Wang Mian, the composer of Yuan Opera in Mo Mei era, wrote a seven-character quatrain.
original work
My home, Xiyan Lake, has two trees, both of which are light ink. Don't boast of good complexion, just leave (flow) fresh air (4) full of dry Kun (5) different versions according to different books. Moreover, "stay" is incorrect. Some languages are written in good colors and can be counted right. Even if the above version is different, friends don't have to question it.
Annotation translation
Note (1) Momei: Plum blossoms with bright colors. (2) My family: Because Wang Xizhi and Wang Mian share the same surname, Wang Mian thinks that Wang Xing is a family, and there is a saying that "it was a family three hundred years ago". (3) Xiyan Lake: a pool for washing pens and inkstones after writing and drawing. Wang Xizhi has a legend that "the middle school books in the pool are all black". This is the allusion used here. (4) Light ink: In ink painting, there are several ink colors, such as light ink, thick ink and Jiao Mo. What is said here is that the plum blossoms are dotted with faint ink. (5) Fresh air: fragrant smell. (6) Gan Kun: Heaven and Earth. The plum trees in West Wild Goose Lake near my home are blooming, and they all seem to be stained with faint ink. There is no need for others to praise how good the color is, as long as the fragrance of plum blossoms permeates the world.
work center
This poem shows the author's noble sentiment of contempt for the secular, loyalty and self-control.
works appreciation
This is a poem. Momei is a brightly colored plum blossom. Poets praise Mo Mei and Dont Ask For Help, just to leave a fragrance of virtue to the world. In fact, he used Mei as a metaphor to express his life attitude and noble sentiment. The first two sentences, "The first tree in my family, Xiyan Lake, is blooming with faint ink marks", which directly describes Mo Mei. In the painting, the plum trees by the pond are in full bloom, and the plum blossoms are stained with a faint ink color. "West Wild Goose Lake" is the allusion of Wang Xizhi's "middle school books in the pool, and the water in the pool is all black". The poet has the same surname as Wang Xizhi, a calligrapher in Jin Dynasty, so he says "my home". Three or four sentences praise Mo Mei's moral integrity. It is painted in light ink, although its appearance is not exquisite, it has a beautiful, noble and dignified, secluded and detached inner temperament; It doesn't want to attract people, please people and get people's praise with bright colors. It just wants to send out a fragrance and let it stay between heaven and earth. These two sentences are the poet's self-portrayal. Wang Mian grew up in a poor family, herding cattle during the day and studying hard under the ever-burning lamps of Buddhist temples at night. Finally, he learned a lot. He is good at poetry and painting, and he is versatile. However, he tried every time and didn't want to curry favor with the powerful, so he decided to gain fame and fortune, live in seclusion in Jiulishan, East Zhejiang, and draw rice for a living. The phrase "don't boast of his lewdness, just leave one breath to dry Kun" shows the poet's vulgar, independent and unrequited character. This poem, titled Mo Mei, is intended to express one's ambition. The poet organically integrates painting style, poetic style and personality. Literally praising plum blossoms is actually appreciating the virtue of a person standing. In this poem, a "light" and a "full" have their own personalities. On the one hand, the richness of Mo Mei and the image of the poet's pride are vividly on the paper; On the other hand, it makes people feel that the fragrance of calligraphy and plum blossoms seems to come to their faces. Thus, the "poetic style", "painting style" and personality are skillfully integrated.
Brief introduction of the author
Portrait of Wang Mian
Wang Mian (1287 ~ 1359) was a famous painter, poet and calligrapher in Yuan Dynasty, with the word stamp,No. Boiled Shishan Nong, Cowherd Weng, Huiji Waishi, Plum Blossom Master, Mr. Jiu Li, Jiangnan Ancient Guest, Jiangnan Savage, Yinshan Yeren, Duckweed Zi Xuan, Bamboo Crown Grass Man and Mei Cuo. Zhuji (now Zhejiang) people. Wang Mian is famous for painting plums, especially mume plums. Wang Mian's poems sympathize with people's sufferings, condemn powerful people, despise fame and wealth, and describe rural seclusion. Poems of Zhu Zhai consists of three volumes and two sequels. The surviving paintings are The Three Gentlemen's Map and The Meme Map. Can manage printing, make printing with flower milk stone, and seal cutting is wonderful.
Basic information
Name: Seven-character quatrains, written by Yu Qian, in the era of lime songs in Ming Dynasty.
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Lime songs hammer out of the mountain, and the fire is like a fool. Don't be afraid of being smashed to pieces, leaving innocence in the world.
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Note (1) Lyme hymn: Lyme hymn. Chant: chant. Refers to a name of the genre of ancient poetry (a form of ancient poetry).
⑵ Hammering: Numerous hammering and excavation describe that it is very difficult to mine lime. Thousand, ten thousand: refers to the number of impacts, but actually does not refer to 1 1 ten thousand. Hammer. Hammer. Chisel, dig. (3) if you are idle: it seems very common. If: as if, as if; Leisure: normal and relaxed. (4) Mud: All. 5] Innocence: Innocence: refers to the pure white color of lime, and also refers to noble moral integrity. Humans: Humans. [1] Stone can only be mined from the mountain after many impacts. It regards the burning of fire as an ordinary thing, even if it is smashed into pieces, it is not afraid, and it is willing to leave its innocence in the world. [2]
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This is a poem that holds things in the air to express one's ambition. The author uses lime as a metaphor to express his loyalty to the country, his willingness not to be afraid of sacrifice and his determination to stick to noble sentiments.
Heart. As an object-chanting poem, it is of no value if it is only a mechanical record of things without the deep meaning of the author. The value of this poem lies in the metaphor that lime is everywhere, and reciting lime is to praise a person's open mind and lofty personality. [3] The first sentence "A thousand hammers cut out a deep mountain" describes that it is not easy to mine limestone. The second sentence is "If the fire burns, it will be idle." "Burning", of course, refers to burning limestone. Adding the words "if you are idle" makes people feel that you are not only burning limestone, but also seems to symbolize that people with lofty ideals are leisurely, no matter how severe the test is, they regard it as idle. The third sentence is "I am not afraid of death." "Broken to Pieces" vividly describes that limestone is burned into lime powder. The word "not afraid at all" reminds us that there may be a spirit of not being afraid of sacrifice. As for the last sentence "keep the world innocent", it is the author's sincere feelings and determination to be a pure and innocent person. Yu Qian was deeply loved by the people for being an official and upright, rehabilitating unjust imprisonment and relieving famine. In Ming Yingzong, Walla invaded and Yingzong was captured. Yu Qian proposed the establishment of Jingdi, personally led the troops to stick to Beijing, repelled Vala, and rescued the people from the brutal rule of Mongolian nobles again. However, after the British Restoration, the national hero was falsely killed for "treason". This poem of lime can be said to be a true portrayal of Yu Qian's life and personality. [2]
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Yu qianxiang
[2] Yu Qian (1May 39813-1February 6, 457), whose real name is Ting Yi, was born in Qiantang, Zhejiang Province, a famous politician, strategist, Han nationality, a famous minister of the Ming Dynasty and a national hero. He was a scholar in Yongle period. When Yu Qian was a teenager, he worshipped Wen Tianxiang very much. In addition to studying stereotyped writing, he also tried to explore the truth of governing the rise and fall of chaos in ancient and modern times, "be interested in the world and do your duty to the death." Yu Qian is handsome, talkative and has a loud voice. Every time I played it correctly and methodically, it attracted the attention of Ming Xuanzong. He is simple and honest, selfless to serve the country, strong in character, quick in thinking and meticulous in thinking, which is unparalleled at the moment. He also looks down on cowards and incompetent people and is quite jealous in North Korea. However, it was highly valued by the British Sect and everything was handled according to Yu Qian's wishes. When he was in charge of the Ministry of War, he adopted correct policies and strictly resolved the crisis when the Ming Dynasty was at home and abroad. When he was appointed governor of Jiangxi, he rehabilitated hundreds of people who were unjustly imprisoned. The right assistant minister of the military promotion department and the governor of Henan and Shaanxi went deep into the alley to visit their elders, relieve the famine, build dikes and plant trees, and take all the private farmland in the town back to the official village to subsidize the border funds. He was in office for nineteen years and enjoyed high prestige. On the day of Yu Qian's death, dark clouds were gathering and people all over the country thought that he had been wronged. Empress Dowager Cixi didn't know about Yu Qian's death at first, but after hearing about it, she sighed and mourned for a few days. Yingzong also regretted it. One year after Yu Qian's death, foreign enemies invaded the border again, and the whole Korea missed Yu Qian. In the early years of Chenghua, Yu Qian's son Yu Mian was pardoned. He complained that he had been wronged and was able to restore Yu Qian's official position and offer sacrifices. The patent says: "The country is in trouble, and there is no danger in defending the country, but he insists on justice alone and is envied by powerful ministers and traitors." "My late emperor knew his injustice when he was alive, and I really pity his loyalty." This patent has spread all over the country. In the second year of Hongzhi, he adopted the advice to Sun Xu, presented it to Yu Qian, Dr. Guanglu, Zhu Guo, a teacher and posthumous title, and built an ancestral temple in the tomb, named "Gong Jing", which was dedicated by the local authorities on New Year's Day. Wanli was changed to loyalty. In Hangzhou, Henan, Shanxi and other places, there are sacrifices from generation to generation. Brief life:1May 39813rd, born in an official family. 1405, a monk looked at his face and predicted that he was a talented prime minister. 1465438+In 2004,/kloc-entered the official school at the age of 0/6 and became a student. In the 19th year of Yongle 142 1 year, I was 23 years old. I was admitted as a scholar. I was originally the first scholar, but I was ranked 92nd among the top three because of "word injury". Shortly after performing his official duties, he initially showed his integrity. 1426, followed Yingzong to levy Zhu in Hanwang, detailing Gao's crimes. Xuanzong was very satisfied with Qian's performance. 1430 (Xuande five years), the Ming court set up a governor. Xuanzong personally appointed Yu Qian as the right assistant minister of the Ministry of War and the governor of Henan and Shanxi provinces, and suddenly promoted Yu Qian from seven products to three products. Yu Qian was the governor of two provinces for nine years, and Wei Hui won the hearts of the people. People call it "Yu" 1442 (the seventh year of orthodoxy), and Zhang Taihou died of illness. Since then, the cabinet "Sanyang" has also died of old age. Eunuch Wang Zhen was very autocratic. Yu Qian wrote a poem and encouraged himself to regard it as a widely circulated story. 1446 (the eleventh year of orthodoxy), Yu Qian went to Beijing to play things and was framed by Wang Zhen. When people in Henan and Shanxi provinces heard about it, they wrote to Beijing one after another, and Wang Zhou and Jin, the imperial clan of the two provinces, also made the same request. Wang Zhen had no choice but to reinstate Yu Qian. 1448 (13th year of orthodoxy), the border defense of Ming dynasty became increasingly strict, and Yu Qian was ordered to enter Beijing as the left assistant minister of the Ministry of War. 1449 (the 14th year of orthodoxy) In July, Wang Zhen took Ming Yingzong to personally levy Walla, and Yu Qian was ordered to stay in the capital. 1August 449, Yingzong was captured, and Yu Qian strongly resisted and opposed the southward migration. Later, he shouldered the heavy responsibility of defending Beijing and saving the crisis of the Ming court. 1457 (the eighth year of Jingtai) In the first month, Shi Heng, Xu Youzhen and others launched a rebellion to seize the door, supported the restoration of Yingzong, and arrested Yu Qian and Wang Wen for early work. Yu Qian was framed and executed. When Yu Qian's property was stolen, there was nothing of value in the house, only the main house was locked. When I opened it, there was nothing in it except the mang suit and sword given by Jingdi. It is said that when Yu Qian was killed, there was a mixture of gloom and grievances. People are very angry at this kind of bite the hand that feeds them, and commemorate Yu Qian in different ways. After Yu Qian's death, Chen, who succeeded the minister of the Ministry of War, attached himself and accepted bribes, which made Yu Qian's efforts to rectify national defense go to waste, and Yingzong was worried. Later, there was a policeman in the northwest. Hou Wujin respectfully said to Yingzong, "Let Yu Qian be there, not Kou." Yingzong listened and was silent. 1466 (the second year of Chenghua) In August, Yu Mian, who was pardoned and returned to his hometown, filed a lawsuit for his father's grievances. Ming Xianzong personally avenged Yu Qian, changed Yu Qian's former residence in Chongwenmen West Hutong into "Loyalty Festival Temple" and sent officials to pay homage to the hero's soul. 1489 (the second year of Hongzhi), the Ming court presented it to Dr. Qian Guanglu, Zhu Guo and Taifu, and held a memorial service for them. From then on, Yu Qian and Yue Fei lay side by side on the beautiful Xizi Lake, and only later generations had the poem "Lai Youyue paid less attention to double insurance, and the world began to feel the West Lake". Related works: Biography of Yu Qian in Ming Dynasty
(Qing) Zheng Xie insisted that the green hills were not relaxed, and the roots were broken rocks. After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight. Persistence: metaphor is firmly rooted, just like insisting on a green hill and not letting go. Bamboo stone: bamboo rooted in cracks. The poet is a famous painter, and his bamboo paintings are particularly famous. This is a poem he wrote on a bamboo stone painting. Bite: In this poem, it means firmly rooted in the soil. Rooting: Rooting, rooting. Original: original, original. Broken rock: Broken rock. Grinding: torture, frustration. Strike: strike. Perseverance: tenacity and fortitude. Zhu Shi
Ren: Whatever. Joel: You.
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Takeishi
Bamboo clings to the green hills, and its roots are firmly rooted in the cracks in the rocks. Hard blows, no matter what the wind blows, are still tough and straight.
Appreciation of editor's famous saying
Takeishi
1. This poem embodies the tenacity and persistence of bamboo. It's a poem about Yanzhu, a poem about things. From the beginning, it personified Yanzhu and conveyed its charm. The last two sentences further describe the character of Yanzhu. After numerous hardships, Yanzhu has grown into a particularly tall and straight figure, and has never been afraid of the strong winds in the east, west, north and south. Zheng Xie not only wrote beautiful poems about bamboo, but also painted it vividly. In his words, he painted bamboo to comfort the working people in the world. So this poem is written on the surface of bamboo, but in fact it is written on people, and it is written on the author's own upright and stubborn character. He will never bow to any evil forces. At the same time, this poem can also touch our lives, overcome difficulties in a tortuous and harsh environment, face reality, be as strong and brave as Yanzhu, and reflect the feelings of patriots.
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This is a poem with profound implications. The first two sentences say that bamboo is rooted in broken rocks and has a solid foundation. The second sentence says that no matter how the wind blows from all directions, the bamboo stone is still strong. While praising Zhu Shi's firm and tenacious spirit, the author also expresses his indomitable spirit that he is not afraid of any blow. This poem is often used to describe the revolutionary's firm stance in the struggle and unshakable character when the enemy attacks.
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Zheng Xie was born in 1693 and died in 1765. He was a scholar in Kangxi, a juren in Yongzheng and a scholar in Qianlong. He lives in Yangzhou and sells paintings for a living. As one of the "Eight Eccentrics of Yangzhou", his poems, books and paintings are praised as "three wonders" and he is good at painting Zhu Lan. Zheng Banqiao's ancestors, three generations are literati, great-grandfather, Xiang was born; Grandfather Qing, a high-ranking Confucian official, father, Ang Lee, and Lin Zexu were born. Gui You, 1693, Kangxi was born in Gubanqiao, Dongmen, Xinghua on October 25th. The 4-year-old mother, Mrs. Wang, died; My 5-year-old father followed Mrs. Juhao. 14 years old, my stepmother, Mrs. Hao, passed away. About 2000 years ago, when I was young, I studied in Maojiaqiao, Zhou Zhen. At the age of 20, I wrote a poem by Mr. Lu Zhongyuan, a predecessor of Xinghua. At the age of 23, he married Xu, a Zhouyi native. At the age of 24, he was a scholar and began to teach at the age of 26. Li Zhengan, a 30-year-old father, died. 365,438+0 years old, selling paintings in Yangzhou this year, about ten years. His son also died in this year or so. 39 years old, 173 1 year old, 9 years old, his wife Xu died. 40 years old, 1732, Ren Zi was in Yongzheng for ten years. In autumn, he went to Nanjing to take part in the provincial examination and won the award of "Winning the Sound in the South". At the age of 43, he entered into an engagement with Raowu in the northern suburb of Yangzhou, and was named "Xijiangyue". 44-year-old, 1736 Chen Bing, from February to March of the first year of Qianlong, went to Beijing to take the exam, and was the 88th Jinshi of China Erjia. Forty-five-year-old, a pawn of nursing fee, recovered from Cheng's support, Nora's. 50-year-old, 1742, Ren Xuren, worked for seven years, was appointed as the county magistrate of Fan County in the spring, and also served as the county magistrate in the summer. My 52-year-old concubine has a baby. At the age of 54, he changed from Fan County to Wei County and was re-elected for seven years. At the end of 60, he was dismissed as a county magistrate. At the age of 63, he and Li He made Three Friends. 73-year-old, wrote "Bamboo Stone Map" in April, and "Xiuzhu Niigata Map" on May 3. 1765 (thirty years of Qianlong) died of illness in Qingyuan, xinghua city, on December 12, 1998, leaving no children. Adopted by his son Zheng Tian, he was buried in Ruanzhuang (now Ruancun, Daduo Town) in the east of the city. Banqiao's "Living in Idleness" says: "Jing's wife rubs the inkstone and grinds new ink, while weak women learn regular script with stationery". Legend has it that Banqiao studied books, mistakenly referring to respectful practice on Xu at night. Xu said, "Everyone has his own body." This sentence touched Banqiao, so he learned half from ancient books and left half, and founded "Six Books and a Half". According to Seven Songs, at the age of 30, Xu gave birth to two girls and one son, and another girl. As one of the "Eight Eccentrics of Yangzhou", Zheng Banqiao was a seven-product official for 12 years. He is honest and upright. When he was in office, he drew a picture of ink and bamboo with the inscription: "I listened to the sound of raining bamboo in the yamen, which is suspected to be the voice of the people's suffering." Some small collectors in Caozhou County always pay attention to one branch and one leaf. " He has deep feelings for the lower classes and a keen interest in people's feelings and customs. In his poems, paintings and calligraphy, he always reveals this fresh content and unique style from time to time. Tea is an important part of it. Tea is Zheng Banqiao's creative companion. "There is a hut, some poles in a new place, snow-white paper windows, slightly soaked in green. At this time, I was sitting alone, with a cup of tea before the rain, an inkstone, a piece of Xuanzhou paper and a few broken branches. When friends come, the wind and bamboo ring, and the louder and quieter. " Zheng Banqiao's artistic achievement is the most brilliant part of his life. His works are full of thought, creativity and militancy, which well unifies profound ideological content and perfect artistic form and forms his own unique artistic style-Banqiao style. His works have become the outstanding literary and artistic heritage of the Chinese nation, which is not only loved by the people of China, but also valued by writers and artists from many countries in the world. Zheng Banqiao is an artist with personality and is deeply loved by people. He left many touching stories in his life, which were widely circulated among the people. His great achievements in literature and art established his prominent position in the cultural history of China. In recent years, the introduction of Zheng Banqiao has become more and more popular in the cultural and academic circles, although the research on him is still very in-depth. Television stations have inserted TV dramas reflecting his life and interesting stories, and the publishing industry has produced a large number of valuable works such as The Complete Works of Zheng Banqiao and The Review of Zheng Banqiao. Zheng Banqiao is the pride of Yangzhou people. As a world cultural celebrity, this artist who grew up and became famous in Yangzhou has attracted more and more attention. [opinion] Zheng Banqiao (1693— 1765), a native of Xinghua, Jiangsu. 1736 (the first year of Qianlong) was admitted to Jinshi. He was a famous painter, calligrapher and writer in Qing Dynasty. He is known as the "three wonders" of poetry and calligraphy, and is one of the famous "Eight Eccentrics of Yangzhou". "Eight Eccentrics in Yangzhou" refers to a painting school in Yangzhou during the Qianlong period of Qing Dynasty. The main figures of this school are Wang, Huang Shen, Jin Nong, Li Wei, Zheng Xie, Li and Luo. Zheng Xie, as a representative figure of the Eight Eccentrics, showed dissatisfaction with reality and defiant personality in his political attitude. Zheng Banqiao especially likes painting bamboo. The bamboo he painted is tall and straight, vigorous and unique, with high artistic expression and appeal. Since the Song Dynasty, bamboo has been called one of the "four gentlemen" of plum, orchid, bamboo and chrysanthemum. It, open-minded, upright and evergreen, has always been regarded as a symbol of nobility, integrity, tenacity and tenacity. Zheng Banqiao likes to draw bamboo, because bamboo can best reflect his own personality. Zheng Banqiao is called "Three Wonders": Poetry, Books and Painting. He has great attainments in these three aspects, forming a complete artistic whole. Form the so-called "three truths": the characteristics of true qi, true meaning and true interest. Good at painting orchid bamboo, using cursive script to make orchid leaves vertically, which is more chaotic and less sparse, and the beauty is unparalleled. Painting bamboo is vigorous and cool, dense and dense. Now he has his own rules about painting and calligraphy: "When painting bamboo, buy more bamboo money. The paper is six feet high and costs 3,000 yuan. Let's talk about the past, only when the autumn wind passes. " Behind this elegant and ridiculous writing is the cruel exposure and ridicule of the secular. However, Zheng Xie attaches great importance to friendship and kindness. He lost his mother when he was a child and was brought up by a wet nurse. When he was a child, he played in the street with Zheng Xie on his back every day and bought him cakes with his own money. Zheng Xie and the wet nurse are as deep as children, living together. In a poem commemorating Fei's wet nurse, he said, "There are thousands of kinds of food, so it is better to have bread in your hand. You are the only wet nurse in your life." It is sincere and touching to read. When he was young, Zheng Banqiao's family was poor, but he was bold and unrestrained, and he often "talked big, couldn't hide his words, and couldn't sit still". (Zheng Chuan Zheng Xie). Forty-three years old, after being a scholar in high school, he worked as a magistrate in Fanxian and wei county. During his time as an official, he did a lot of good things for the benefit of the people and won the people's love. But he asked for relief to the people in the famine year, but he offended the magistrate and local gentry. He is upright and upright, caring for the people, and has the lofty character of "getting rid of mud and not getting stained". Ashamed of hunching over, he despised the powerful, untied the seal, resolutely resigned and returned to Yangzhou to sell paintings for a living. Just like his immortal inscription, "It is better to go home and plant sweet potatoes than to be an official for the people." Zheng Banqiao's painting Bamboo Stone in his later years is a portrayal of his proud and upright personality. Bamboo is not relaxed at all, its roots are firmly embedded in the cracks in the rocks. After thousands of tortures and blows, it is still strong, whether it is the southeast wind or the northwest wind in winter, it can bear it and will still be tough and straight. Zheng Banqiao is not only a master of Danqing, but also accomplished in writing lyrics and poems. The short four poems also show a vivid picture in front of readers: under the chaotic cliff, several bamboo plants stand proudly in the wind, growing and expanding tenaciously, and their tenacious and straight state is vividly on the paper. This poem is purely about scenery, but it is by no means a sketch and copy of natural scenery. This painting has obvious symbolic significance. The bad wind on the cliff destroyed the growth of bamboo branches, which was linked to the cruel rule of the feudal dynasty. Isn't this the symbol and portrayal of the social environment at that time? Bamboo sticks "bite" in the green hills, take root in the cliffs and stand upright in the wind. Although they have been tempered, whether in summer or winter, they are still rising and standing proudly. Isn't this the embodiment of the author's indomitable noble personality? The evil wind on the cliff is ferocious, but under the urging of evil forces, the bamboo branches not only did not yield, but became stronger and more upright. From this strong contrast, we can clearly feel the author's strong hatred of evil forces, and we can better appreciate the author's lofty praise for the strong personality symbolized by bamboo. The poet's superb artistic skills and skillful artistic language make the bamboo described have personalized characteristics, which are not only reflected in the concrete application of anthropomorphic techniques such as "persistence" and "perseverance", but also in the description of bamboo branches. "Thousands of blows are still strong, and the wind is east, west, north and south." The bamboo here is obviously a tenacious warrior! The personification technique makes readers feel cordial and true, intoxicated not only by the natural beauty in poetry, but also by the sexual beauty in poetry. The poet's language is particularly accurate, vivid and vivid. He wrote about evil forces with "thousands of blows" and ubiquitous evil forces with "east, west, north and south", which accurately summarized the characteristics of that dark age. The use of verbs is more unusual. The word "bite" shows a stubborn and tenacious character, as well as infinite charm and wonderful artistic conception. It starts with the word "bite", which is abrupt and extraordinary. It's really amazing. The words "Ren Er, East, West, South and North" vividly and accurately describe the heroic spirit of standing proudly in the wind and fighting evil! The author portrays a tough, straight and unyielding image of bamboo branches, and through this vivid picture, expresses the author's fortitude, perseverance and integrity.
Appreciate editing this paragraph
This is a poem with profound implications. The first two sentences say that bamboo is rooted in broken rocks and has a solid foundation. The second sentence says that no matter how the wind blows from all directions, the bamboo stone is still strong. While praising Zhu Shi's firm and tenacious spirit, the author also implies the strength of his own character. "Endure all kinds of hardships, stay strong, and let the east, west, north and south prevail" is often used to describe revolutionaries' firm stance in struggle and unshakable character when the enemy attacks. Appreciation 2 is a poem that embodies the tenacity and persistence of bamboo. It is not only a poem praising Yan Zhu's paintings, but also a poem chanting things. At first, the word "persistence" was used to personify Yanzhu, which has conveyed its charm; The last two sentences further describe Yan Zhu's character. After countless hardships, she has grown into a particularly tall and straight figure, and she is not afraid of strong winds from east to west and from south to north. Zheng Xie not only praised the beauty of bamboo poetry, but also painted bamboo vividly. In his words, he painted bamboo to comfort the working people in the world. So this poem is written on the surface of bamboo, but in fact it is written on people, and it is written on the author's own upright and stubborn character. He will never bow to any evil forces. At the same time, this poem can also touch our lives, overcome difficulties and face reality in a tortuous and harsh environment, and be as strong and brave as Yanzhu. Appreciation 3. This poem was originally a painting poem, but it gradually spread. "I insist that the green hills are not relaxed, and the roots are breaking the rocks." It is about green bamboo growing firmly on the green hills, and its roots are deeply rooted in the cracks in the broken rocks. "It is still strong, and it is the wind of east, west, north and south." It's about bamboo growing in cracks in rocks. After all the hardships, I am still tenacious, allowing you to blow gusts of wind from all directions. The poet described the difficulties in the process of bamboo growth with the words "hammering", "east-west-north-south wind" and "broken rocks", but bamboo still has to "stick to the green hills and not relax" and "take root in the rocks" and take root deeply. The poet expressed his indomitable and optimistic attitude towards life with this spirit of bamboo. I also want to learn the spirit that bamboo is not afraid of difficulties. This is a poem carved on a map of bamboo and stone. The author's chanting of bamboo stone is not a general description of natural bamboo stone, but contains the author's profound thoughts and feelings. The author compares things to people, writes about bamboo, but praises people. Based on the hard rock of Qingshan Mountain, the poet said that bamboo sticks to Qingshan Mountain, takes root and breaks the rock, and crushes thousands of blows. "Perseverance" is a true portrayal of the man symbolized by this weathered bamboo and bamboo. Therefore, it can be said that poetry has created an indomitable and indomitable glorious image of a strong man by praising bamboo and stone. The whole poem is fresh and smooth, with sincere feelings. Although language is popular, it is profound and meaningful. Appreciation of this poem is purely a description of scenery on the surface, but it is by no means a sketch of natural scenery. This painting has obvious symbolic significance. Breaking stones and evil winds, suppressing and destroying the growth of bamboo branches, reminds people of the cruel rule of feudal dynasties, and is a symbol and portrayal of the decadent and dark social environment at that time. Bamboo sticks "bite" the green hills, take root in rocks and stand upright in the wind. Although they have been beaten thousands of times, they are still rising and standing proudly in the hot summer and winter. How much tenacious power a word "bite" makes readers feel, isn't this the embodiment of the author's indomitable noble personality? The evil wind of breaking rocks is fierce, but under the urging of evil forces, bamboo branches not only did not yield, but became stronger and more upright. Bamboo's "rooting and breaking stones" is not only careless, but also honed its tenacity; People are not ashamed of facing poverty, but only sharpen their character. From this strong contrast, we can clearly feel the author's strong hatred of evil forces, and we can better appreciate the author's lofty praise for the strong personality symbolized by bamboo. The poet's superb skills are also reflected in the personification of language, the use of personification techniques such as "persistence" and "no relaxation", and the description of bamboo branches. "Thousands of blows are still strong, and the wind is east, west, north and south." The bamboo here is obviously a tenacious warrior! The personification technique makes readers feel cordial and true, intoxicated not only by the natural beauty in poetry, but also by the sexual beauty in poetry. Hard work means suffering all kinds of hardships. The winds from the east, west, north and south refer to the blows and pressures from all directions. Evil forces are everywhere, which accurately summarizes the characteristics of that dark age. The word "bite" shows a person's stubborn and tenacious character, as well as infinite charm and wonderful artistic conception. It starts with the word "bite", which is abrupt and extraordinary. It's really amazing. The words "Ren Er, East, West, North and South Wind" and "Ren" vividly and accurately wrote the heroic spirit of standing proudly in the wind and fighting evil! The whole poem is no more than four sentences, no uncommon words, no classics, easy to understand, but powerful.