The second section belongs to imagination. Both realism and imagination highlight the "quietness" of the night. At the beginning of the second section, I really asked "Where is the Tianhe River", ending the idea of landscape writing in the first section, leading readers' vision and mind to the vast universe, and gathering readers' minds to fly with "distant sea fog blurred". The poet's imagination written in "Jiao Ren is on the shore and the pearl falls on the moon" has always been like a runaway wild horse, crossing the vast sea fog, imagining a "Jiao Ren" standing on the shore, silently shedding tears on the pearl?
tranquil night
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Guo Moruo's Poems
Moonlight/light,
Shrouded in the village/outside the village/in the pine forest.
White clouds/clouds,
Missing/when/the stars.
Tianhe/where?
A distant/foggy sea.
Afraid that there will be/Jiao Ren ashore,
On the moon/beads?