Appreciation of Pen Regular Script Calligraphy Works
Selected pictures of pen regular script calligraphy works 1
Selected pictures of pen regular script calligraphy works 2
Selected pictures of pen regular script calligraphy works 3
Selected pictures of pen regular script calligraphy works 4
Jane. Doctor of calligraphy? Ten calligraphy rules of shame
Marx said that the development of things is regular. According to this statement, the development of calligraphy also has certain rules, which can be summarized as 10 for your dialectical reference.
1. People who have contributed to the structure of Chinese characters will achieve great success. The structure of Wei Bei's calligraphy works is tight inside and loose outside, and the sword and halberd are neat. Yan Zhenqing's regular script structure is tight inside and loose outside, Liu Gongquan's regular script structure is loose outside, and Huang Tingjian's regular script works radiate from the center to the periphery. The structure of Zhao Mengfu's regular script, the golden ratio of Qigong's regular script works, the folding of words like cliffs, and the cursive script of Sha Menghai's Yu Youren tablet all follow this rule.
Second, the influence of those who want to innovate fonts (referring to changing the way words are written) is prominent for a while but difficult to last. Tadpole book, Feibai book, gossamer book, Zheng Banqiao's six and a half books and Jinnong's lacquer book in history are all specific products of a certain era. At that time, the scenery was infinite, but it had little impact on the present or future generations. Although it can't be said to be a flash in the pan, it still feels like yesterday. Contemporary Shu Tong's seven-and-a-half-character script, Zhang Hai's cursive script, Han Tianheng's cursive script and Bao Xianlun's enlarged Han bamboo slips may all have this tendency. How many people who have studied these calligraphy styles have achieved something?
Third, people who contribute to the use of ink are easy to achieve. Zi Zhan is good at thick ink, Xuan Zang is good at light ink, Jue Si is good at increasing ink, Prime Minister Liu is weak at thick ink, Wang Menglou is good at exploring flowers and using ink, accumulating ink, breaking ink and so on. Without exception, these people have made outstanding achievements in calligraphy, and some of them are even more masters of painting.
4. 99.99% of the ink works handed down from ancient times are written in thick ink. From the unearthed Loulan paper to Lu Ji's reply, from Wang Youjun's Preface to the Lanting Pavilion to Wang Xun's Yuan Bo Post, from Zhiyong's A Thousand Words of Ink on the Grass to shihuaisu's Self-narrative Post, from Yan Zhenqing's memorial manuscript to Su Dongpo's Huangzhou Cold Food Post, from Yang Ningshi's Jiuhua Post to Mi Yuanzhang's Shu Su Post, and from Zhao Mengfu's San Su Post.
5. Calligraphy is not a major. There are no professional calligraphers in history. Zhong You was a prime minister, a teacher, and Wang Xizhi was a general of the right army, and took a look at the civil history. Wang Xianzhi served as a secretary (prime minister level), and Yan Zhenqing served as the prefect of Pingyuan, the official department minister and the prince teacher. He worked as a young Fu, a Prince Taibao, a left servant (prime minister), and one of his minions was given to a Prince Taifu. Su Dongpo is an official, and he is a great writer. Calligraphy is a superfluous thing, Evonne. Administration? Mao Zedong was a great strategist and politician, and Lu Xun was a great writer, a great thinker and a real great calligrapher. Shen, Kang Youwei, Li Ruiqing, Tan Yanhe, Yu Youren, Xie Wuliang, etc., who are famous for their calligraphy in modern times, actually don't take calligraphy as their profession. They are politicians, diplomats, educators, poets and writers, and Qi Baishi is as great a painter as Huang. Mr. Qi Gong himself thinks that he is not a calligrapher. They all have brilliant achievements in calligraphy, but none of them are professional calligraphers, which has made many post-doctoral calligraphers and calligraphers today.
Sixth, heroes are born in troubled times. Zhong Taifu lived in the three-point era, Wang lived in the Sixteen Kingdoms era of the Eastern Jin Dynasty, Yan Zhenqing lived in the Anshi Rebellion era, Mi Fei lived in the late Northern Song Dynasty, Yang Ningshi lived in the Five Dynasties, Zhao Mengfu lived in the era of the demise of the Southern Song Dynasty and the prosperity of the Yuan Dynasty, Wang Duo, Fu Shan, Ni, Huang Daozhou and Zhang Ershui lived in the late Ming and early Qing Dynasties, and Shen Cengzhi, Kang Youwei, Wu Changshuo and Zheng Xiaoshui were influenced by it whenever China was in troubled times. ? Calligraphy creation seems to be no exception.
Seven, the classic ink is basically the same? Dry and moist, will it be thick and dry? The principle of. Wang Xizhi's Preface to Lanting Collection, Yan Zhenqing's Sacrifice to My Nephew, Su Dongpo's Cold Food Sticker in Huangzhou, Zhang Xu's Four Stickers of Ancient Poems, Huai Su's Thousand-Character Works, various legal stickers in Ming and Qing Dynasties, and modern works by Kang Youwei, Shen, Lu and Zhao Puchu all conform to this feature. Painted skin? Table (Zheng Zhigang) Wang Yong and others should pay attention.
Eight, the wider the inscription ink, the fewer celebrities. With the improvement of papermaking in Song Dynasty, there are more calligraphy works circulating with paper. However, since the Song and Yuan Dynasties, there have been fewer and fewer famous calligraphers in various dynasties. The history of Dasong is close to 300 years, and only a few famous calligraphers are Song Sijia. Only Zhao Mengfu, Xian Yushu and others were in the Yuan Dynasty. In the Qing dynasty, seal script was revived, and Deng, Yi Bingshou and others really formed their own school. Ou Yangxun, Yu Shinan and Chu Suiliang used regular script in the Tang Dynasty. Compared with Zhang Xu, Huai Su, He and Sun in cursive script, Li in seal script, Yan Zhenqing and Liu Gongquan in running script, these people are always inferior in later generations. At present, with the development of printing technology and the improvement of people's economic level, the famous tablet stickers that people rarely see before have been? Fly like a normal family? /kloc-300 million people in China, hundreds of millions of families, almost every family has a copybook. However, there are few famous calligraphers after the founding of the People's Republic of China. It has been 63 years since 1949. How many famous calligraphers emerged during this period? You know, Wang Xizhi died at the age of 58, Wang Chong was 39, and Bai Jiao was 62. There is one exception. During the Republic of China, the popularity of inscriptions was also very extensive, but there were more famous calligraphers in this period than after the founding of the People's Republic of China.
Nine, there are few celebrities in peace and prosperity. Most excellent calligraphers do not live in a prosperous political and economic era, on the contrary, they live in a declining world of social unrest. Looking back at history, this situation can be seen everywhere. In a non-prosperous environment, the social ideological trend is easy to change, the life of a scholar-bureaucrat is easy to produce different experiences, and the outlook on life is easy to change obviously, thus forming a unique personality. For them, calligraphy can be used to express feelings like music and poetry, and it is more subtle than music and poetry. After reading this article, the eighth article is easy to understand, and you can understand why there are so many famous calligraphers in the Republic of China.
Ten, cultural literacy determines the quality of calligraphy works. Since the end of the Eastern Han Dynasty, people who have achieved great success in the history of books belong to literati, scholar, painter and epigraphy. It is really hard to find people who can achieve great success only by working hard on words. Ou Yangxun, Su Dongpo, Zhao Ziang and Kang Youwei are all famous literati, and contemporary Mr. Wang Quchang, Mr. Sha Menghai and Mr. Qi Gong are also scholar calligraphers. The general decline of the traditional cultural literacy of the new generation of calligraphers has also greatly reduced the quality of contemporary calligraphy, which is a fatal obstacle to the development of calligraphy art. Professional calligraphers should strengthen the cultivation of cultural courses.