name written by painter Bing Xu in Chinese. The first time I saw Shu Luo's photo, round face, double eyelids, beautiful and smart, is a typical beautiful look of a Sichuan girl. Shu Luo married Ma Zongrong, a writer studying in France in the same province. 1938 Shu Luo died in childbirth at the age of 35. Shu Luo translated French literature. Her works share Xiao Hong's concern about the suffering and miserable life of rural women in China. Even today, the suicide rate of rural women is much higher than that of cities. Cities and villages represent two different lifestyles. Some things are destined to happen in the city, and some things can only exist in the countryside. The countryside is silent, and the fate of rural women seems to be silent with time. Who else pays attention to the unfortunate women in rural areas? People come and go in cities, and cities are getting bigger and bigger. If you are not a writer born and raised in the countryside, it is probably difficult to have passion and sorrow rooted in the land. Most of the male writers in 1930s walked out of small cities with rural characteristics. In the minds of homesick poets and writers, the countryside has evolved into a dream, awakening sad memories in the blood rain of the city. The vast majority of contemporary writers were born and raised in cities, and cities are their homesickness. Ding Ling's photo is particularly rare, with short hair, long coat, hands crossed at her waist and sharp eyes. Literature, politics, enemies with male writers, Zhou Yang, traitor Feng, Shen Congwen. Ding Ling from the May 4th Movement to the end of the Cultural Revolution, from a fashionable new woman and young woman in literature and art to a revolutionary literature and art, until the literary revolution ... In her early years, Sha Fei was written with sexy charm and personality. She also personally participated in the Red Revolution. She is the vice chairman of the official writers association, right wing, and stayed in the Great Northern Wilderness. In her later years, she was called conservative and left-leaning Xie Bingying's photo is a small photo with a military cap, which matches the diary of a female soldier she wrote. Chen Hengzhe is dignified and beautiful, and a bookish spirit rushes at him. Chen Hengzhe 19 1 1 studied in the United States, majoring in history. 19 19 graduated with honors from Wasa College, a sister college of Harvard University. Three years later, she got a master's degree in history from the University of Chicago. 1920, becoming the first female professor to teach at Peking University. 19 17, Chen Hengzhe published a vernacular novel the day before Lu Xun's Diary of a Madman. 1920, Chen Hengzhe married Ren Hongjuan, a graduate student of Connor University. The first scientific society in China, the founder of Science magazine, 196 1 died in Shanghai. Chen Hengzhe died alone on 1976. She burned a lot of novels, poems and essays. Ling Shuhua, with short hair and a magazine in his hand, sat on the sofa and smiled. Ling Shuhua's family is very knowledgeable. His father was an academician in the late Qing Dynasty and was good at poetry. Once the head of the household, Baoding magistrate, changed to Shuntianfu. His family is often full of friends, and literati come and go. Ling Shuhua received a good education, and the English teacher never learned from Gu Hongming who could recite the word "Paradise Lost" word for word. He told Ling Shuhua that he was "born in Nanyang, studied in the West, married in the East and became an official in Beiyang". Painting Ling Shuhua was studied by Miao Suyun, a female painter, and by masters from all walks of life. In such an environment, the right time, the right place and the right people are in harmony. If she doesn't write, who will? If she doesn't draw, who will? 1962 Ling Shuhua also held an art exhibition in Paris. The autobiographical novel "Collection of Ancient Songs 65438-0953" was finally published in Britain, which became a best seller at that time and was later translated into many languages. Lu Xun called Ling Shuhua an obedient young lady of the old family. Ling Shuhua published Flower Bed on 1928, Woman on 1938 and Two Little Brothers on 1935. Ling Shuhua, aged 90, died in May 1990. Lu Yin's face is unlucky. Melancholy big eyes, big nose, big mouth and wide cheekbones. Her mother said that she was born unlucky, and Lu Yin's grandmother died on the day she was born, as if to prove her personality. Lu Yin, like Shu Luo, died in childbirth at the age of 36. Lu Yin's Collection of Love Letters from Yunou contains her love letters with Li Weijian, who is 10 years younger than her. The language is fierce and crazy. Love will change people, especially women. Lu Yin, born to love, died for love. Love reborn Lu Yin, and love killed her. Lu Yin went her own way and broke off the old engagement. "Life is my own. I will deal with it happily. Who cares? " . She married Guo Mengliang, a student in Peking University, with a wife and a daughter. Two years later, Guo Mengliang died, and Lu Yin came to Shanghai with the pain of losing her husband, teaching and writing at the same time, and the novella "Old Friends by the Sea", which established Lu Yin's position in the literary world, was also published at this time. Lu Yin didn't live to be 60 years old as she hoped. She wrote an autobiography in 60 years. "There have been one or two successful masterpieces, so I will die with a smile in admiration." Bing Xin died at the age of 99, which was a mixed event. From the New Literature Movement to the present, the only remaining May 4th writers are probably the old man Ba Jin, Su and her old man. Among modern female writers in China, only Bing Xin has won the highest official honor. Xiao Hong and Ding Ling set off an erotic storm among male writers in the 1930s, but Bing Xin seldom had an affair. Bing Xin didn't cheat, unlike Zhang Jialing who married a traitor and Ding Ling who was surrounded by people. Relatively speaking, she basically survived the storms of the times. Bing Xin studied in the United States, worked as a professor in a university, and published poems in New Moon. Left-wing writers struggle with the crescent moon, but Bing Xin is not among the attackers. Bing Xin, between romantic night and ordinary literature and art, is independent. I remember Zhang Ailing said that compared with Bing Xin, she was not proud, and Zhang Ailing was willing to associate with Su Qing. Xiao Hong, with pigtails and a bleak life experience, is extremely talented. Her dreamlike words are different from those in the 1930s, and the protruding peaks are different. She has been a legend all her life. Associate with Lu Xun, live together, combine with Duanmu Hongliang, and fall in love with Luo. Born in the north, died in the south. During her life of 3 1 (imaginary) years old, she kept fleeing and never lived in one place for more than 2 years, taking away the pain and misfortune of her personal life with her morbid body. China's modern literature, represented by Xiao Hong on the Hulan River, adds the color of fantasy epic. We just know that there is a place called Hulan River in the north of China, where people live in a "field of life and death" and are busy with birth and death. Lu Xun said that Xiao Hong replaced Ding Ling, just as Ding Ling replaced Bing Xin. My eyes noticed Xiao Hong's private life and the roles played by several men in her life. They deeply influenced her writing and thinking and hurt her health. She is sensitive and fragile and obedient to men. "She is a victim of a male-centered society in which women are playthings." "The biggest pain and misfortune in my life is because I am a woman." This sharp and painful whisper came from Xiao Hong's pen. She was wronged by a woman's body, but she failed to be perfect. Xiao Hong died in a foreign land far away from home, and Duanmu and Luo were present at the end of his life. Xiao Hong was buried, and they fled to Guilin together and had a fight. Luo took out a small note written by Xiao Hong, "I hate Duanmu" and Xiao Hong's copyright will. Regret for the Past is her brother's, Life and Death Field is, and Hulan River Biography is Luo's. Duanmu didn't, Duanmu refused. They filed a lawsuit and Luo won. Xiao Hong is like a meteor, shining in the night sky. Among the female writers in 1930s, Xiao Hong was a miracle. Her poetic and bold expression still attracts us today. She traveled through time and space, sending out echoes. Xiao Hong, Shu Luo and Lu Yin were female writers in 1930s. They all died in the heyday of their creation. They are really jealous. A woman writer's life is a book. Generally speaking, her novels are basically autobiographies. Strictly speaking, any form of writing is an autobiography of a writer. Kalimeris indica