The pillow bed in Xitang is as cold as autumn. When the clouds are broken, the water will be collected later. The red lotuses lean against each other as if they were intoxicated, and the white bird is silent and worried about itself. Explanation: Lying on the bamboo mat in the attic by the water, it is as cold as autumn, and the floating clouds float slowly along the water, and the twilight of dusk makes them gradually converge. The red lotus flowers lean on each other, almost like a drunken girl. The water birds with snow-white feathers are quiet and quiet, and they must be alone and worried. The title of the poem: "Partridge Sky·Pillowing the Silk Pillow in the Creek Hall and Feeling the Cold Feeling of Autumn". Real name: Xin Qiji. Nickname: Xin Zhongmin. Font size: The original name was Tanfu, and later the name was changed to You'an No. Jiaxuan Jushi. Era: Song Dynasty. Ethnic group: Han. Birthplace: Licheng County, Jinan Prefecture, Shandong East Road. Date of birth: May 28, 1140. Time of death: October 3, 1207. Main works: "Traveling in Wuyi, Composing Ten Poems for Hui Weng", "Qing Ping Le. Village Dwelling", "Sending Swords and Fu Yansou", "Man Jiang Hong", "Bu Shuzi Xiu Zhu Cui Luo Han", etc. Main achievements: Representative of the bold and unconstrained poets, he developed the ideological and artistic conception of Ci; he rebelled against the Ping Dynasty and founded the Flying Tiger Army.
We provide you with a detailed introduction to "The White Bird Is Silent and Concerned" from the following aspects:
1. "Partridge Sky·Pillow Silk Creek Hall Leng Yuqiu" "Click here to view the full text of "Partridge Sky·Zhenjingxi Hall is cold for autumn"
Zhenjingxi Hall is cold for autumn. When the clouds are broken, the water will be collected later.
The red lotuses lean against each other and feel drunk, and the white bird is silent and worried about itself.
The book is aggressive and restful.
Every hill and valley is also romantic. I don’t know how weak my strength is, but I feel too lazy to go upstairs.
2. Other poems of Xin Qiji
"Yongyu Le Jingkou Beigu Pavilion Nostalgia", "Qing Ping Le. Village Residence", "Xijiang Moonlight Night Walking on the Yellow Sand Road", "Partridge" "Day", "Qingyu Case Yuanxi". 3. Notes
簟: bamboo mat;
Xitang: a hall near the stream.
Convergence: Convergence.
Hunru: very similar, very similar.
Speechless: silent.
Dudu: Use Yin Hao to do things. A sigh of frustration.
Xiuxiu: Use Sikong to make things happen.
One hill and one valley: the place where the hermit lives.
Strength: energy.
But: only.
4. Appreciation
This poem was written when the author resigned from office and lived in Shangrao (from 45 to 53 years old). As can be seen from the title: after returning from a trip to Ehu Lake, the author suffered from After recovering from an illness, he went upstairs to watch the night view of Jiangcun. He suddenly marveled at the passage of time and deeply felt that his strength was declining. Looking back on the past, he had mixed feelings, so he wrote this poem to express his grief and indignation.
The upper part of the poem describes the scenery, and the lower part expresses the emotion. However, there is emotion in the scene, but it is very subtle and needs to be carefully observed to realize it. The sentence "Pillow Mat" describes climate change: the pillow mat is cool at the beginning, and the stream hall is suddenly cold. Although it has not yet entered autumn, I can already feel the autumn mood. This cold feeling is not only a reflection of the natural environment, but also a reflection of the poet's mood. The sentence "Broken Clouds" describes the scenery on the river: the fragments of smoke and clouds floating on the water gradually dissipated in the afterglow of the setting sun, and a picture of endless water and endless sky appeared in front of us. This scene brought a broad sense of beauty to the poet and also aroused his melancholy. The two sentences "Red Lotus" and "White Bird" transliterate the foreground scene: the red lotuses in full bloom in the pond lean against each other, like drunken beauties. The egret on the embankment stands quietly, it must be worried! The word "drunk" comes from the red lotus face, and the word "sad" comes from the white hair of the bird's head. These two words are used just right. The red lotus and white bird contrast with each other. Although the realm is beautiful, the words "drunk" and "sad" reveal the inner depression of the poet. The above description of the scenery not only implies the poet's sad and depressed mood, but also creates a cold, empty and dull atmosphere for the lower part of the poem.
Although the three sentences in the lower section inherit the above-mentioned atmosphere and mood, there are significant changes in the expression of emotions: from implicit to clear, from depression to broad-minded. These three sentences use three allusions. The sentence "Book Dudu" uses Yin Haoshi. "Book of Jin·Yin Hao Biography" records that Yin Hao was obsessed with wealth and honor. After he was dismissed from office, he wrote the four characters "Dudu Weishi" (meaning "Hey, this is really weird!") all day long after he was dismissed from office. "Qi Xiu Xiu" is used to make things happen. "Old Book of Tang·Biography of Sikong Tu" records that Sikong Tu did not care about fame and wealth, and lived in seclusion in Zhongtiao Mountain. His "Xiu Xiu Pavilion" says: Xiu, Xiu, is also beautiful. Although he is resting, he has beauty. (According to Sikong Tu's explanation, the word "xiu" has two meanings, one means leisure and retreat, and the other means comfort. "Xiuxiu" means leisure.) "Every hill and every valley is also romantic" is a Ban Si language. "Han Shu·Xu Zhuan" contains a slip written by Ban Si: "If you fish in a ravine, all things will not betray your ambition; if you live on a hill later, the world will not be happy." The meaning of these three sentences together is: Why bother? What about writing "strange things" all day long? It is better to enjoy the happiness of leisurely life for the time being. Living in seclusion in the mountains and forests is also very elegant. The first sentence is a rhetorical question, indicating that one does not take Yin Hao seriously; the last two sentences are used as a masturbation statement, indicating that living in seclusion has its own joy. It seems that the poet is really happy to be a hermit, but in fact it is a sad and angry speech that is pretending to be open-minded, and it is more powerful than expressing sadness and anger directly. The three allusions used together not only have a coherent momentum, but also have tortuous meanings. The last two sentences have significant changes in emotional expression; they change from frankness to euphemism, and broadmindedness to sadness. "I don't know how weak my strength is, but I feel too lazy to go upstairs"! The meaning of the sentence "Strengthen the strength to go upstairs to know" is used in Liu Yuxi's poem "Autumn Letters to White Guests". It seems to describe the ordinary feeling of weakness after illness, but in fact it contains the sorrow and indignation of the "hero Jiang Zuo" (Xin's poem "Man Jiang Hong").
The author devoted his life to restoring the Central Plains. Although he was slandered and shunned, he persisted. Therefore, what is expressed here is not the usual sentimentality of admiration for old age, but the worry that it will be difficult to achieve his achievements. Liu Chenweng said that his "heroic sadness is beyond the ordinary" ("Xin Jiaxuan's Preface to Ci"), which is a statement that he fully understands the author's personality and the meaning of his poems.
As mentioned above, the emotion contained in this word is extremely deep, but the language used by the poet is extremely plain. The upper column describes the coolness of the climate, the rolling clouds and water, and the silence of the flowers and birds. There is nothing strange or dangerous about it, but the lonely and dull atmosphere is enough to make people sad. The words in the lower column are very broad-minded, but the political frustration makes people more sad. I feel that the two words at the end of the poem are particularly simple and simple, like a wild old man chatting. Inadvertently, the emotion of "the martyrs are full of ambition in their old age" is expressed in an extremely profound way. This art of writing affectionate words in plain language is, as Liu Xizai said, "It is as refined as it is unrefined, it is outstanding and original, and the sound of human beings returns to the sound of nature" (Yi Gai·Ci Qu Gui), it is a more exquisite art.
5. Translation
It is cold and autumn-like in the Pillow Creek Hall. When the clouds are broken, the water will be collected later. The red lotuses lean against each other as if they were intoxicated, and the white bird is silent and worried about itself.
Lying on the bamboo mat in the attic by the water, it was as cold as autumn, and the floating clouds drifted along the water, and the twilight of dusk gradually made them shrink. The red lotus flowers lean on each other, almost like a drunken girl. The water birds with snow-white feathers are quiet and quiet, and they must be alone and worried.
The book is aggressive and restful. Every hill and valley is also romantic. I don’t know how much my physical strength has declined, but I feel too lazy to go upstairs.
Instead of being like Yin Hao and writing "strange things" in the sky to vent his grievances, it would be better to be like Sikong Tu and look for beautiful mountains and forests to live in seclusion in peace and ease. A hill or a valley is also romantic and unrestrained and full of leisure. I don't know how much energy I have lost now. I just feel that I am too lazy to go upstairs and use the stairs recently.
Poems of the same dynasty
"General Cao", "Going to Qutang", "Tengwang Pavilion", "The Son is Nei, the Angry Man Abandoned His Wife, The Poor and the Poor, the Anvil", Tang Meishan's poems are also played as notes ", "Inscribed on Ai Xi", "Waiting Gongyuan for the value of the rice harvest", "Seeing off guests to Linggu", "Sigh", "Inscribed on Chen Chaoyu's love for Zhuxuan", "Rewarding Chunhu Shi Lu Yonghui" "Four Hao Pictures".
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