There is nothing wrong with ruining a person's life and breaking everything. Far away, Yoko dipped his eyes and didn't drink others to laugh at me. Flowers are idle and emaciated, and spring worries have nowhere to hide. There is a cup that leaves no residue, and only when the moon is gone can it stay.
Valley's poetry advocates "taking vulgarity as elegance", which is also reflected in his ci. Some of his ci works are quite colloquial, but they can show refined elegance. In terms of diction and sentence-making, he tries to renovate ordinary sentences to make them extraordinary, which can be described as "seemingly ordinary, but actually strange". This word is an example.
The first two sentences: "There is only one way to ruin your life, and there is nothing wrong with getting rid of everything." The topic of discussion was a bit unexpected, and the traditional Chinese characters were swept away. This couplet condenses the life experience of the valley, which is a deep feeling after his vicissitudes, but it is presented in the form of "break", which is quite wonderful and humorous. They used two poems by Han Yu to show his contribution to enlightenment. Han Yu's "Xing Xing" says: "Destroying life is only for wine, and leisure is not as good as thinking. Mo You's world is both a thing and a thing. We should compare the world with dreams. " Another song, A Gift to Cao, said, "What are your ambitions now that all the virtuous and handsome people are around? When the cup arrives in Mo Jun, stop and throw away everything without wine. " The comment on these two sentences in Houshan Poetry is: "Only when you go is it right, and the language is good." After his arrangement, Han Yu's two poems became a neat antithesis, showing the wealth of talents in the valley.
"Dip your eyes in the distant mountains" is abrupt and subtle. It refers to the modality of girls drinking and singing at banquets. Refers to the distant mountains cross wear 】 【 eyebrows. "Miscellanies of Xijing" said: "(Zhuo) beauty, eyebrows are far away." Besides, Zhao's sister, He De, is a thin eyebrow, nicknamed "Daiyu is in the distant mountains". See Zhao Chuan. "Eye contact" refers to eye contact. The word "dip" in this sentence is very clever and really unexpected. It depicts a beautiful picture of a distant mountain lying in the water, arousing people's association with female eyebrows. The words "distant mountain" and "eye" have been used incisively and vividly in the works of literati, while the word "dip" is full of brilliance and realm, which is called "turning stink into magic". Although some guests and singers advised me to drink, the valley was laughed at by others because of abstinence. Finally, the film ended with "Don't drink and others laugh at me".
The next movie was a turning point, from "no drinking" to "persuading drinking". The reason for its transformation is that it hurts spring for flowers. "Flower disease is so idle and thin, and there is nowhere to hide in spring." The first sentence says that Hua is dying, like a sick and thin person, "leisure" means "for no reason" Obviously, this is the time when all the flowers wither in late spring. In the last sentence, spring sorrow is provocative, and "nowhere to hide" means unstoppable. The so-called "spring worry" not only refers to hurting the mood of spring, but also has a deeper meaning. It is the sum of grievances, frustrations and depression accumulated by Gu in the ups and downs of his career and the ups and downs of his life. So I went on to say, "Don't leave any residue in the cup." Let's drink and get drunk! This sentence is also from a poem in Han Yu's "To Cao", and the "residual" originally comes from the six-character rhyme in Yu Xin's "Dancing Mei Niang": "Teenagers only have fun, but they will leave residual after drinking." Valley often talks about "persuading wine" in poems, such as "Xi satrap Bi Chao's Three Branches", which says: "Fame and fortune are two corners, and it is difficult to have a glass of wine. The concept of hundred bodies is an illusion, and all people are striving for it. " "The Terrace and the Wall of Nanta Temple" says: "Everything is still in a glass of wine, a century-old tree." As the saying goes, "a gentleman in the middle school lives in a thick suburb with his teacher": "fame is empty behind him, and wine in front of him should not be light." All these show the tendency of the Valley Dance Academy. The last sentence "don't say goodbye to the moon" means "don't want to" and "don't want to", which is often used as irony, meaning "why not want to" and "why not want to". Why don't you think that after the moon leaves, there will be no joy in resuming the meeting (see Zhang Xiang's collection of poems and lyrics).
The word "Gu" is full of emotion and humor, but it also touches his inner depression, which is quite interesting. Literally clear as a word, but the meaning is more turning, showing the ability to use idioms and allusions everywhere. Such works sigh the world with ordinary sentences and embody the philosophy of life. Obviously, we can find their relationship with the Tang poets Hanshan, Shide and Wang Fanzhi, which is what he called "taking vulgarity as elegance".