Situational relationship in poetry

The relationship between scenes in poetry includes lyricism through scenery, emotion in scenery and scene blending.

The specific performance of situational relationship is:

The scene of Syaraku's feelings and happiness, the scene of sadness and sadness-a perfect contrast.

Write a sad story with a happy scene, and write a sad scene with Syaraku's feelings-a contrast.

For example:

(1) Take Syaraku as an example: "Gushan Temple is in the north of Jiating West, and the water level is low at the beginning. Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests. Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe. I love the lack of lake in the eastbound direction and the white sand embankment in the shadow of Populus davidiana. " (Bai Juyi's "Qiantang Spring Tour")

Even if there is no word "favorite" in the poem, the West Lake, which has just been put on spring clothes and is full of business, is full of love between the lines of the author. "Ying Ti", "Swallow Peck", "Qingyang" and "White Sands" all reflect the poet's special liking for the West Lake.

(2) Write a sad feeling with a sad scene: "Frosty night, Jiang Feng, fishing fire, worrying about sleep. Hanshan Temple outside Gusu City, passenger ships are ringing at midnight. " (Zhang Ji's "a night-mooring near maple bridge")

This landscape poem describes the scene when the author spent the night at Qiao Feng. The scenery described has the characteristics of sadness, desolation and loneliness, which is consistent with the author's worries about travel.

(3) Use music scenes to set off sadness: "The bluebird in the river is too white, and the blue flowers in the mountains are burning. I saw it again this spring. When is the year of return? " (Du Fu's quatrains)