Here I divide Lu Xun's literary talents into six categories: novels, essays, essays, poems, new poems and translation. We don't discuss academic research, calligraphy, design talents, etc. What we need to know is that Lu Xun is a disciple of Zhang Taiyan, and his brothers are Huang Kan, Liu Wendian and Zhu Xi. However, Lu Xun did not take this road later. The emblem of Peking University was also designed by Lu Xun.
The previous answers were all written. Lu Xun's Wandering, Scream, New Stories, etc. They are all geniuses. For example, in the second paragraph of Lu Xun's Hometown, because it is deep in winter, close to home, the weather is gloomy, cold wind blows into the cabin, snoring like thunder, and there are several desolate villages far and near under the pale yellow sky from the canopy gap. A few words set the tone of the whole article, which I think can be compared with the opening of the Snow Country by Yasunari Kawabata: "The long tunnel through the county is the Snow Country." The night sky is white. I like China novelists (I prefer Beijing novelists), so I have seen some of them.
The beauty of Lu Xun's prose can only be realized in rumination. Of course, if you are sensitive, you may have a wonderful feeling at first sight. Of course, this is a very subjective matter. Saying that a person's affairs are good is just a comparison. So I especially like prose, and prose writers are the most concerned, so I have the cheek to say what I think is good prose: the prose of Lu Xun, Zhou Zuoren, Yu Dafu, Shen Congwen, Lin Yutang, Zhu Ziqing, Xu Zhimo and Bing Xin, but I still want to, but I just don't think it is so attractive. In fact, I prefer the essays of Lu Xun, Zhou Zuoren, Yu Dafu, Lin Yutang and Shen Congwen, but they are not on the same road, so I won't discuss them.