-Appreciation of Yongmei's poems in Qing Dynasty.
Wang chuanxue
Yongmei's poems in Qing Dynasty are numerous and excellent.
Please look at two Yongmei poems by Yuan Mei, a poet in Qing Dynasty:
Generally speaking, high curative value is always selfless,
The northern part of the mountain is divided into early and late stages.
Just make people pity the old rain,
The most open branch is the alternate year.
? (Selected from Four Poems of Mei)
In order to cherish many branches,
Scissors shake the clouds.
Come to think of it, no one will give it.
Also for the book window, I will accompany you.
? (Choose one from "Two Poems of Folding Plums")
In the poem, plum blossoms are praised for their selfless opening, decorating the country and being happy. The poet cut a plum blossom and said, "I am with you in the book window", but he didn't write plum blossoms with me. Secondly, "I accompany you", which means that the poet took time to accompany plum blossom, showing his elegant feelings of loving, cherishing and appreciating flowers.
Yuan Mei was a famous poet and a scholar in Qing Dynasty. He used to be a magistrate in Jiangning and other places. After resigning, he lived in Jiangning and built a garden on Xiaocang Mountain. Yuan Mei advocates that poetry should express one's mind directly, learn from nature, emphasize originality and draw nutrition from folk language. He has two quotations from Yongmei: "The bright moon shines on bamboo into a thousand words, and first frost Gao Mei is pregnant with flowers." Writing bamboo Yongmei is vivid and vivid. "I only pity Xiangxuemei thousands of trees and can't take them away." It shows a heart song that is reluctant to part with plum blossoms and full of emotions. These are all inspired by the people's language.
Re-look at The Eye-catching Yongmei by Nalan Xingde, a famous poet in Qing Dynasty;
Don't compare Qionghua to even makeup, even makeup is like a white dress. Another quiet, natural standard, Mo Near East Wall.
Jade bone, ice muscle, talent desolate. Poor night, cold smoke and bright moon, thin shadow through the window. Jade bone, plum blossom ice muscle, open and cold, quiet and noble, natural standard, not interacting with vulgar flowers, has always been appreciated by poets. Therefore, every poet in poetry uses plum blossom as a metaphor for human character. This article is also an ode to the unity of flowers and character. In this poem praising Bai Mei, we appreciate Bai Meiya's lonely and lofty character and sympathize with her lonely and miserable situation, which shows the poet's self-sufficient and lonely character and feelings. However, there is no lack of detachment and self-appreciation, sadness and self-adaptation, which entrusts the poet's soul and produces the artistic effect of "lofty and elegant taste"
Li, a painter in Qing Dynasty, wrote a poem "Painting Plums":
The ink on the paper is new,
When is the plum blossom the cutest?
May the wind blow far away,
Home lane is full of spring.
Full of ink and wash, the paper looks like several blooming plum blossoms, beautiful plum blossoms. I hope the wind will blow you to thousands of families, and you can be seen in front of and behind the house, so that every family can enjoy your fragrance and feel the warmth of spring.
The plum blossoms painted by Li are "hard to see" and "the best in the world". It is stubborn and indulgent, not rigidly stick to form, but vigorous. When painting plum, it is cut but not cut, depicting but not depicting, which conforms to the nature of plum and has no traces of artificial carving.
Li Yehuan's painting style. He "laughs at himself as a fool", despises tradition, despises authority, and loves to draw a storm circle, thus pinning his unyielding spirit of resolutely fighting against the harsh environment.
In Li's works, gale is a symbol of indomitable spirit, but it is only one aspect of the painter's character, reflecting his struggle with evil forces. Another aspect of his character is his concern and sympathy for the lower classes. The heavenly wind in Painting Plums is a warm wind and breeze completely different from the gale, which shows his sympathy for the working people.
Looking at Early Plum by Ning Diaoyuan, a poet in Qing Dynasty;
Colorful, shameful and effective,
Look at the spirit only from the end.
Deep in the mountains, under the pale cliffs,
What time does it open, not in spring?
This poem begins with the word "early", which is implicit and profound. Plum blossoms are ashamed to bloom in the spring sunshine, but proudly bloom under the pale cliff in the depths of the western hills in winter. Praise plum blossom's fearless spirit of not being afraid of cold.
Jin Nong, a famous painter and painter in Qing Dynasty and the head of Yangzhou Eight Eccentrics, wrote a poem "Painting Plums":
The older you get, the more energetic you are.
If there is someone in Shuidian Mountain Building.
It's cold and full,
If you know that Mingyue is her predecessor.
Jin Nong's Painting Plum depicts the Ao Shuang of plum blossom, which is tall and straight, beautiful and free from vulgarity, and praises the old plum tree, which is not afraid of cold, full of vitality, full of fragrance and as pure and beautiful as the bright moon. Expressed the poet's extreme love for plum blossoms.
Wang, one of the Eight Eccentrics in Yangzhou in Qing Dynasty, painted and wrote plum blossoms all his life. Look at his poem entitled "Plum Blossom":
One or two rows of plums were planted in the yard.
Draw empty shadows and clothes.
The snow and ice melted, and the moon became white.
The east wind is fragrant every day.
Plum blossoms are sung by literati in past dynasties because of their cold tolerance, and they are also the favorite theme of literati and painters. Among the Eight Eccentrics of Yangzhou, except Zheng Xie, all the others are good at drawing plum blossoms, and each plum blossom has a different charm. Jin Nong once commented that the plum blossoms painted by Wang are flourishing, and "the flowers are like brocade, attracting Leng Xiang like a bridge in the snow". The plum blossoms in the picture belong to "Baqiao" and "Riverside", which are thin and have a cold and aloof atmosphere. The so-called "Leng Xiang" is also a portrayal of Wang himself. He is "trying to clear the bitter taste in his chest and spit it out like frost on paper." Dried plums are brightly colored, written with a light ink and wet pen, vigorous and moist. Jiao Mo's brush strokes, which are arranged in strings with moss spots on prunes, are simple and exquisite, setting off the plum blossoms outlined with a light pen, and highlighting the elegance and agility of plum blossoms. As Jin Nong said, "the flowers are moving, and the moss is pale."
This poem is a self-titled painting poem, which incorporates the poet's real experience of viewing plum trees: one or two rows of plum trees are planted in the small yard, and the thin shadows of plum branches are covered with skirts. The ice and snow on the plum blossom melted, and it became whiter in the moonlight, and waves of east wind blew waves of fragrance. Wang's view of plum blossom is understood and communicated with his body and mind. "I always feel that Meihua is an old friend" and "easy to get along with and pitiful". Painting plum is to learn from nature, to be integrated with nature, and to forget both things and me, which is also the enlightenment of Wang Huamei to later painters.
Zheng Xie, one of the Eight Eccentrics in Yangzhou in Qing Dynasty, devoted his life to bamboo painting and poetry, but he also had Yongmei's poems, such as Snow in the Mountain and Big Head, which expressed his ambition:
Open the door in the morning, and the mountains are covered with snow.
The snow is cloudy and the sun is cold.
Without plum blossom jelly dripping from the eaves,
A kind of loneliness is not idleness.
This poem depicts the snow scene of the mountain house in winter. When I opened the door in the morning, I saw that the top of the mountain had been covered by a heavy snow. At this time, the sky has cleared, and the light of the rising sun has become cold through the faint white clouds. In the yard, the long ice under the eaves shows no signs of melting, and the plum blossoms in the corner seem to be frozen and have no intention of opening. How unusual is such a deserted atmosphere!
The first two sentences of the poem depict a picture of the earth covered with silver, the rising sun and light clouds after the snow in the morning, which shows the frozen scene of Chu Qing after the snow. The last two sentences use the technique of setting off: "dripping from the eaves", "plum blossom freezing" highlight the cold weather, and "being lonely and not waiting for leisure" highlight the strong and unyielding character of plum blossom. The poet expresses his ambition through things, implicitly showing his lofty and tenacious character and the quality of leading an honest and clean life.
On Plum Blossom by Jiang Xizhen, a poet in Qing Dynasty;
Bamboo houses surround Zita Law, and there is no road through the forest.
Dimfragrance can't last long, but the trouble is spring breeze.
In this poem by Yongmei, the word "plum blossom" does not appear in the poem, but the rich fragrance of plum blossom is vividly described. In the bamboo building surrounded by heavy snow, although you can't walk out of the forest, you can smell the plum blossom fragrance floating in the wind. The poet's use of sense of smell instead of vision to describe the scene of plum blossom proudly opening in snowy days is unique and intriguing.
Look at the paintings of Pu He, a poet in Qing Dynasty;
There is nothing but Xun Mei. He must go home.
The snow is deep and the spring is shallow, and it is half home.
The ancients appreciated plums and wanted to "beg", "win" and "return" all along the way, just letting plums bloom in the middle. The poet wrote his own process of appreciating plums, showing his elegant taste in appreciating plums.
The poem "Falling Plums" by Lu Ran, a poet in Qing Dynasty, has a unique flavor;
Moss patterns of breezes and raindrops,
The lingering fragrance of the desert sniffed in the silence.
The forest is full of snow,
Lingtou flies away half like a cloud.
You don't need a horizontal pipe to blow this country,
I have nothing but empty branches and cold nights.
Looking back on the lonely mountain and the way down,
Frost birds and butterflies are in abundance.
The first couplet is about plum blossoms dotted with gentle breeze and drizzle, and the lingering fragrance floats around silently in the quiet night. This is about falling flowers, but it is said that falling flowers decorate the earth actively and turn passivity into initiative. The novelty and exquisiteness of poetry are also here. Turn to lotus and continue to write that plum blossoms fall in the forest and the petals accumulate like snow. Plum blossoms float with the wind and fly with the clouds at the head of the ridge. It highlights the elegance and lightness of falling flowers. Necklace couplets express feelings: You don't have to let the flute "Plum Blossom Three Alleys" blow all over the riverside city. The most pitiful thing is that the empty branches are swaying in the cold wind and sunset. Poets in couplets began to associate: Looking back at the secluded lonely mountain of Meiyang River, the plum blossoms have run out, and the birds and butterflies at the foot of the mountain are still dancing, singing and laughing. Praise the fragrance of plum blossoms with the help of frost birds and butterflies.
Plum blossoms are often favored by poets because of their firmness, purity and early spring. Some people write about plum blossoms in early spring, some write about plum blossoms blooming like the sea, some write about plum branches in the moonlight, and some write about Xun Mei stepping on snow, but few write about plum blossoms falling. This poem, however, describes the state of falling plums, describing the state of falling plums: gentle wind and rain, lonely fragrance, accumulated in the forest, flying to the ridge head, no flute, and cherishing empty branches most. Every sentence is a scene of plum falling, and every sentence is not separated from the scene of plum falling. Exaggerate, try your best, describe and write, and act properly. Bai Qian, a scholar and poet of Hanlin in Qing Dynasty, commented on the poem "Quiet as a breeze, as quiet as water". This is also called.
Dead Plum by Wu Qi, a poet in Qing Dynasty, is novel and unique.
Duan Lin was moved by the strange smell and different colors.
In the past 100 years, it suddenly flourished.
Clean up the essence,
Stop looking at others.
Mei has a strange flower fragrance and color, and it blooms alone in the most remote place in the forest. After a hundred years, my interest suddenly declined. So she absorbed all the essence of heaven and earth, leaving only the backbone and Gog to enjoy.
This poem is ingenious, with withered plums as the theme, praising plums for dying of old age, but leaving behind a backbone and a high standard for people to appreciate. It is really a compliment to the immortal spirit of plum blossom.
In the late Qing Dynasty 1850, Yu Yue, a 29-year-old poet, and Yao Wenyu, the wife of Yu Yue, wrote a plum blossom poem in the letter after learning that their husbands had won the first prize:
Resist human snow and ice,
Flowers smell good on your head.
The breeze has its own immortal bones,
Leng Yan should go to Yutang.
In the poem, plum blossoms are praised for resisting ice and snow and blooming in front of hundreds of flowers. The breeze is fairy-like, which makes the plum blossoms in Leng Yan bloom on the jade hall. It is not only to congratulate my husband on his high school, but also to remind him to be as proud as plum blossoms.
After receiving the letter, Yu Yue and his wife immediately replied a plum blossom poem:
The courtyard is dust-free and frosty at night.
It's not easy to meet you.
Dreaming together on cold nights,
Dongpo's absolute victory was in Tang Xue.
In the poem, I wrote about my joy after receiving a poem from my wife, saying that I had the same plum blossom dream with my wife on a cold night, which was more elegant than Su Dongpo's poem in Tang Xue.
Yu Yue was a famous scholar, writer, Confucian classics scholar, ancient philologist and calligrapher in the late Qing Dynasty. In the impression of the world, Yu Yue is Yu Pingbo's great-grandfather, a teacher of revolutionary Zhang Taiyan, and a great scholar who wrote 500 volumes of magnificent masterpiece Spring in the Hall. However, such a great scholar is actually a good man with affection and righteousness. Their mutual singing and encouragement and support between husband and wife is also a much-told story in the poetry circle.