The mountains are not old and I am not idle. I am busy all my life for oil and salt. I have been ups and downs for decades. In the blink of an eye, the loess is buried in my chest. The author is Gao Kegong. The original text of "Viewing the Sea with Joy": I take the flower branches as my heart, and the flower branches are swaying. Graceful field. The flower branches are not regarded as my heart, they dance in the wind and dance drunkenly. The setting sun wraps around the green hills, and the sea flows across the mulberry fields. The sunset is overflowing with color and the clouds are brilliant, and the green mountains are sweet all year round.
I am not idle as long as the mountains are green, I am busy all my life. After decades of ups and downs, the loess is buried in my chest in the blink of an eye. I laugh at the green mountains, my face remains unchanged, and the green mountains laugh at my old age. Just like a cow that has no time to rest when it gets old, it sleeps with the mountain cow. The green hills are still far away from old friends, and the setting sun in my tears asks about the green hills. Fame and fortune are lost in the vicissitudes of life, and young people are alienated and lost in their dreams. I asked Qingshan how old he was, and Qingshan asked me when I was free.
It is difficult to continue singing and singing, and it is difficult to return to a beautiful woman thousands of miles away. I will grow old before the green mountains grow old. When idle people want to climb the green mountains. The green hills are still shining brightly, and I live the vicissitudes of life with the spring breeze. I asked Qingshan how old he was, and Qingshan asked me when I was free. The two butterflies disappear in the shadow of the cuckoo, and I learn new words and write them into my notes.
Brief analysis: Gao Kegong was one of the most influential painters in the Yuan Dynasty. He became an official but still liked to paint landscapes. He often enjoyed himself in the mountains, forests and rivers in his free time, and painted many excellent landscape works.
Because he often served as an official in the picturesque south of the Yangtze River, the mist and rain of the mountains and rivers of the south of the Yangtze River, and the charming scenery of small bridges and flowing water, influenced Gao Kegong's very distinctive personal style. Occasionally, he felt inspired to write poetry, so he wrote a short poem that reflected his own thoughts and feelings.
In the poem, "It's not that idle people can't be idle, and those who can be idle don't wait for idle people" is a state of leisure and contentment, and it is also a kind of perception and enlightenment about life. It can be seen from the poem that the poet is not a person who can be "idle". Leisure does not mean doing nothing. People who have nothing to do do not know what they should do. Their lives are muddled and they have no sense of autonomy at all.
True leisure is the letting go after seeing through the world of mortals, the willingness after understanding life, and the indifference after forgetting honor and disgrace. Therefore, it is said: "It is not that idlers cannot afford to be idle, but being able to be idle does not mean waiting for idlers.
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