The artistic features of Wang Wei's poems Wang Wei is not only good at writing, but also good at painting and music. Therefore, his poetry combines poetry, painting, music, reason and interest, and is good at using natural, refined, accurate and distinctive language to create a distinctive and perfect artistic image. Su Shi said: "There are paintings in poems and poems in paintings", which brilliantly expressed the artistic characteristics of Wang Wei's poems. The artistic features of Wang Wei's pastoral poems are as follows: 1. Wang Wei's poems reflect the artistic features of natural beauty. Wang Wei's poems depict the natural beauty of pastoral areas and are picturesque poems. For example, "an empty mountain stands in the autumn night after the rain." The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. My friend's prince, what does it matter if spring is over and you are still here? The poem "Autumn Night in the Mountains" describes that after the new rain, the weather is colder than late autumn. The bright moon shines obliquely among the pine trees, and the clear spring flows through the slate. The picture is from top to bottom, and the water flows up and down from the stone, which is poetic and animated. There is a sound in the bamboo forest. It was the washerwoman who came back, and the lotus on the water shook. It's a fishing boat coming down from above. Later, I thought, even if Chunfang dies, autumn is still beautiful, and when you are here, ah, my friend's prince? It is in the mountains. Wang Sun is a metaphor for readers, who really want to stay in the scenery, because it is poetic, accompanied by beautiful women and has a good feeling. This poem describes the beautiful scenery of the mountain village after the rain in the evening. Secondly, Wang Wei's poetry embodies the artistic characteristics of the majestic view of natural scenery. Wang Wei's poem Zhong Nanshan describes the magnificent scenery of Zhong Nanshan. Zhong Nanshan, 50 miles south of Chang 'an County, Shaanxi Province, stretches for 800 miles, which is the dividing line between Weishui River and Hanshui River. At the beginning, it wrote angrily, "Its huge height is close to the city of heaven, and even the mountains have reached the corner" (Zhong Nanshan). Taiyi is the end of Nanshan, and the sky refers to Chang 'an. This sentence means that the peak of Mount Zhongnan leads directly to the sea, which only exaggerates its vast area. Mount Zhongnan does not reach the sea. Then he wrote "When I looked back, the cloud was behind me, and when I entered, the fog disappeared" (Zhong Nanshan). Looking back, white clouds will be stacked together; The green mist is faint, so you can't see it. "A central peak divides wilderness and weather into many valleys" (Zhong Nanshan). Zhong Nanshan is a vast country with more than one state. On both sides of the peak, the dividing line has changed. The weather is different in different valleys. The last sentence of the poem "Zhong Nanshan" is "Need a place to spend the night, I call a woodcutter crossing the river". Integrating people into the natural scenery is full of vitality and adds momentum to the magnificent scenery. Thirdly, Wang Wei's poems reflect the vast and magnificent artistic characteristics of the frontier fortress. In the 25th year of Kaiyuan (737), when Wang Wei was in charge of supervising the censor, he made "Making Frontier Fortress" on his way to Liangzhou, Jiedu Prefecture in Hexi. This is an immortal work that will never be sung again. "Asked the bike, belonging to the country too Juyan. Pengpeng also floated out of Korea, and the geese heading north also flew into the sky. The vast desert is lonely, and the Yellow River sets the yen. Xiao Guan and other riders are all in Yanran. " ("To the Fortress") Picturesque "The desert is lonely and straight, and the long river sets the yen". When there is no wind in the desert, in the big desert, you can see a chimney smoking in the distance, straight to the sky. Is there a river in the desert? It's the Yellow River, and the long river is the Yellow River. As the sun sets, the Yellow River is particularly round, depicting a magnificent scenery. Fourthly, Wang Wei's poetry embodies the artistic characteristics of pastoral leisure. Wang Wei wrote about the scenery of rural pastoral life, and these poems revealed the leisure interest and showed the poet's love for leisure life. Common villages, alleys, Chai Men, cattle and sheep, shepherds, Fu Tian, wheat seedlings, silkworms, hoes, etc. Blended together, it forms the rhythm of poetry, the enjoyment of beauty and the admiration of leisure. As the sun sets, cattle and sheep go home along the path. There is also a rough old man at the door of the thatched cottage, leaning against the Hou. There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves. Jojo and Fu Tian greet each other cordially. No wonder I long for a simple life and sigh the old song, oh, back to the past! This poem has a strong peasant flavor. It describes the early summer and late return of a farmhouse on the Wei River, and the author's longing for a leisurely life in the countryside. It absorbs the leisurely and natural style in Tao Yuanming's pastoral poems, and it is a poem that praises seclusion. V. Wang Wei's poems reflect the artistic features of beautiful natural scenery. Wang Wei wrote a beautiful realm of spring and moonlight in the mountain stream. On a spring night, Shan Ye is empty and all is silent. It is a sweet-scented osmanthus, which blooms in winter and falls in spring. At this time, faint osmanthus fell silently from the branches. Suddenly, a bright moon broke through the clouds and hung in the air, and the silver moonlight sprinkled on the mountains. The bright moonlight disturbed the mountain birds, and sometimes they sang in the deep stream. In this situation, there is a poem saying: "People are idle and osmanthus flowers fall, and the night is quiet and the mountains are empty. When the moon comes out, it surprises the birds and sounds into the spring stream. " (Bird Singing) Wang Wei vividly, profoundly and meticulously showed the quietness and serenity of the moonlit night in the spring mountains with the dynamics of osmanthus falling and the sound of birds singing. This stillness is not dead because of the dynamic sound, it is full of vitality and emotion. In his poem Chai Lu, Wang Wei described that the emptiness and silence of the forest complement each other. Chai Lu is a place name. "There seems to be no one on the empty mountain, but the blasted into voice. Sunlight, entering a small forest, reflected from the green moss to me. "("Chai Lu ") In this mountain, no one can hear people's voices, indicating that the mountains and forests are lush, the branches block the line of sight, and voices can be heard, indicating that people are close and empty. The return of the sunset, into the depths of the forest, shines on the moss, empty and quiet. This poem is about the empty and quiet realm in the deep forest of Chai Lu. Very ordinary scenery, very poetic description, very beautiful realm.
Artistic features of Tao Yuanming's poems
A major feature of Tao Yuanming's poetry is also his pioneering work, that is, to poeticize daily life and find important significance and lasting poetry in daily life. Tao Yuanming focuses on writing ordinary life, doing household things with household words, and his writing is full of poetry. 1, the fusion of emotion, scenery, things and reason. Tao Yuanming does not pursue the shape of the object or the twists and turns of the plot, but expresses his feelings above the world through what everyone can see and ordinary things, and writes the truth that people may not understand. Tao's poems focus on writing the mind, writing the mind that is integrated with the scenery, and writing through life. 2, see the police strategy in the plain, see the beauty in the simple. 3. The language of Tao Yuanming's poems is plain and natural.