"The wet cloud crow has a heavy back and the wild temple is sunny." When you whisper the first sentence, a cool feeling of late autumn comes to your face. Although there is not a word about autumn in the sentence, it was written late, but we firmly grasped the specific scenery of late autumn dusk and rain. The "wet cloud" is neither a dark cloud in the rain nor a light cloud after the rain, but it seems to have been soaked by the autumn rain just now and still accumulated into a heavy rain cloud. The crow returning to the nest has a dark poem called "Late Return". The word "heavy" not only conveys vision as light and heavy perception through synaesthesia, but also connects the first two scenes together. The wet clouds all over the sky seem to be piled on the back of crows, which makes people feel heavy rain. On the splash-ink background composed of dark crows, a corner is clear and white. The word "Chu" is quite wonderful. It seems that the wild temple that was originally covered by the rain curtain is now "Chu" because of the first sunny day, and it seems that this new sunny day is only "Chu" because of the appearance of the wild temple. The sun shines in the shade, but it also renders the gloomy and desolate atmosphere around the lake shore.
Zhuan Xu wrote what he saw and heard on his way home, and chose two distinctive scenery. The poet did not write dead leaves and fallen leaves, but wrote "fallen leaves", which were blown by autumn rain and autumn wind, so he stored more autumn breath. The phrase "the cold bell beats the rain" is particularly useful. Here, once again, synaesthesia is used to transform hearing (bell) into skin sensation (cold), but the beauty is that it is not simple and direct application, but the bell coming from a distant wild temple is written, which, like being washed by autumn rain, also brings chill and naturally adheres to the whole picture. This couplet not only depicts the colors and sounds of autumn, but also conveys the poet's feelings about autumn.
Then through the transfer of place and time, the word "Hui" was written. It's almost home. I can see the eaves. But it is only "half eaves", and the other half may be blocked by returning birds; Anyway, you can see all the stars on the tree, and it's getting late. The ancients had the so-called "deformation", and here, the "deformation" of the scene was used to secretly write the "moving steps" of people.
Looking back at the lake after returning, dusk has passed, night has fallen, and a bright moon rises in the strong west wind and is reflected in the lake after the rain. The movement of the west wind reflects the quietness of the lake and the moon. We also seem to see the poet standing quietly by the lake, staring at the autumn moon in the middle of the lake, recalling his return to autumn scenery. ...
There is not a word about people in the whole poem, but there is not a word that is not about "people". Because the author did not simply describe the scene, but carefully coined words to write the "scene" he felt in his heart. This scene also expressed the feelings, actions and feelings of "people". The so-called "people in the scene" is the beauty of this poem.