The reason is not that Li Bai's poems are not as high as Du Fu's, but the difference between "poems of gifted scholars" and "poems of scholars". During the Ming and Qing Dynasties, many scholars put forward the concepts of poet's poems, gifted scholar's poems and literati's poems, and gradually formed a solid theoretical system.
The poet's poems are meticulous, and so are Wang Wei's people. I don't know the composition of poems and words of gifted scholars, and so do Li Bai and others. The same is true of Du Fu's poems, styles and meanings, and his clever handling.
The poems of gifted scholars pay attention to talent, just like Li Bai's poems. The lines in his poems are full of luck, and the words and sentences are rampant, which is rare for later generations. Those poems devoted to learning, that is, the poems of literati, are just Du Like's poems. In his poems, knowledge is boundless, techniques are refined and skills are profound. Many poets in later generations took Du Fu as their teacher, so the research on his poems has been increasing.
When we taste Du Fu's poems, we can find that the images constructed in his works, like the frames of extremely infectious movie pictures, can be presented to readers, quickly mobilizing their emotions and making them realize the feelings he has entrusted in his poems. The reason for this effect is that Du Fu used skillful creative skills to make the images in his works cross out.
The so-called "image coming out" is Hong Mai's evaluation of Du Fu's poems in Rongzhai Essays.
"General Cao's family has nine horse paintings, and Du Zimei's poems are also ... Reading this poem really makes people feel detached and the image comes out, which is a good thing."
Although Hong Mai expressed his poems with paintings, from the thousands of poems circulated by Du Fu, this artistic effect of "crossing out images" can be seen everywhere in his poems. This paper will analyze the application of image crossing-out technique from Du Fu's poems.
When using positive contrast and negative contrast, the image is highlighted and displayed horizontally.
Contrast is the most common creative technique in classical poetry creation, and it is also the most common and often the most difficult to use new ideas. Du Fu, on the other hand, can use this common technique to highlight his image and write masterpieces through the ages.
1. Front foil
Positive contrast is based on similar things, and through contrast, readers can feel "better" about the image. Du Fu's miscellaneous antique "Car Shop" has such a positive contrast:
Father, mother, son and wife watched you leave until the dust buried the bridge outside Chang 'an.
The central image of this sentence is "dust". Du Fu wanted to highlight the heavy burden and disaster brought to the people by the war by collecting her husband and seeing him off, so he used the length and width of xian yangqiao to set off the dust. In this way, the reader seems to have raised the dust all over the sky, thus having a deep understanding of the unrestrained conscription in the Tang Dynasty.
Another example is:
On the way, holding soldiers' clothes, eating and crying, the sky rushed into the sky.
This sentence is to express the grief of her husband's family when they sent him away.