I don't know where to get autumn frost in the mirror.
In autumn, the whole world sheds flowers, collecting fish and leaving water.
His wife, Zhang Xi, got married, reflecting the deep bamboo forest.
Step by step, Tao Bo heard this sentence.
Darkness bid farewell to the monk and bowed their heads to the white clouds.
…………
White hair as long as three thousands of feet, it is because of sadness that it grows so long.
Somewhere in the mirror, autumn frost falls on my head.
An old man from Qiupu, Tian She, sleeps on a fishing boat.
His wife set a bird net deep in the bamboo forest to catch the silver pheasant in the forest.
Tao Bo is only one step away from here, where people can hear clearly.
I have come to bid farewell to the monk in the dark and bow to the white clouds in the distance.
Pick up a white hair and grow three thousands of feet; Full of sadness, as long as white hair. The original poem tries to describe the depth of sadness. "Three thousands of feet's white hair" is not only used to describe the deep sadness when leaving, but also to describe the deep pain when people suffer from emotional suffering or worry about their careers. Three thousands of feet with White Hair is Li Bai's exaggerated handwriting, which has been cited as a model of exaggerated brushwork for thousands of years. Thousands of feet's white hair is impossible, but it is acceptable in art, because it refers to the sadness in the poet's heart, and its meaning is more concrete and vivid than the general image.
Full text appreciation: This poem expresses the poet's talent with romantic exaggeration. The first sentence "three thousands of feet with white hair" is a wonderful exaggeration, which seems unreasonable. A person can't have seven feet tall and three thousand feet long hair. I didn't understand until I read the next sentence, "Fate is like a long sorrow", because sorrow is like this. "Fate", because; "Long", so long. White hair is born of sadness and grows because of sadness. This 3000-foot white hair is a symbol of inner sadness. The tangible white hair in the poem is replaced by the intangible sadness, so these three thousands of feet's white hairs are naturally understood as artistic exaggeration.
The last two sentences "I don't know where to get the autumn frost in the mirror" mean: I look in the clear bronze mirror and see my rustling white hair, and I don't know how my hair became so white. By asking myself questions, I further strengthened the characterization of the word "sorrow" and expressed the poet's difficult dilemma. "Autumn frost" refers to white hair, which has a sad and haggard emotional color. Li Bai is in his fifties, but his ideal can't be realized, but he is suppressed and excluded. Why not let the poet worry about his white hair and dye his temples with autumn cream? With a sad and haggard mood.
An old man from Qiupu, Tian She, slept in a boat on the water because of fishing. His wife set a bird net deep in the bamboo forest to catch the silver pheasant in the forest.
Looking at the phrase "white hair is three thousands of feet" alone, it is really incomprehensible: how can white hair be "three thousands of feet"? When I read the next sentence "Sorrow is as long as sorrow", I suddenly understood that the "three thousands of feet" with white hair was born of sorrow and grew up because of sorrow. Worry makes white hair, people feel something, and grow three thousands of feet. How many deep worries should there be? The fateful weight of ten words falls on one word "sadness". It's incredible to write about sadness. Fantasy strange sentences can't help but make people marvel at the poet's boldness of vision and pen power. There are many sad examples in classical poetry. Luo Dajing, a poet in the Song Dynasty, wrote in "Jade Dew in the Crane Forest": "Some poets use mountains as a metaphor for their worries, and Du Shaoling said,' Worry comes like a mountain (according to newspapers and periodicals, it is regarded as' Qi finally goes south'), and it is impossible to shovel holes'; Some people use water as a metaphor for sadness. Li Qiyun said,' Please measure the water in the East China Sea to see the shallow sorrow.
Li Bai found another way to describe the depth of sadness with the length of "white hair and three thousands of feet". People will not only take the poet's unreasonable troubles seriously, but will sincerely appreciate this unnatural and popular strange sentence and feel sympathy for the poet's sigh.
People see the white hair on their heads and its length because they look in the mirror. The first two sentences are hidden in the mirror, and three or four sentences clearly say: "I don't know where to get autumn frost in the mirror!" " Autumn frost is white, representing its white hair. Seemingly repetitive but not repetitive, there is a sad and haggard emotional color that transcends the word "white" of white hair. "I don't know" in the previous sentence is not really unknown, nor is it because I don't know that I asked "where". These two sentences are not questions, but angry words and bitter words. Poetic eyes are on the word "de" in the next sentence. Where did you get so worried? The word "de" goes straight to the exclusion and oppression suffered by the poet for half his life; I don't know why I'm worried about my white hair and autumn frost on my temples, and I feel it personally!
In the sixteenth poem, Li Bai reproduces the life mood of Qiupu people with a very appreciative eye: fishermen fish day and night, and their wives are unwilling to be idle. She catches birds deep in the bamboo forest. The whole family is busy with their lives, but their mentality is very peaceful. This poem, known as Wang Wei's "Wangchuan Poem", was obviously written with a relaxed mind. It is this healthy psychology of constantly self-renewal and constantly accepting new things that makes Li Bai an important subjective factor in writing a well-known cadenza no matter where he is.
The seventeenth poem, the last one, ends with a gloomy departure from Qiupu, conveying a sad mood.
It transcends the deep and subtle image of seeking support.
Li Bai has the ambition of "competing for beauty and helping others" and the ideal of "making the Atlas area big and the sea county clear". Despite his repeated setbacks, his ambition is not fade away. When he wrote this poem, he was already in his fifties, and his ambition was unfulfilled. How could he not be doubly miserable when he was old! Then, I caught a glimpse of myself in the mirror, and a solitary chant of "Three thousands of feet with White Hair" occurred, which made the world's future generations know their grief and indignation, and the legendary sentence is a must.
Li Bai lived in the prosperous Tang Dynasty. He had the progressive ideal of "helping the poor" and "settling down", and he struggled to realize this ideal all his life. A large number of his poems not only reflect the prosperity of that era, but also are rich in content and profound in emotion. They used various artistic techniques to sing the scenery and folk customs of Qiupu from different angles! I am worried about my bumpy life, my lack of talent, my feelings are particularly deep and I am particularly depressed. Deeply express your love for the mountains and rivers of the motherland.