What are the similarities and differences between Ruan's three or four sentences and Tao's first six sentences in the choice of images?

Regarding these two sentences, Volume 4 of Xu's "Discrimination of Poetic Style in Ming Dynasty" thinks Ruan's poetry is far-reaching, that is, he uses metaphor and has far-reaching meaning. I'm afraid not. Zhong Rong means that although Ruan Ji's poem "Yong Huai" also expresses what he has seen and heard, Chen is talking about worldly affairs, but the poet's feelings and ideals are outside the world, and his ambition is outside the world. Zhong Rong said that Ruan Ji's poems were "elegant and thoughtful", which made readers "forget the vulgarity and strive for greatness", which also meant detachment from vulgarity. Ruan Ji was born in troubled times and suffered from inner pain, so he had extraordinary fantasies and pursued freedom and liberation. Such as "Yong Huai" 45: "It's no use knowing your troubles too clearly." There are seventy-four: "True faith can entertain, and the spirit can be clean." Are examples. Wang Fuzhi's "Selected Ancient Poems" volume four Yun Ruan's poems are "either for self-security, self-mourning, or for the purpose of external things, or for sending sick thoughts". Ruan Ji's poems are profound, but his ambition is wild, secluded, implicit and profound. When no one complains about pain, he uses poetry to express his inner feelings of disorder and pain.