The first half of the word focuses on scenery. "Independent cold autumn, Xiangjiang North, Orange Island." From the beginning, the author put himself in the broad background of autumn water and sky. At the same time, it also brings readers into a lofty realm of late autumn. Looking from a distance: "The mountains are all red and the forests are all dyed." The author not only saw the maple forest in Yuelu Mountain in front of him, but also thought of the yellow ash in Xiangshan Mountain in Beijing, and thought of countless mountains in the motherland that changed from green to red, such as Ubuntu, Metasequoia glyptostroboides, Acer, Quercus, Pistacia chinensis, and so on. Mountains and layers of trees let the god of nature touch the colored pens, making them dizzy and more beautiful than the spring flowers that smile in February. Close-up: "The river is overflowing, and a hundred people are fighting for it." Autumn water is clear, Jiang Bibo is in autumn, and the Xiangjiang River at the foot is more crystal clear in autumn, such as green jade and transparent crystal. On the river, Qian Fan is fighting for hair and crossing, silent and full of vitality. Looking up, "the eagle hits the sky", the cloudless autumn sky in Wan Li, and the eagle is brave and strong, flying freely. Looking from afar, "the fish is fragrant and shallow", because of the transparency and shallow bottom of the river, the fish are swinging their fins and swimming at will. In just four short poems, the author depicts a three-dimensional and vast south of Wan Li with colorful autumn colors, just like Guan Shanyue, a famous contemporary Lingnan painter, with colorful landscapes. It is worthy of being the masterpieces of "driving the mountains and setting your eyes on the sea" (Li Bai's "Dangtu Zhao Yan Shaofu's Painting Landscape Songs") and "Talking about Wan Li" (Du Fu's "Song of Wang Zai's Painting Landscape Pictures"). It, together with the northern scenery of "Snow in Wan Li with a thousand miles of ice" described in another poem by the author, is an unprecedented panoramic landscape in classical poetry.