Some people say that Miao Fu and Wang Sheng have "exhausted their talents". What do you think?

Miao Fu's talent is far from that of Jiang Lang. He is at best a sprinter. He was lucky enough to win first place in a competition, and then directly became a judge. After that, he actually also ran. He stopped moving, so his talent was just an illusion.

In fact, after "Full of Economics", Miao Fu had no outstanding works, and was accused by Jin Yan. Even many of the baggage in "Full of Economics" were suspected of plagiarism from his "White Snake Assault" and A certain paragraph shop on Weibo is a finished product of splicing, and Miao Fu's "Taking Tiger Mountain by Wisdom" is Liu Chunshan's work. Miao Fu adapted it slightly after authorization and used it directly.

The biggest shortcoming of Miao Fu Wang Sheng is that the creation and understanding of cross talk are very narrow and limited. Moreover, after "Full of Economics" became popular, their performances and creations have become routine and Patternization, typos + Shaanxi dialect + splicing of broken baggage, this pattern is almost completely followed in small theaters. And out of the small theater, when it came to the TV cross talk level, Miao Fu and Wang Sheng's performances completely fell into an embarrassing situation that was quite satisfactory. A cross talk of more than ten minutes had almost no baggage that could make people laugh. It was completely about singing the praises of Wei Guangzhenghe and following them. Meetings are like reading PPT, boring and hypnotic.

Miao Fu has entered a period of bottleneck and artistic embarrassment. On the one hand, his hard power is really insufficient; on the other hand, he has got into the embrace of the system and completely blocked his creation. In addition, he criticizes Germany every now and then. Yunshe Crosstalk has made my creation more and more constrained, and I dare not use the burden of inserting the slightest edge. To give a simple example, Yue Yunpeng's traditional joke "Spring Couplets" ("Quotes") told on the Spring Festival Gala this year contained a double bed scene. In Miao Fu Shanggang's mind, this belongs to the third category. Vulgar jokes must not be touched. But in fact, the Spring Festival Gala program team allows ridicule and hints of this scale, and it does not cause any discomfort to the audience. Beds are a living tool in every household, and double beds are also necessary. It does not mean double beds. It is tantamount to indecent things, but in the persona Miao Fu gave himself, this kind of baggage is a forbidden area.

In fact, Miao Fu's shortcomings in creation can be made up for by recruiting talents from outside, or even outsourcing the creation of professionals. For example, Miao Fu's close comrade-in-arms Li Hongye, whose formula can mass produce cross talk, then Miao Fu can purchase in bulk, adapt it based on his own performance habits, and then use it on the stage, which can also become an effective inventory of works. The problem is that they despise each other. As the backbone of the anti-Guo faction, they are not united internally, which makes the entire anti-three-secular cause difficult.

To sum up, Miao Fu's current situation is actually his most ideal. On the one hand, he has a system to keep warm. On the other hand, he has a small audience base but can still support himself. He has no expectations and expectations for him. It's a luxury to be able to occasionally vent on Weibo and then delete the post. It's already much better than many cross talk practitioners.