Zhu Guangqian said: "A simple interest in literature and art must be a wide range of interests." Only with this pure interest can we read poetry with a pure attitude. So how do you read poetry?
First of all, I think we should try to figure out the poet's feelings and walk into poetry and poets. Only preconceived ideas can we understand the true meaning of poetry. And this kind of "coming in" can often be achieved by carefully trying to figure out the words. If you read "Moonlight in the pine forest, Crystal stone in the stream", you can't help but think of a quiet and beautiful picture of jathyapple pine forest. Another example is Li Shangyin's "Leaving the Residual Lotus to Listen to the Rain", which seems bland and savors carefully, making people feel that the residual lotus is no longer useless, but the poet deliberately stayed to listen to the rain. I seem to feel a kind of interest from the autumn rain, but I don't feel depressed. This is the artistic conception created by the poet.
Poetry is highly concentrated literature, so poets pay attention to the choice of words and sentences, thus refining poetry. Words don't have to be gorgeous, but they must be accurate, vivid and vivid. For example, Wang Wei's famous "the desert is lonely and straight, and the long river sets the yen" is not novel, but the word "straight" seems to show the windless silence in the desert; The word "circle" highlights the vastness of Wan Li's lonely moon and shows the poet's lonely and broad mood. So, we entered the poet's heart by refining words. Another example is the famous sentence, "The wind is thin and the shadows are shallow, and the fragrance wafts at dusk", with only 14 words, but it describes the five things of wind, shadow, water, plum and moon. The word "sparse" is very vivid and novel. Imagine how the wind is "dense". This is because the author uses the method of synaesthesia to write the invisible wind into tangible cloth, sometimes sparsely woven and sometimes densely woven; The movement suddenly quieted down, as if it were visible. And a word "floating" brought the fragrance of plums to life, and the silence suddenly moved. We seem to smell the plum fragrance by the moonlight at once. Isn't this imaginary writing more powerful than the real writing?
Poetry is not only ideological, but also immortal poetry is often full of ideological, which is the unity of content and form. This requires us to have enough knowledge in reading poetry. We should get into the author's mind between the lines of the poem and wonder why he wrote like this. It is necessary to understand the background of the poet's writing, otherwise the beauty of many metaphors and symbols in the poem is incomprehensible. It is precisely because of the differences of poets themselves that there are great differences in "expressing aspirations" in poetry! Poets of different times have different feelings about the same thing in different backgrounds. For example, Mao Zedong's Operator Yongmei:
Spring leaves in the storm; With the snow, it came back. Although the icicles on the cliff are still hanging for miles. There is a sweet flower in it. Joe doesn't fight for spring, he only reports it. When the flowers bloom, she laughs in the bushes.
Compare Yongmei, the famous Bu operator of Lu You.
Outside the bridge, the plum blossoms are lonely, no matter what. Twilight arrival, plum blossom is helpless, already exhausted, but also subject to wind and rain. Plum blossoms don't want to compete for blooming, and the envy and rejection of flowers don't care. Even after autumn, when it is ground into dirt and turned into dust, plum blossoms still emit fragrance as usual.
They are all plum blossoms written by literary masters, one is "like a flower" and the other is "lonely"; One is "Hide the Knife in the Laughter" and the other is "Grinding to Dust"; Why is the difference so big? This has to start from different writing backgrounds. At that time, Lu You advocated the failure of the Northern Expedition, and the capitulators attacked him. Facing the current national disaster, he is in danger, but there is nothing he can do. As a result, he created a plum blossom image that grew up in a remote place, was "broken outside the post", was "troubled alone" because no one appreciated it, and was unable to resist the storm. At the same time, he was also a patriotic land rover who was upright in feudal times, unwilling to go with the flow but unable to realize his ideal and ambition. Mao Zedong's first poem was written in 196 1 65438+ February, which coincided with China's economic difficulties. In addition, the Soviet Union * * * put pressure on me because of the differences in the revolutionary principles of the China * * * production party, which is consistent with the harsh environment of the word "already on the cliff". But Mao Zedong's plum blossom is fighting, and it is the image of an optimist as a winner. She grew up in "wind and rain" and "flying snow", beautiful and open on cliffs and ice, fearless. What is especially wonderful is the word "laugh". Spring has come, "she is laughing in the bushes", smiling beautifully and happily. It is in sharp contrast with the plum blossom of "worrying alone" written by Lu You. On the surface, Mao Ci is an eulogy, but in essence it is a tortuous reflection of the development of the international political situation.
These are some of my personal experiences in reading poetry. In short, "poetry expresses ambition", reading poetry should read the poet's ambition, but also integrate the poet's ambition with words and feel the magical artistic conception. If we master them, we will become poets one day! [opinion]
Comments: The article describes the process from approaching poetry to entering poetry, and concentrates the subtlety of poetry on the analysis, comparison and appreciation of one poem after another, which also reflects the author's profound language skills and understanding of poetry interest itself. The article has beautiful sentences and is refreshing and smooth to read.
Second comment: the eloquent words are enough to show the author's profound understanding of poetry, and the heartfelt words also give readers a feeling of infection and openness.
Three comments: the language of the article is beautiful and fluent, and it fully writes out its own understanding of the interest of poetry, which is profound and good.
Four comments: this article is written slowly and eloquently, like a breeze and drizzle, and quotes many poems. Through the analysis of poems and expressing one's own views, the article appears deep and heavy. But it is written in thousands of words, and the form is slightly loose. Besides, the last sentence doesn't feel very good. The author's point of view coincides with mine in several places, but it is more delicate. Finally, the author should strengthen writing.
(The writer is a student in Class 7, Grade 2003, Baoji Middle School, and the comments are made by the students in this class. )