Go east and climb Jieshi Mountain to enjoy the wonders of the sea. The waves are stirring, and the islands in the sea are listed and towering into the sky. I stood at the top of the mountain, and the waves in my heart fluctuated like waves. Surrounded by lush trees and lush flowers, it is as quiet as meditation. The bleak wind came, the vegetation shook, and the sea set off huge waves, rolling and roaring, as if to engulf the universe.
The sea, what a broad mind, the ups and downs of the sun and the moon seem to come from the chest of the sea; The bright stars in the Milky Way also seem to emerge from the embrace of the sea. Ah, it's okay. It's wonderful. Let's sing and express our feelings freely.
Seeing the Sea was written in September this year, and Cao Cao climbed Jieshi Mountain on his way to the victory class in Wuhuan. This four-character poem depicts the magnificence of the motherland's rivers and mountains through the natural scenery that the poet saw when he climbed the mountain and looked at the sea. It not only depicts the moving images of the mountains and the sea, but also expresses the poet's heroic and optimistic enterprising spirit.
A berth at the foot of Gubei Mountain.
A winding road unfolds under the green hill, and a boat ripples on the green water in front of the mountain.
At high tide, the river bank looks wider, the wind is just right, and solitary sails are hung high on the mast.
The red sun has risen from the sea, and the old year will enter Jiangnan with the breath of spring.
How can a good letter reach home? Just ask Yan to take it to Luoyang.
This song was written in late winter and early spring. When I was traveling by the river, I was homesick. The beginning begins with a antithesis, which describes the feeling of wandering in Shenchi's hometown. The second couplet is about sailing on the river of "tidal flat" and "positive wind", and the scene is magnificent. Sanlian wrote about the scene of sailing at dawn, and the antithesis implied philosophy, "The beauty of depicting scenery lies in generations to come", giving people a progressive artistic charm. The tail couplet saw that the geese missed their parents and echoed the first couplet. The whole poem is shrouded in faint homesickness.
Spring outing in Qiantang Lake
From the north of Gushan Temple to Jiating West, the spring water on the lake is just level with the dike, and the white clouds hang low, which is connected with the waves on the lake.
Several early orioles scrambled to fly to the sunny tree, and the new swallow was building a nest with mud in its mouth.
Countless colorful spring flowers gradually fascinated people's eyes, and the shallow spring grass just covered the horseshoe.
I like the beautiful scenery in the east of the West Lake best, but I can't get enough of it, especially the white sand embankment under the green shade.
The whole poem takes the word "line" as a clue, starting from Gushan Temple and ending in Baisha Land. Focusing on the word "spring", this paper writes the joy that the beautiful scenery in early spring brings to tourists. Especially the zero sentence in the middle, there are people in the scene and people in the scene, describing the scenery around Gushan Temple and Baisha Land. The transition in the middle shows no trace and the connection is natural. It not only depicts the feelings of the West Lake. If we don't talk about the vitality of green grass and drizzling rain, and the poet's state of mind intoxicated with this beautiful scenery, people will appreciate the saying that "shallow grass can't have horseshoes", which is unconventional and innovative. From the structural point of view, while describing the spring scenery of Gushan Temple in West Lake and the intoxicating scenery of everything in the world in spring, it is also unconsciously deeply infected and moved by the author's enthusiasm for spring and life.
Tianjin Sha Qiu Si
At dusk, a group of crows landed on an old tree with withered vines and made a piercing cry.
Under the small bridge, the running water jingles, and the farmhouse next to the small bridge raises smoke.
On the ancient road, a thin horse struggled against the west wind.
The sunset gradually lost its luster and set from the west.
On a cold night, only lonely travelers wander in the distance.
In the first two sentences of the poem, the vine is old and the tree is faint, and the bridge is flowing. It gives people a cold and bleak atmosphere, but also shows a fresh and quiet realm. The old vines here give people a bleak feeling, faint, it is already evening, and the bridges are flowing, giving people an elegant and leisurely feeling. 12 calligraphy and painting create a quiet pastoral scenery in late autumn. The ancient road became thinner with the west wind, and the poet described a bleak and desolate artistic conception of autumn wind, adding another layer of desolation to the quiet rural map. The setting sun adds a bit of bleak light to this bleak picture and deepens the sad atmosphere. The poet skillfully connects ten plain and objective scenes in series, and naturally puts the poet's infinite worries in the picture through words such as withered, old, light, ancient, western and thin. The last words of heartbroken people are the crowning touch in the end of the world. At this time, on the screen of the countryside in late autumn, a wanderer appeared, leading a thin horse on the desolate ancient road at sunset, wandering in the biting autumn wind, feeling sad, but not knowing where his home was, revealing the poet's sad feelings.
Kuafu raced against the sun until the sun set; He felt thirsty and wanted to drink water, so he went to the Yellow River and Weishui to drink water. The Yellow River and the Weihe River are short of water, so we go to the great lakes in the north to drink water. I died of thirst before I got to the Great Lake. His abandoned cane turned into a peach garden.
Don't know your own strength
Kuafu's daily myths and legends come from Shan Hai Jing, a rare book in ancient China, which is very wonderful in China Myths and Legends and China Myths written by Yuan Ke, the father of oriental mythology. According to legend, in the era of the Yellow Emperor, in the northern wilderness, there was a mountain named Zai Tian, where Kuafu, the descendant of the great god Hou Di, lived. They are also called giants because they are tall and strong. Relying on these conditions, they are only interested in protecting others from injustice. Kuafu people helped Chiyou tribe against Huangdi tribe, and were later defeated by Huangdi. Then there was a world drought one year, and the giant Kuafu people were enthusiastic about public welfare and good at running. The leader of the Kuafu tribe wanted to take off the sun, so he began to race with the sun day by day. Thirsty to drink the Weihe River of the Yellow River, he died of thirst on the way to osawa, and turned himself into a peach garden on crutches and a mountain in Kuafu. This spirit of public welfare is to prevent Kuafu people from dying of thirst every day. Kuafu's daily story performance is a metaphor of fearless spirit, even though he knows it is impossible.
* * * The workers' anger can't reach the island.
Once upon a time, workers and Zhuan Xu competed for tribal leaders. Workers were defeated in the great war. They collided angrily with Zhoushan Mountain, and the pillars supporting the sky were broken, and the ropes binding the ground were also broken. As a result, the sky tilted to the northwest, so the sun, moon and stars all moved to the northwest. The ground surface collapsed to the southeast, so all the rivers and lakes' flowing water and sediment gathered to the southeast.
The story of Zhoushan, where workers are furious, is a famous myth and allusion. * * * workers, also known as * * * workers; As the water god in China's ancient mythology, he was in charge of floods. It is recorded in Shan Hai Jing, a wonderful ancient book by China. It is said that * * * workers have been at odds with Vulcan Zhu Rong, because "fire and water are incompatible" and an earth-shattering war broke out. In the end, the workers failed and became angry. It reflects the struggle between ancient tribes and involves the theory of covering the sky in ancient astronomy. Obviously, ancient humans could not explain why the sun, moon and stars moved and changed. The best explanation for this phenomenon is to explain the phenomena of "the sun, the moon and the stars all move to the northwest" and "the river sediment all flows to the southeast" with the help of myths and bold imagination and exaggeration.