What works does Bing Xin have (4)

Among many modern writers in China, Bing Xin is a writer with a unique artistic style. Her works, whether her problem novels, philosophical essays or fresh poems, have influenced generation after generation with rich content, profound philosophy and bright and elegant language. More than half a century ago, Bing Xin's To a Little Reader, with its unique charm, blossomed in the newly reclaimed virgin land of modern children's literature in China. This masterpiece, which enjoys a high reputation in the literary world, established Bing Xin's pioneering position in the history of modern children's literature in China. In her literary career, her problem novels promoted the writing atmosphere of writing problem novels because they reflected the contradictions and problems in social life at that time; Her prose is loved by readers because it contains human beauty, natural beauty, childlike innocence and emotional beauty. Her short poems made "starry sky body" and "spring body" all the rage, forming the "short poem era". Among all these achievements and styles of Bing Xin, the most outstanding one is undoubtedly her "philosophy of love" in content, but in form, it is a fresh, beautiful, elegant and delicate language style, which is called "Bing Xin Style". The so-called philosophy of love is a kind of fraternity, a profound love. The love embodied in Bing Xin's works includes: loving the motherland, the people, the world, mankind, nature, relatives, hometown, teachers and students, friends and children. It comes from the poems of Tagore, an eastern philosophical poet, and the Bible, which is believed by western religious believers. As early as 19 19, Bing Xin was moved by Tagore's fresh and wonderful words and the immortal love in the Bible, and fell into deep thinking. Therefore, from August to September in 1920, she wrote three thoughtful or exploratory essays in succession, namely, A Phone Call to Indian philosopher Tagore, Boundaries of Infinite Life and Painting-Poetry, and wrote another essay of the same nature in the following year. At that time, the mind was liberated, and various new trends of thought from abroad swarmed in. Because of Tagore's influence, Bing Xin chose "the philosophy of love". She weaves a tapestry of love with maternal love as the core and childlike natural beauty as the silk thread. In all of Bing Xin's works, there is never anything vulgar. Everything is elegant and beautiful. This is the "philosophy of love" advocated by her, which is mainly manifested in her children's literature works and essays after liberation. Bing Xin has created many excellent spiritual food for children since she gave it to young readers, such as Tao Qi's Summer Diary and Give it to Young Readers again. Her children's literature works are full of love and hope for children. Starting from the characteristics of children, she advocates interest education and emotional education. She has never appeared as a child's educator, not by vague preaching or blunt admonition, but by telling stories and inner feelings in her life in a kind and euphemistic tone in a way that is intimate with her children. The description is so interesting and beautiful, as if there is a kind of magic to attract young readers and get lessons from it. But in Bing Xin's love philosophy, there is also deep sorrow, because she knows that her love ideal is difficult to realize. She described herself and her pursuit of ideals in The Second Preface of the Past: She was a dancing swallow, drifting on the sea, and the moon was bright and the wind was tight, so she dared not stay-she always took homesickness with her frequent flights! Bing Xin's life exploration road, there is no moment of peace, like a flickering lamp, floating in the wind and rain; Like a lonely boat, bumping on the rough sea, how can it not be sad? But Bing Xin's melancholy and nothingness, obscurity, did not change her temperament. She has a loving mother's love as the pillar of her life. She said, "When I started writing, I always saw her frowning or smiling face in front of my eyes. Her love makes me want to die from life-to bear the pain of others; Let me survive from death-forget my own pain. " After liberation, Bing Xin is full of passion and thoughts in the face of brilliant reality and heroic people. Her works are no longer eulogizing the "maternal love" beyond class, but eulogizing the wisdom and greatness of the Party and the earth-shaking and ever-changing changes of the motherland. We don't describe nature with petty-bourgeois feelings, but eulogize the master of the country through the description of beautiful scenery, transform and dress up the beautiful people of the motherland with hard work-write vibrant and vibrant scenery and express our love and gratitude to the people. In many of her new chapters, she not only retains her fresh and beautiful artistic personality, but also develops and progresses; The emotional appeal of "slight sadness" is gone, replaced by the optimistic spirit of sonorous tone; Confused, illusory and dim colors are gone, replaced by sunny, open and magnificent life scrolls. Such as "stand up, Feng!" "Because we are young" and so on. , are deeply engraved with the difficult and steady footprints of our great nation, are condensed with the writer's deep thinking about history. Bing Xin's "philosophy of love" is controversial. Mao Dun once commented on Bing Xin's works like this: Ms. Bing Xin looks at social phenomena very simply, and she thinks that personnel diversity is nothing more than the interweaving of two lines; These two lines are "love" and "hate". She believes that there must be a guide to life between "love" and "hate". Her idea is completely idealistic. However, it is not "heart" but "environment" that produces her simple social view. Because she saw "love" in a small range of family life, but "hate" in a large range of social life. Then came the duality of her social phenomenon. However, I think that the "philosophy of love" makes Bing Xin's works give readers an aesthetic edification, make people get spiritual comfort in the era when real literary works are poor, and let children have their own literary works, which is undoubtedly a great contribution. This "early impression" will inspire young readers for life. Another artistic feature of Bing Xin's works is that the language is fresh, lively and full of emotion. Her prose, which is not carved or piled up, is bright and light, simple in writing, fresh and natural, fluent and natural, and wins with strong emotional color. Bing Xin attaches great importance to the processing and tempering of language. In the 1920s, she formed her own fresh, bright, elegant and delicate language style, which was called "Bing Xin Ti". Her early works are full of tenderness and sadness in the beautiful, elegant and lyrical charm, because the "poetic spirit" she pursued during the May 4th Movement was full of tenderness and sadness. After liberation, she maintained her original language personality and developed her original beautiful and meaningful style, in which sadness disappeared and was replaced by cheerful and lively optimism. Her Little Orange Lantern, Spring on the Nile, Clogs, Thoughts on Snow Window, Flowers and Snow Lantern, Premier Zhou who will live in our hearts forever, Laba Porridge, Three Letters to Young Readers and Qing Ge Xing written in recent decades are all vivid, beautiful and simple. In particular, 192 1' s essay Laughter, published in Reform Novel Monthly, is full of love and literature, and it has become the first striking beautiful article in the history of modern prose. "Standing in front of the window for a while, I feel a little cold. When I turned around, I was dazzled, and everything else in the room was hidden in the light cloud; The faint light is only immersed in the angels in the paintings on the wall. -This angels in white, holding flowers, raising her wings and smiling at me slightly. This smile seems to have been seen there. "When will I ..." I subconsciously sat under the window, thinking quietly. The closed heart curtain slowly opened, pouring out an impression of five years ago. A long ancient road. The mud under the donkey's feet is slippery. The water in the ditch gurgled. The green trees near the village are all caged in wet smoke. Bowed crescent moon, hanging in the treetops. Walking, there seems to be a child on the side of the road, holding a pile of white things. The donkey passed by with no intention of turning back. -He smiled at me barefoot with flowers in his arms. "This smile seems to have been seen somewhere!" I still want to-silently. Another curtain of gravity appeared, which slowly opened and poured out the impression of ten years ago. -the rain under the eaves falls on Mao's clothes drop by drop. The blisters on the edge of the earth steps are turning. Long Mai and the grape trellis in front of the door are bright and beautiful new yellow and light green. -After a while, it finally cleared up and went downhill quickly. I saw the moon coming head-on from the sea, and suddenly remembered that I had forgotten something, stopped and turned around. The old woman in this small room-leaning against the door, holding flowers, smiled at me slightly. "This same subtle expression, like a hairspring, flutters and gathers together." This article describes a beautiful natural picture after bitter rain and lonely lights in beautiful and simple language. The author sent us three kinds of the most beautiful smiles on the earth: the angel in the wall painting, holding flowers, flapping his wings and smiling; On the muddy country road, a barefoot child has a lovely smile; In the hut after the new rain, an old woman leaned against the door and smiled warmly at the flowers. Finally, in the "quiet" state of mind, "San Xiao appeared in front of me, and I couldn't see clearly in the harmony of melting love for a while". A short essay of several hundred words, without embellishment or carving, just touches and dyes casually, and outlines three pictures without any sound. Three white flowers set off a smile, sincere, pure and natural. This article has experienced the changes of time and space and the erosion of years, and it still has an indelible position in the history of prose in people's memory. Bing Xin's writing style is not only beautiful, but also powerful, and she can lift weights easily, just as she said to herself, "Has Chun ever spoken?" But her great hidden power makes the world so soft. " A major geological problem has changed a lot, and others don't know how many words to waste to write. She only used more than 20 words, giving people a complete concept and a striking impression! Where are you standing? Countless peaks sank to the bottom of the sea. Yu Dafu once said: "Ms. Bing Xin's prose is beautiful and elegant, and she is a unique writer in China." It can be seen that Bing Xin's works have their own unique artistic style, whether in content or form, whether in early years or in later years. Bing Xin's creative style is very distinctive, which makes her works enduring and loved by readers of different times.