"Wang Yuan" is a common theme in Tang and Song Ci, but in terms of implication, it seems that Wen should be the first word. The author skillfully chooses "Wangjianglou" as the activity space of the lyric heroine, and sets off and depicts her inner feelings with the scenery on the river, thus showing her desire for return and her specialty in using emotions in twists and turns.
The first sentence tells the time when the heroine went upstairs to look forward to going home: in the morning, just after washing and dressing up, she waited hopefully for the shadow of Xiaofan. The idea of boxing is urgent; Relying on this feeling can't be said to be persistent. The second sentence touches on the heroine's modality of going upstairs and looking forward to returning. The word "lonely" not only makes people want to see her loneliness, but also implies the meaning of "and you are lonely and helpless." "Wangjianglou" is obviously the place where she looks forward to going home. You boarded the Wangjiang Tower, and what you want must be to return to the river. With the word "Wang", the heroine's gaze on the railing jumped from the paper. There is a saying called "Don't lean on the fence", because the scenery outside the fence often causes your inner sadness. Now, the heroine is willing to take her "risk". What she sees is the depth of thought and the intensity of hope-although her voice suddenly returns, she still stubbornly believes that the sail shadow she expects will fall from the sky today. But in the end, hope is empty. The sentence "too much" shows her mental journey from hope to disappointment: every picture of Qian Fan sailing in front of the building may be the home of her lover, so the fire of hope rises again and again in her heart; However, everything went straight and never stopped, putting out the fire of hope in her heart again and again. Too many Qian Fan are nothing. In the process of identifying "yes" and "no" countless times, how many times did the heroine return with mixed feelings of sorrow and joy, and how many times did she return from the peak of hope to the epic fall of disappointment? If it is a cycle, then its soul destruction is self-evident. Finally, even the last sail shadow disappeared in the distant horizon, only the afterglow of the sunset reflected a silent and sad spring water of a river-isn't this oblique pulse and long river just a symbol of the heroine's endless thoughts and endless resentment? Here, the heroine's activity space remains the same, but the time has been from early morning to evening. At the intersection of this unchanging space and changing time, the author regards what the heroine sees as "Qian Fan", but only "a person" in her mind. The so-called "the world is boundless, and the promise is single-minded." This implies that she is both expert and deeply in love. This is its moral. The heroine turned her eyes to an island full of white apples, and it was even more difficult to send her heartbreaking feelings away. The word "heartbreak" shows that the heroine has turned from disappointment to despair at this time. If this happens today, what will happen tomorrow? How vast the imagination space left by the author is!
Many works of "Mi Li" have been written, but the style of this word is rather sparse. The author did not mention the heroine's appearance and dress, but described her mentality and mood with simple line drawing techniques. The construction of the scene is completely subordinate to the need to set off her mentality and mood, which is different from other works of the author.