Zhang
I've been thinking about people like Wan Li for years.
Idle clouds make no rain, and yellow leaves are full of autumn.
The setting sun breaks the sky, and the western bagpipes are by the water.
Dream back to the world, and still travel to Handan to talk about the old days.
Huangzhou is located in the eastern part of Hubei Province and belongs to Huanggang County. In the third year of Zhang's reign (13 16), he was ordered to sail to all the south and pass through Huangzhou in autumn, and wrote this seven laws.
From Zhang's 20-year career in Dongping School to this year, he has experienced nearly 30 years of official turmoil, and the increasingly intensified ethnic and social contradictions have made Zhang disheartened and at a loss. The filth of officialdom and the sinister official career made him retreat to the Taoist heart. The darkness of social reality prompted Zhang to convert to religion psychologically, hoping to find his own survival value in illusory ideals. The Quanzhen Sect of Taoism, which had a certain influence in the Yuan Dynasty, had extensive contacts with Confucian scholars, so it advocated detachment from the outside world and being immune to it, which became an unforgettable life dogma of the author in the ups and downs of his official career. The era of Zhang was a proud period in his life, which was very popular with the emperor. He is busy with the life of the king, diligent in political affairs, and his career is booming. But the author's heart is not full, loneliness often attacks his heart, and the idea of wealth and smoke often makes him uneasy. This song "Huangzhou Daozhong" shows such an idea.
"On Mencius Li Lou": "There is a monk's song:' The water in the surging waves is clear, which can accommodate me; The turbid water in the rough waves can be used to drown my feet. "Confucius said,' Listen to it, boy. It's enough to be clear and turbid. It's also self-inflicted. "In the Jin Dynasty, Zuo Si's poem" Ode to History "said:" I am full of clothes, and I am full of Wan Li. " Stamping one's feet obviously means muddy the world. The first couplet of the poem, "I always want to flow in Wan Li, but the dust trail is long for several years", uses the meaning of the above sentence, implying that I am thinking about self-purification and self-protection because of the unclear world. This couplet is subtle and euphemistic, and there are anxious thoughts hidden in the free and easy verse.
Zhuan Xu's phrase "no clouds and no rain" is not only a kind of scenery, but also a symbol. "A piece of idle clouds" symbolizes one's indifferent state of mind. "No Rain" vaguely has the melancholy psychology that it is impossible to sing with one's own hands and become a climate. Autumn in ancient literati's works often means cold and decline: "Sad autumn is also angry, bleak and bleak, and the vegetation is falling and declining." (Chu Songyu's "Nine Editions" "Yellow Leaves Full of Autumn" captures the bright yellow leaves and vividly depicts the autumn scenery, which symbolizes the decline of national luck. The antithesis of couplets is steady and the scenes are double-painted, which reminds people of Wang Bo's poem "In the Mountains" in the Tang Dynasty: "The sorrow of the Yangtze River has stagnated, and Wan Li will return. The situation is high and the mountains are flying. " The image brought by yellow leaves to readers has a homesick taste again.
Necklace is also a landscape and a symbol. "Sunset" also means decline. "to see the sun, for all his glory, buried in the coming night" (Le Garden Scenic Area by Tang Li Shangyin) is it. Obviously, the "sunset" is a symbol of the national situation in the Yuan Dynasty. Duan Hong is the symbol of the author himself. It is not about his fate, but about his state of mind, that is, facing the future, it is difficult to find the destination of his soul. Similarly, the images given to readers by the sentences "West Wind" and "Flute" are also depressing, reflecting the author's anxiety about reality. There are six images in the * * * sentence, which are not connected by verbs. The loose connection between images leaves readers with many thinking gaps, which can be fully related. The distinctive image features enrich the poetic scene. Among the six images with a long aftertaste, the sunset, the broken rainbow and the buildings by the water are visual, the flute is auditory, the road beyond the sky is psychological, and the west wind is skin-felt. The blending of four emotions greatly enriches the expressive force of poetry.
At the end, the couplet changed from writing scenery to expressing feelings, and ended the whole poem with a story of a fairy persuading Taoism, which reflected the Taoist flavor of the poem. Life on Earth is the title of Zhuangzi. This paper expounds Zhuangzi's thought of governing by doing nothing. The word "human" in the poem is a pun, which refers to both real life and Zhuangzi's Taoist thought. The Pillow Story written by Shen Jiji in Tang Dynasty contains a story: Lu Sheng met Lu Weng, a Taoist priest, at Handan Inn and lamented his poverty. Luo Weng gave him a pillow and made him fall asleep by magic. Lu Sheng experienced splendor in his dream, and when he woke up, the innkeeper cooked before he was ripe. This is the story of "dreams in absurd situations", which is often used to describe the illusory wealth and lack of nostalgia or disillusionment. This poem uses the previous intention. The sentence "I have realized the world after my dream, but I still want to talk about the past in Handan" is not a self-metaphor, but a story from Lu Sheng to vent my dissatisfaction with reality and disillusionment with prosperity. Although it is not a "great enlightenment", it also has a critical side.
The whole poem is a blend of scenes and scenes. Natural and fluent poetry is permeated with the author's artistic ingenuity and has a strong appeal.