The two couplets of this poem describe the magnificent scenery of nature in detail from the perspective of scenery writing, and blend the joy and openness of the poet when he first saw the plain in natural beauty.
Said by: Seeing Friends Off at Jingmen Ferry is a five-character poem written by Li Bai, a great poet in the Tang Dynasty, when he was wandering in Sichuan in his youth.
Original text:
Farewell through Jingmen
Tang Dynasty: Li Bai
Sail from Jingmen Ferry, and soon you will be with southerners.
At the end of the mountain range and the beginning of the plain, the river winds through the wilderness.
The moon rises like a mirror, and the sea clouds twinkle like palaces.
The water brings you the feeling of home and makes your boat travel 300 miles.
Translation:
I crossed the river by boat to Jingmen, far away, and visited the territory of Chu State during the Warring States Period.
The mountains gradually disappeared in the Ye Ping and unfolded slowly, and the river seemed to flow into the vast wilderness.
The image of the moon in the waves is a mirror falling from the sky, and the colorful clouds in the air form a beautiful mirage.
But I still love the surging river in my hometown, which has always accompanied my boat trip in Wan Li.
Extended data:
Creative background:
This poem was a gift to Li Bai's hometown when he left Shu for Jingmen when he was young. This is not controversial in academic circles, but there are different opinions about the specific writing year.
There are three main types: one was written in the 12th year of Kaiyuan (724), the other in the 13th year of Kaiyuan (725) and the third in the 14th year of Kaiyuan (726).
According to Yu Xianhao's records, Li Bai traveled far away from home in the 12th year of Kaiyuan (724). Since he recited Liu Jia at the age of five and went to Jingmen, the poet has been living in Sichuan, studying in Daitian, visiting Emei and living in seclusion in Qingcheng.
I have deep feelings for the mountains and rivers in Sichuan. This time, I left my hometown, sent Qingxi, went to the Three Gorges, went to Yuzhou, crossed Jingmen, and went boating to the east, intending to "cover the sea in the south and the east." This is the first time that the poet left his hometown and began to roam around the country, ready to realize his ideals and ambitions.
Appreciate:
This poem has a knot from beginning to end, which is seamless, lofty in artistic conception and rich in style. "The mountain is flat and primitive, and the river winds in the wilderness" is vividly written, just like the long-axis landscape map of the Yangtze River crossing Jingmen, and it has become a famous sentence.
If the excellent landscape painting "Wan Li should talk about it", then the five laws of this magnificent image can also be said to be able to see the big from the small, treat one as ten, with rich capacity, covering tens of thousands of miles of landscape scenery in the middle reaches of the Yangtze River, with highly concentrated artistic generalization.
The author introduces:
Li Bai (70 1-762) was a great romantic poet in Tang Dynasty, and he was also called "Poet Fairy" and "Du Li" with Du Fu.
In order to distinguish Li Shangyin and Du Mu from "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers. His poems are bold, fresh and elegant, with rich imagination, wonderful artistic conception and light language.
People call him "Poet Fairy". Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics.
He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint.
One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people. Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things.
On the basis of real life, boldly imagine and exaggerate. His exaggeration is not only strange in imagination, but also always combined with concrete things, which naturally leaves no trace.
So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.