Guo Xiaochuan's Three Exploratory Narrative Poems in 1950s.

Guo Xiaochuan's poetry creation after the founding of the People's Republic of China can be roughly divided into three periods: First, the 1950s. In the early days of liberation, on the one hand, he cooperated with Chen Xiaoyu and Zhang Tiefu and published hundreds of essays in the form of "thoughts" under the pseudonym of "Ma Tieding". At this time, I work in the Propaganda Department of the Central South Bureau, and on the other hand, I write passionately, such as Struggle into Fierce Struggle, March on Difficulties and Going to the Sea, and narrative poems such as Ode to Snow, Deep Valley, One and Eight, Yan Ai, General Trilogy, Looking Up at the Starry Sky, Visiting the Soviet Union and Anti-Rightism. Second, in the early 1960s, as a special correspondent of People's Daily, I traveled all over the country. Based on his own observation and experience of people's struggling life in different jobs, the poet wrote Three Singing in Forest Region (including a toast to wine, a song of Song Qing, and the shadow of a snowstorm), Journey to Kunlun, Charm of Mansion, Country Avenue, Sugarcane Forest-Green Yarn Account and Green Yarn Account. At this time, the poet has formed his own unique artistic style. Three or ten years of unrest. It was in this case that he lost his freedom to write, and then he wrote Crossing the Yangtze River, Songs of the Long March and Three Songs in the Forest Area of the South of the Yangtze River. In particular, a large number of Autumn in Tuanbowa and Qiu Ge show the unique style of "Warrior Poet". The greatest achievement of Guo Xiaochuan's poetry is political lyric poetry, that is, the combination of image and politics, expressing one's mind directly, and thinking about the attitude and path of a soldier and a revolutionary in many aspects, such as heart, world and mental state. He himself said that "poets are first and foremost soldiers".