Yan Yan has no intention, and the west bank of Taihu Lake goes with the clouds. Several peaks are bitter, and it is rainy in Shang Lue. Next to the fourth bridge, I plan to live with you every day. Why today? Looking back on the railing, the residual willows danced irregularly.
Mr. Yu Pingbo commented on Zhang Yan's evaluation of Baishi (such as "emptiness", "emptiness" and "elegance", such as "wild clouds flying alone, leaving or staying without trace"), saying that "it seems that he has said it, but it seems that he has never said it, and he feels very slim." The ambiguity lies in the understanding of Baishi's innovation.
This poem was written by Yan Nanfei when he arrived in Suzhou via Song Wu in the 14th year of Xichun (1 187), and it combines scene and self-expression. "Yanyan" is a wild goose in the north. Like a poet, "the west bank of Taihu Lake goes with the clouds." The second rhyme of the last film is a famous sentence sung for centuries, which embodies the unique style of Baishi. Its beautiful and bitter peaks gather to discuss the dusk rain, and things are anthropomorphic, and people are anthropomorphic, and they are quite complacent. They are rich images of poets who are self-achievers. Nature and the poet are integrated, and the dynamic and broad natural landscape reflects the poet's character and spirit. In the following film, Lu Guimeng (Tian Suizi), a poet who lived in R&F in Suzhou, was like a white stone in his wandering thoughts and claws all his life. Jiang, I admire him very much. Now that he is on the land, can he not think about it? Among the peaks of "Yellow Rain", Shandong and Jiangdang each occupy one.
Baishi's language art is extremely distinctive, so-called cutting clouds and sewing the moon, knocking on gold and jade. His language is like a fiddler's bow, agile and flexible on the strings, with endless changes in strength, movement and reality. It is wonderful to go anywhere, such as the breeze and clouds, the waves and the reefs. In this word, Yan Yan who has gone with the clouds, several peaks in Shang Lue's yellow rain, fluttering autumn willows, and even the poet himself who will live with the sky are all in the infinite changes of artistic magic. The strings can be understood as an objective reality of emotion.
Since Sui and Tang Dynasties, the confluence of Confucianism, Buddhism and Taoism has gradually become the mainstream in the history of philosophy and ethics. Baishi's poems flaunt the "natural beauty" of "whether strange or strange, stripping off literary talent and knowing its beauty but not its mystery"; In terms of inheritance and innovation, it is advocated that "it is better to be harmonious but different from the ancients;" To be different from the ancients, it is better not to be different from the ancients, not to be different from the ancients. "The" nature "mentioned by Baishi is very similar to the Taoist" Tao ":"Things are born in harmony and born naturally. Lonely, independent without change, week without danger, can be the mother of the world. I don't know its name, it says between the lines. "(Laozi) Baishi Liuyu lives in Xing Wu (Huzhou), Zhejiang Province, and admires the name of Baishi Cave, hence the name Baishi Taoist." Baishi Cave "may be Huanglong Palace, a limestone cave discovered in 1966, where ancient Taoist priests practiced. Baishi's thought has obvious Taoist tendency. Repeated attempts and lifelong clothing, as well as the weak situation in the Southern Song Dynasty, forced him to go empty. This can not but affect his aesthetic thought and poetry creation.
Sex, Tao, emptiness and emptiness are not illusory nothingness. Laozi and Zhuangzi's aesthetics believe that the essence of artistic beauty is the noumenon of Tao, not the cognitive entity that the five senses can perceive. Ontology should be said to be obtained on the basis of entity. Although "invisible", "affectionate and trustworthy" is everywhere. This understanding of the essence of beauty inevitably requires creation and appreciation, so it emphasizes "the meaning beyond the taste", "the image beyond the image", "the sound of laughter" and "the elephant is invisible", with emptiness and loneliness as the highest realm. Jiang Baishi's innovation of "the essence of nature" is taking the road of aesthetics of Laozi and Zhuangzi, and the enrichment in the emptying of this fine print is an example. (Li Wenzhong)
Yan Yan has no intention, and the west bank of Taihu Lake goes with the clouds.
Several peaks are bitter.
It is raining in Shang Lue.
Next to the fourth bridge, I plan to live with you every day.
That's not what happened. Look back with the railing.
Residual willows dance alternately.
Appreciation of Jiang Kui's Ci
There are four elements in Baishi's poetics: meteorology, elegance and blood rhyme. The requirements of the four are "weather should be abundant", "honor should be macro", "blood should be connected" and "rhyme should be elegant" Although it is the language of poetry, it is also very appropriate to transfer it to words. Read this word and know that it is true.
In the winter of Ding Wei (1 187) in the 14th year of Xichun in the Southern Song Dynasty, Baishi wrote this word when traveling between Huzhou and Suzhou and passing through Wu Song (now Wujiang County, Jiangsu Province). Why did you write this word after Wu Song? Because Baishi usually likes Lu Guimeng, a recluse poet in the late Tang Dynasty, Guimeng lived in Wu Song.
The boundary of the first part is the boundary of the poet's pitching world. "Yan Yan has no intention." Yan Nianping (yān smoke), the north is also. Goose is a wild goose from the north. Winter is here, and it's the season of flying south. Lu Guimeng has many poems about the northern geese, such as The Lonely Goose: "I was born in heaven and earth, and I am the only southern goose." "Returning to the Wild Goose": "Going to the north and coming to the south is my Cao Zheng, and I should work far away." "Jingkou": "Wild geese frequently talk about the north." "Jinling Road": "The northern geese are straight." Goose: "How long is the road between north and south?" Baishi's poems also praise geese, such as "Wild Goose Map" and "Except Night", as well as words like "Huanxisha". It may be related to his feeling of wandering around the rivers and lakes for many years and his great love for turtle Meng. Yan Yan, who is really written in the air, is a metaphor of wandering life. Unintentional means inorganic mind, and pure words mean nature. It is another metaphor for Yan Yan's natural disposition to point out that she has no intention of flying with the seasons. This has become the poem of the tortoise and the Mongolian ancients. Gui Mengqiu attacked the United States (Pi Rixiu): "Clouds are like leisurely water." "It's a beautiful thing in the new autumn": "The heart is like a lonely cloud, who knows more in the world." The next sentence was written unintentionally: "The west bank of Taihu Lake goes with the clouds." Yanyan flies leisurely on the west bank of Taihu Lake with faint white clouds. Yan Yan's departure is a metaphor for her sense of wandering in the Jianghu. If you go with the clouds and have no intention, you are purely natural. Song Chenyu's "Hidden Words" says: "White Stone" fell in the Jin and Song Dynasties. When it comes to meaning, it is estimated that it will not be very high. "Fan Chengda called it" Momo's character, quite like a refined scholar in Jin and Song Dynasties. "Changyu's" The Legend of the White Stone Road flyover "also said that he" looks light, like a fairy. "However, Baishi is different from celebrities in Jin and Song Dynasties. The so-called celebrities in the Jin and Song Dynasties were actually nobles who died in their leisure years, while Baishi lived by clothes all his life, which was at the time of the decline of the Southern Song Dynasty. His home country was hated, and his life experience was not comparable to that of celebrities in Jin and Song Dynasties. So the following is the thought of worrying about the country and the people. A word from the west bank of Taihu Lake has a vast and distant artistic conception. Taihu Lake is pregnant with five mountains, and "Tianshui is integrated" (Gui Meng first entered Taihu Lake). The artistic conception of this word is as great as heaven and earth. " Several peaks are bitter. Shang Lue is yellow and rainy. "Shang Lue's words have both the meaning of discussion and brewing. Several peaks on the lake are quiet and sad, and some rain is brewing at dusk. The bitterness and helplessness of this sentence reflects the sorrow of millions of people. Never anthropomorphic writing mountain, fresh this magic pen. Compared with Xin Jiaxuan's "I think Castle Peak is charming, and I expect Castle Peak to be so" ("Yu Meiren"), what kind of different situation is it? Zhuo commented on Erythrina: "It is a wonderful word. "
The realm of the next film is the realm of the poet pitching the present and the present. "When I get to the Fourth Bridge, I plan to live with you every day." The fourth bridge is called "Ganquan Bridge outside Wujiang" (Zheng's Collation of Wonderful Words), and "Quanpin ranks fourth" (Suzhou Official Records). This is Lu Guimeng's hometown. "Wu Jun Tu Xu Jingzhi" says: "Lu Guimeng lives in Songjiang Shangfuli." Songjiang is Wujiang. The sky follows the child, and the turtle is named after it. Heaven and Language Zhuangzi. In the novel God Moves with Nature, this means that the movement of spirit follows nature. Gui Meng had the ambition to help the world. His "Two Nights in the Village" said: "Without a monarch, Yao and Shun can't go up and down. Without living national strength, it is quite civilized. "However, he lived in the late Tang Dynasty, so he had to live in seclusion. Baishi's life is not without ambition. In The Journey to the West's poem, he said, "Traveling all over China, sighing that there are few heroes. Song of Eternal Sorrow: "The Central Plains was born and gathered, and the gods are in old age, looking south at the Changhuai Golden Drum. "However, he also raised a scholar without the first place, wandering all his life.
Lu and Jiang have similarities. Gui Meng is good at Spring and Autumn Annals. His Biography of Mr. Fu Li said: "The sexual field is unrestrained, so I can read the books of ancient sages and explore the righteousness." "In Zhenyuan, Han Gong Jin tasted the general rules of the Spring and Autumn Annals and carved them on a stone." "But it's almost a hundred years since I failed. On the other hand, Baishi is good at music. In the third year of Qingyuan (1 197), I entered Dayue Instrument and went south for 60 or 70 years. The music code is long dead. Baishi made a comprehensive criticism and contribution to the music system at that time, including musical instruments and songs. "It is common to write books and pay for them." (Song Shi Le Liu Zhi) They have a high sense of responsibility for traditional culture because of their clothes, and so do they. It is this sense of identity in spirit and temperament that endows Baishi with "I will be cold all my life only if I follow my son's meditation" (the poem "Three High Poems") and "Three Life Must Be Lu Tiansui" (the poem "Except Night"). Next to the Fourth Bridge, planning to live with you every day is the embodiment of this sense of identity.
On the fourth bridge, the land is still there, and the sky is with the children, but the people are gone. With the word * * * in the middle, the ancients who are still in their hometown are connected with their past selves, and the boundaries between ancient and modern are lost. This is a special brushwork adopted by the poet in order to break the limitations of ancient and modern times and seek to recite spiritual sentences with the ancients. Another example is Liu Guo's friendship with Dongpo, Lotte and Lin Hejing in Qinyuanchun. It writes about nature, life and history, and the pen turns out new ideas and writes about the times, with unlimited pen power. The word "today" is rich in meaning and covers a wide range. There are many meanings, such as when, where, why and how. Therefore, today does not include what the world is, where the world is going, why I have come so far and how to face it. This is one of the major rhetorical questions covering the universe, life, history and times, and it is also a major rhetorical question full of philosophical reflection. And the key point is mainly in the word today. Nostalgia, strong brushwork and broad weather. Both the ancient and the present are embodied in the text, which complements the historical meaning of "what is today". You should know that this place belonged to wuyue in ancient times, and Yin Jian, the history of wuyue's rise and fall, once aroused the infinite emotion of returning to Mongolia in the late Tang Dynasty: "Changzhou is full of thorns, and only hate Taiwan is lush. The prince of Wu will die in everything, and the stone may not get the sixth house. " ("Wu Gong Nostalgia") can't help but evoke the infinite emotion of Baishi in the Southern Song Dynasty: "The Beauty Platform used to be fun, but today it sees the five lakes. Residual snow dies before grass melts, and no elk crosses Gusu. " (except at night)
Nostalgia is the pain of today. "Irregular Dance of Residual Willow", Liu Ben is delicate and rotten as residual, so his dance is also uneven, but he still dances endlessly. The word "dance" is persistent and powerful, with desolation in it and desolation in it. In fact, the natural image of "the dancing of residual willows" is a symbol of the decline of the Southern Song Dynasty, implying that although it is broken, it is unwilling to perish. This is similar to Li Shangyin's "Leyou Tombs" and "to see the sun, for all his glory, Buried by the Coming Night", which symbolizes the irretrievability of the national fortune in the Tang Dynasty. As a natural image itself, it complements the natural meaning of "what is the present". The artistic conception of pen collection is actually a portrayal of the national luck of the Southern Song Dynasty. Looking back at the sentence "several peaks suffer", it means the foreshadowing of the end. Nine years ago, Xin Jiaxuan wrote "Fishing" and said: "Don't lean on the dangerous fence, and the sunset will be bright." It is the same artistic conception. The word "white stone" uses dancing words, which contains infinite desolation and tragic.
Chen Tingzhuo's White Jade Zhai Thorn says, "Point your lips. Ding Wei in Wu Songzuo's poems didn't spend the winter. He only wrote the scenery in front of him at the beginning, and at the end of the poem, he said,' What's going on now, leaning against the railing to recall the past, and the willows dancing irregularly'. When he is sad, he only sings three words and leans against the railing to lament five words. The infinite sense of sadness is all in the void, which makes the reader mourn the past and hurt the present, but he can't stop. Being good at describing the ethereal realm and writing from the imaginary place is a major feature of Baishi's ci. This word combines the feelings of life experience and the hatred of home and country, and is an invaluable treasure in patriotic words in the Southern Song Dynasty. The source, home and country are dominated by natural images, which are in a dominant position in Ci, and integrate nature, life, history (respecting nature and cherishing the past) and times.
Especially, "what is the present", one of the major backchat, although its significance focuses on the present, its significance is far more than that, and it is a philosophical reflection put forward by the poet in the face of nature, life, history and times. The artistic conception of the whole word also rose to the philosophical level. What's Now? What's Now in The Peach Blossom Garden and Where's the Past Era in Youzhou Tower? Behind me are future generations? ”。 This word is full of infinite emotions, but it is just "the more meaning, the fewer words". This kind of writing is easy to form an indirect distance between the self-expressed image and the written image, resulting in a hazy aesthetic feeling. The combination of sound and feeling of this word is also very subtle. The first two words of the first sentence in Part I rhyme, the third and fourth words of the last sentence are disyllabic at dusk, and the fourth word of the next apposition sentence rhymes and crosses disyllabic. It is natural to be unhappy. The magical function of the double phonological ring lies in adding endless sounds and emotions to this short chapter.
Respondents: 185688- Assistant II 12-5 19: 10.
Enjoy 1
This word was written by Qingzhao in his early years, and it was written with a girl's innocent expression.
The mental state of the last film after swinging. What the poet wrote was not the joy of swinging, but the moment after "swinging". Although all the movements have stopped at the moment, I can still imagine the girl on the swing, dressed lightly, flying in the air like a swallow, which is wonderful in silence. The words "get up and adjust your delicate hands" and "adjust your delicate hands" are very appropriate. After coming down from the swing, my hands are a little numb, but I'm too lazy to move and write about the girl's finals. The "slim hand" talked about "Nineteen Ancient Poems": "E-E pink makeup, slim hand." In order to describe the tenderness of the hand, but also to point out the age and identity of the characters. She was wearing "light clothing", which was Luo Shang's first attempt. She broke out in a fine sweat, and there were crystal beads of sweat on her forehead. This delicate and beautiful expression is like crystal dew on a delicate flower branch. The phrase "the dew is thick and the flowers are thin" not only shows that the time is in the early morning of spring, but also sets off the beautiful characteristics of the characters. The whole film takes stillness as motion, uses flowers to describe people, and vividly outlines the expression of a girl after swinging.
The next movie is about a girl's modality when she first meets a visitor. After swinging, she was too tired to move, and suddenly a stranger broke into the garden. "Seeing the guest come in", she was surprised and left in a hurry before she could arrange her clothes. "socks" means walking in socks when you don't have time to wear shoes. "Golden hairpin slips away" refers to the expression on her face when her hair is loose and she falls to the ground and writes it in a hurry. Although there is no positive description of who this unexpected guest is, it can be confirmed from the poet's reaction that he must be a beautiful young man. The words "walk with shame" accurately describe her inner feelings and external actions at this moment. Those who are "ashamed" are ashamed; The "walkers" left in a hurry. What is even better, however, is the sentence "Looking back at the door, I smell my childhood". It depicts the delicate psychology of girls who dare not see and see and dare not see with exquisite pen and ink. Finally, in order to secretly see him, she had to cover herself up with the detail of "sniffing green plums". In the following film, the psychology is described by actions, and several actions are clearly tortuous, vividly depicting a girl's psychological activities of surprise, embarrassment, curiosity and admiration. Han Wo, a poet in the Tang Dynasty, also wrote a similar poem in the Collection of Ganyu: "Laugh away when you see a guest, and rub a plum blossom in the middle door." But in contrast, "walking with a smile" is frivolous and "walking with shame" is profound; "Hand rubbing plums" can only show anxiety, while "sniffing plums" can be painted affectedly; "Ying Zhong man" seems to be nobody's business, while "leaning against the door" is to look forward and give it a "look back". The girl's voyeuristic posture is elegant.
Although this poem is based on the girl's situation and mentality, it can surpass shine on you in According to You and win the reputation of "Let's enjoy it". The whole poem has a lively style and a relaxed rhythm. Forty-one words are used to describe a naive, pure, emotional but reserved girl image, which can be described as a wonderful pen.
Appreciate II
Before the Jingkang Rebellion, Li Qingzhao, a poet, lived a happy life. Her ci in this period mainly showed her strong pursuit of love and her desire for freedom. The style is basically distinctive. The swing is probably the early work of this period.
In the first film of this word, "careless hands" and "thick flowers and thin clothes, thin sweat and light clothes" were used to describe the beautiful image of a petite flower girl who just got off the swing with sweat hanging from her brow. Then, the poet turned the pen and let the quiet world of words set off a storm. The girl suddenly found someone coming. Naturally, she quickly put on her shoes, exposed her socks, and ran shyly towards the house, with the gold hairpin slipping off her head. This vividly depicts another kind of psychology and action of boudoir girls in feudal society, that is, adhering to the so-called "ceremony" under the bondage of feudal ethics. However, she ran shyly to the door, but did not hide in the house as usual. "Leaning back against the door, she sniffed at the green plum."
Li Qingzhao's two short sentences, like "Chewing red velvet and laughing at Tan Lang" in Li Yu's Welcome to the Pearl, have successfully written the modality of a young girl. At the same time, these two short sentences of Li Qingzhao vividly reveal the inner world of girls. She didn't really smell plums, but used them to show that nothing had happened to cover up her nervousness. This is similar to Ouyang Jiong's "He Ming Dynasty": "Pomegranate is nepotism, so it will delicate jade fingers and secretly twist the golden thread with two peaks." Huang Chongzhi "Jade Girl Rumors? There is a saying in Shangyuan that "Jiao Bo slips, and the hand twists jade and plum is low". This is similar to the fact that in today's real life, young girls play with braids and handkerchiefs to hide her shyness and nervousness. As for the "looking back", it is different from the "looking back" of Ouyang Jiong's Nanxiangzi that "the water passengers are on the sand, looking back, laughing and pointing to the banana forest" and the "looking back, the peacocks are both dancing to the sun" in Li Xun's Nanxiangzi, although it expresses content and feelings. The "looking back" in Li Qingzhao's two short sentences is the girl's unhappiness with those who disturb her free play. She wanted to see who bothered her, who and what kind of people embarrassed him so much. This shows her innocence and courage, and shows her contempt for the shackles of feudal ethics. This kind of thoughts and feelings, in terms of its content, far exceeds the description of this side of life.
Before Li Qingzhao, although most of the poems were about women, few of them were able to describe women's images and write their inner world, and they were meaningful. Li Qingzhao's Pink Lips is simple in language and vivid in image. It not only has a psychological description, but also has a certain meaning. It is indeed a good work about the girl in feudal society (the poet's self-portrayal). It can be compared with Li Qingzhao's famous ci poems, such as a plum blossom ("red lotus fragrance can leave autumn jade"), drunken flower songs ("fog is thick and clouds are light and always sad"), Wuling Chun ("the wind has stopped the dust and the fragrant flowers are exhausted") and slow voice ("searching").