Tibetan folk songs are rich in content and diverse in forms. The popular and popular folk song form is firstly "fruit harmony", which is an ancient form of singing and dancing, widely spread, and is mostly sung in festivals, after work and religious ceremonies. It is generally composed of slow songs and allegro, and the latter is the simplification and contraction of the former melody. Followed by Killer, Killer originated in Batang, Sichuan, and was called Killer in Batang, which is famous for its beautiful tunes, rich repertoire and stretching dance. "Duihuan" is a kind of tap dance with strong performance, which perfectly combines performance and singing. "Nangma" is mainly popular in Lhasa, and its music is basically composed of three parts: medium-speed intro, adagio songs and allegro dance music. Among Tibetan folk songs, Jiuge is also a very popular song. It is a folk song sung when drinking and toasting, sometimes accompanied by simple dance movements, which is deeply loved by Tibetan people. Wine songs also reflect the generous character of the Tibetan people. No matter whether they are relatives, friends or strangers they just met, they will show extraordinary enthusiasm and hospitality. Please drink as much as you like. There are many forms of Tibetan folk songs, such as folk songs, pastoral songs and agricultural songs.
Tibetan folk songs are characterized by long tone, wide range and free rhythm. There are mainly two kinds, one is labor songs, including folk songs and pastoral songs, which praise mountains, rivers and productive labor, and the other is life songs, which mainly express the love between men and women and sing about people, things and life. Comparable with the magnificent Yellow River and the vast prairie, the Tibetan folk songs in Aba grassland are in harmony, and the loud songs seem to make people stay in the vast nature, broaden their minds and purify their souls. Yi Dan Cairang, a well-known Tibetan poet, collected, sorted out and published Tibetan folk songs in the early preparation stage, and absorbed literary nutrition from his own folk culture, which laid a good foundation for the poet's lifelong artistic development, just as he wrote in his poem: "The song that my mother blurted out became my lifelong travelling expenses."