Introduction /2
Section 1 The Historical Role and Development of Modern Literature /3
The colorful features and diverse styles of modern literature /5
Section 3 Humanistic Spirit and Cultural Character of Modern Literature/10
novel
The first chapter Lu Xun's novels/14
Section 1 Soul Portrait with National Characteristics/15
The true story of Q/19 in the second quarter
The third quarter "casting sword" /25
Chapter II Literature Research Society and Creation Society Novels /30
Section 1 Social Realism and Self-lyric /3 1
In the second quarter, Ye Shengtao and his "Mr. Pan is in trouble" /34
In the third quarter Yu Dafu and his "sinking" /40
Chapter III Mao Dun's Novels /49
The first section objective and rational social analysis /50
Section 2 "Midnight" /57
The fourth chapter Ba Jin's novels /64
Section 1 The burning fire of life in youth /65
Section 2 "Home" /69
The fifth chapter Lao She's novels /77
Section 1 Reflection and Criticism on Civil Society /78
Section 2 "Camel Xiangzi" /82
Chapter VI Shen Congwen's Novels /88
Section 1 Praise and mourn for the kind human beings /89
In the second quarter "Border Town" /92
Chapter VII Novels of Left Wing, Beijing School and Shanghai School /98
The first section confrontation and integration of pluralistic schools /99
Rou Shi and his slave mother in the second quarter/104
Xiao Hong and His Life and Death Field/108
Section 4 Fei Ming and His Bamboo Story/1 13
Section 5 Shi Zhecun and His Night of Plum Rain/1 18
Chapter VIII Novels in Liberated Areas/124
Section 1 ode to farmers in Xintiandi/125
In the second quarter, Zhao Shuli and his Marriage of Little Black/129
In the third quarter, Sun Li and his Lotus Lake/132
Section 4 Ding Ling and the sun shine on the Sanggan River/136
Chapter 9 Novels in Kuomintang-controlled Areas and Enemy-occupied Areas/140
Section 1 Meditation on Human Nature in the War Era/14 1
In the second quarter, Lu Ling and his son/144
In the third quarter, Zhang Ailing and Jin Suo Ji/149
Section 4 Qian Zhongshu and His Fortress Besieged/153
essay
Chapter 10 Lu Xun's Prose/160
In the first quarter, the fighter of grief and indignation/16 1
In the second quarter, "Weeds" and "Flowers at Morning"/164
Section 3 "Writing in the Light" and "Ugly Art"/168
Zhang XI Zhou Zuoren's Prose/174
Section 1 Peaceful and Diluted Hermit/175
Section 2 Wu Pengchuan and Wild Vegetables in His Hometown/179
Chapter 12 Zhu Ziqing's Prose/184
Section 1 Honest celebrities/185
In the second quarter, the moonlight in the lotus pond and the sound and light in the shadow of Qinhuai River/190
Chapter 13 Prose in Various Styles/197
Section 1 A dazzling array of spiritual worlds/198
Bing Xin and He Qifang's Prose Section 2 /20 1
Prose of Liang Shiqiu and Lin Yutang in the third quarter /208
Section 4 Prose by Feng Zikai and Li Guangtian /2 16
poetry
Chapter 14 Guo Moruo and His Early Poetry Creation /226
The first section Guo Moruo and his Phoenix Ni Ming /227
Other early new poets in the second quarter /233
Chapter 15 Poetry Creation of Crescent Poetry School /243
The first section beautiful poetic pursuit /244
Section 2 Wen Yiduo and his stagnant water /246
Section 3 Xu Zhimo and his farewell to Cambridge /25 1
Chapter 16 Poetry Creation of Modern Poetry School /257
Section 1 Exploration of Pure Poetry Art /258
Dai Wangshu and Rain Lane in the second quarter /26 1
Section 3 Bian and Untitled /266
Chapter 17 Ai Qing's Poetry Creation /274
The first section poet with tears in his eyes /275
Section 2 From Dayan River to Torch /279
Chapter 18 Poetry Tide for the Public /284
Section 1: The Road of Popular Poetry /285
Cang Kejia and his old horse in the second quarter /290
The field in the third quarter and its "for the combatants" /294
Chapter 19 Poetry Creation in July and kuya /30 1
The first section Hu Feng and his song of the motherland /302
In the second quarter Mu Dan and his ghost debate /303
Dramatic articles
Chapter 20 Early Exploration of Modern Drama /3 16
Section 1 Cultivation of Early Drama /3 17
Tian Han and his death of fame in the second quarter /320
Chapter 21 Cao Yu's Drama Creation /326
The first section Cao Yu and the maturity of modern drama /327
Thunderstorm and sunrise in the second quarter /330
Chapter 22 Diversified Exploration of Modern Drama /337
Section 1: Various Drama Styles on the Stage /338
Under the eaves of Xia Yan and Shanghai in the second quarter /34 1
In the third quarter Guo Moruo and Qu Yuan /345
Section 4 National New Opera "White-haired Girl" /349