1, lyric prose
Lyric prose is a kind of style that can not only be limited to the metrical form of poetry, but also create the artistic conception of poetry. By remembering people, narrating, describing scenes and images, we can move people with emotion and cultivate people in the blending of scenes. When expressing language, we should pay attention to the following questions.
(1) Deep understanding and bold imagination
(2) the heart is in the scene and enters the artistic conception.
(3) Dig the theme and recite the meaning.
2. Poetry
(1) Understand the background and define the purpose.
(2) Using imagination and bold design, poetry has its own characteristics, but it cannot be separated from thinking in images. It is bold to enrich your imagination with thinking in images.
(3) Grasp the rhythm and divide the language segments. Rhythm is the life of poetry, which not only shows the beauty of artistic conception, but also shows the beauty of charm. The grasp of rhythm is inseparable from the proper division of verse and verse. Problems that should be paid attention to in dividing paragraphs
(1) free poetry, free poetry is mainly divided according to semantics, on the premise of not reading into broken sentences. Long sentences are generally divided into three or four sections, and particularly short sentences have one section.
(2) The festival arrangements of metrical poems and metrical poems are different. For example, a five-character poem is divided into two paragraphs after the second word, such as "flower room/a pot of wine". Seven-character poem is divided into three paragraphs after the second and fourth words. For example, "Er/Huang Li/Ming Liu Cui".
Festivals contain some different syllables. When expressing language, pay attention to the fact that the duration of festivals is roughly the same. Therefore, more syllables should be read more compactly; Words with fewer syllables should be read slowly, and a short pause or pull-down can be used to indicate the pause between words.
When reciting or reciting poems, the language must be fluent and not dry. Also pay special attention to the pronunciation of words, the rhyme of each word should be developed clearly, and the pronunciation parts should be in place.
3. Drama
The expression of drama lines is a complex artistic expression. The main expression skills are
(1) Respect the original work and imagine boldly. Convey the main spirit and artistic beauty of the original.
(2) Find out the personality and psychological basis of lines. We should not only understand what the character says, but also understand why it says so.
(3) Flexible use of verbal rhetoric to overcome the "Facebook" expression that is not in line with life.
(4) The lines of traditional Chinese opera emphasize the role-building by sound. This requires that the expresser must have skillful skills to imitate the timbre and timbre of the work and convey the true feelings of the work.
Second, plain articles.
Plain articles mainly include expository articles and argumentative articles. There is no need to inject too much emotion into this kind of article. We can grasp it from the following three aspects.
1, make it clear, make it clear
2. Clear attitude, fairness and objectivity
3, the tone is peaceful, the stress is solid, and the tone should be positive, peaceful and simple. In the expression of pressure, we generally don't use methods such as speeding up, reducing and turning empty. The most common method is to emphasize and lengthen syllables appropriately. Its pitch and length depend on the color and weight of the tone.
Thirdly, narrative and novel.
1, narrative
In narrative prose, whether it is to remember people's narratives or to write landscapes, there is little preaching. When reading and reciting, we can grasp it from the following four points.
(1) Clear clues, that is, grasp the development clues and levels of the works. Narrative clues are sometimes displayed on the axis of people, events, objects and scenes, and sometimes they are displaced by the penetrating effect of the author's thoughts and feelings. Pay special attention to the internal relations of the works.
(2) The conception is concrete, and the conception of the work is the theme of the work.
(3) Delicate expression, specifically: First, the narrative should be stretched, and don't stutter when expressing. Second, the description should be realistic, and it should not be exaggerated when reading and reciting, so as not to give people the feeling of "extreme". Third, the characters should be similar in spirit, not in form. Never imitate a character's voice, appearance or smile. In particular, the dialogue between characters should not simply consider what kind of timbre to speak, but should serve the purpose.
(4) In the use of sound, it should be soft and clear, the sound should be solid but not hard, soft but not sticky, and the rhythm should change smoothly and freely. Don't be loud and gruff, and don't be empty and careless. It should be as clear and lively as a stream.
2. Novel
This novel has descriptions of plot, characters and environment. And it needs a lot of skills to master a good style. There are three main issues that need attention;
(1) Grasp the core. No matter what novel, it always revolves around a core, unfolds the plot, depicts the characters and gives people an image infection. So we must grasp the core and not get caught up in the specific plot.
(2) Grasp the tone and change the rhythm. Plot is the basic part of the novel, and the plot of the novel is very complicated. If you want to express accurately, you must grasp the mainstream, accurately determine the tone, and have the feeling and attitude that dominates the whole article.
(3) Grasp the dialogue and shape the characters. When expressing language, we should design the basic tone of the characters according to the introduction and description of the characters in the whole novel. We should also pay attention to the sense of object, space and echo, the relationship between interlocutors, the echo between questioners, the spatial position of characters when they speak, and so on. Put yourself in the other's shoes, reproduce the scene, express it with sound and convey it to the audience.
Pay attention to reading aloud so that you can meet yourself better.