First of all, from the perspective of reception studies, the most successful works are the texts that can best mobilize readers' aesthetic organs and feelings. Poetic, which is an important artistic feature of The Book of Songs. The Book of Songs not only satisfies and guides people's pursuit and expectation of visual beauty in the overall form, but also makes the sound extend and strengthen regularly, which is harmonious and pleasing to the ear, thus forming a special musical beauty. This is particularly prominent in the unknown East. "Dongfanghong unknown so, clothes upside down, upside down, since the public call. The east is not embarrassed, the clothes are upside down, the right and wrong are reversed, and the audience orders. "If you change one or several words in a chapter, there will be legal changes and freedom in strictness. It is not only convenient for memory and eulogy, but also gives people a dignified and deep sense of history.
Of course, only the beauty of visual neatness and auditory music is not enough to prove the artistic vitality of The Book of Songs beyond the Millennium. The wonderful stimulation of the senses drives and strengthens the aesthetic cognition and emotional sublimation in the depths of the soul, which is the most profound and successful artistic mystery. Every reader has a great aesthetic imagination space, and the degree of expansion of this space and the depth of readers' perception of the connotation of the work; On the one hand, it depends on the reader's own perception ability, on the other hand, it depends on the expression form of the work. The use of repetition not only brings visual neatness and auditory rhythm, but more importantly, the repetition of vision and syllables prolongs the time for the image to stay in the reader's imagination space and deepens the traces left. In this way, the breadth and depth of readers in the field of experience expectation are also broad and mysterious because of the expansion and deepening of images. Jia Xu is a very successful work in art, and the evaluation of Xiang Yi Lou Shi Shuo is: "It is sad and sad to write feelings into things ... a sad work through the ages." Writing feelings into things, that is, expressing feelings through scenery, is the greatest success of Jiaxu. "Jane Jane warehouse, the millennium is frost. The so-called Iraqis are on the water side. " The beginning of the poem makes people feel the natural beauty and sadness of the artistic conception. If you want to see the Iraqis, you can't see them, and you can't get them. This vague, hazy, wandering and elusive "Yi" shows the sad and confused mood of the hero in autumn scenery, and is repeatedly recited. This interlocking scene blends, showing a circular curve, rotating around a central point, and going round and round, such as endless cycle, harmonious artistic conception, which can be presented and deepened in the spiral movement.
Thirdly, the large-scale application of repeated superposition techniques finally makes the lyric hero's emotions vent incisively and vividly. Just as the melody of music conveys emotional fluctuations, the repetition of syllables and images also corresponds to emotional lingering. For example, "Brother Cai" repeatedly recited "I haven't seen you for a day, like Sanqiu Xi", directly expressing the pain of lovesickness. "Cricket" reproduces the joyful scene of the ancient custom of picking crickets by repeating chapters and singing, and sings the enthusiasm of primitive women for reproduction. The Book of Songs successfully shows the homesickness of wanderers. Where will you go? Young women resent their husbands. This success should be attributed to the successful use of his repeated singing. The repetition of words strengthens the power of emotion. For example, the words "Shuo Shuo" are repeatedly used at the beginning of each chapter of Shuo Shuo, which strengthens the theme and reflects farmers' resentment and accusation of heavy exploitation. Zhu Ziqing said: "Repetition is not to say less, but to say less and forcefully." For example, the three chapters of "Qin Feng Without Clothes" show the high fighting spirit of Qin Jun soldiers before going out to war in a repetitive way: they call for encouragement from each other, risk their lives and forget their death, and unite as one. Another example is "Chopping Sandalwood", which uses the method of rotation and repetition to let thoughts and feelings freely vent, which strongly reflects the resentment of the working people against the rulers at that time. In addition, Yao Tao, Papaya, Jingnv, etc. are all repeated, and the language is concise, vivid and infectious.