I doubt very much that Xu Zhimo is not human. This kind of poem can't be written by ordinary people.
Xu Zhimo's strength is not strong in the general sense, but quite strong. It is so powerful that no one in the new poetry world can catch up with it.
It's amazing ~ ~ Sister, if I give you a husband named Xu Zhimo, why don't you? ~~
Without further ado, let's change clothes, burn incense and play the piano ~ Let's concentrate on this "accident".
"Chance"-Xu Zhimo
I am a cloudy sky,
Occasionally projected into your heart,
You don't have to be surprised, let alone happy-
It disappeared in an instant.
You and I met in the dark sea,
You have yours, I have mine, direction;
You remember it well,
You'd better forget,
The light that shines on each other at this intersection.
The genre is of course the crescent school.
The structure is two-level. First-class format. Farewell to Cambridge is an echo and a second-rate format. From this point of view, this one is also slightly better.
But the format should not be used for people like Xu Zhimo, Mei Shaojing and He Qifang. For these first-class masters. Formatting without formatting doesn't make much sense.
Technology, description. Absolutely first class.
Content, lyricism. Expressing melancholy and bitterness will never regret, love, joy, sadness and pain.
Why is this poem called the standard of classic immortality? The reason is that the feelings it expresses are quite complicated, and it is a long story with endless aftertaste. It's fascinating. It's hard for you to be possessed.
Has your sister ever been in love? If we haven't talked about it yet, let's talk about it quickly. Life is short. Young people who don't work hard are pathetic. While young, running with the bull, Buddha said: I don't go to puppy love, who will ~ ~
If you haven't talked about it, unless you have rich reading experience. Otherwise, the understanding of this poem may not be so thorough.
We should evaluate poetry thoroughly, not comprehensively, but sentence by sentence. Just like I commented on A Farewell to Cambridge. Although I am very tired, my sister is so cute. If I am tired, I will admit it ~
I am a cloudy sky.
The poet compares himself to a cloud in the sky, which means that he is arrogant and doesn't care about the world. So compare yourself to a high cloud.
But the sky is so big that a cloud in the sky is very small. This means that although the poet is arrogant, he still feels powerless in the vast sea of people.
There must be more than one cloudy sky. There is no difference between clouds and clouds. Therefore, although poets are poets, they are just like ordinary people. Work hard for fate and live a mediocre life.
Clouds are floating in the sky, helpless, and so is the fate of poets. Wandering around the world, they endure the coldness of the world and the ups and downs. No one cares about and loves him. Everything has to be endured silently by yourself.
If such people get a little care, they will be unforgettable; Such a world, if there is a little light, will be beautiful. That's why there is the last sentence of the whole poem.
This is a good start. Xu Zhimo is really a poet.
Occasionally projected into your heart,
The poet is the cloud, and you are the sea. I am a wandering prodigal son like a cloud, and you have a heart as soft as the sea. We met inadvertently in this dark world, and my shadow was cast in your heart. All this is not what I expected, it is fate, it is fate, I can't bear such an encounter; Fate, why do you play such a joke on me? ...
You don't have to be surprised, let alone happy-
It disappeared in an instant.
Honey, don't be surprised. There are people like me in the world, but don't be happy. Because, I am a wandering prodigal son, my fate can only be wandering, I have no future, I will leave soon, and we will be separated soon. A humble wandering poet like me is not worth touching your mood at all. ...
You and I met in the dark sea,
You have yours, I have mine, direction;
We met in this dark world. Each of us has our own destiny. I won't give up wandering for you, and you shouldn't wander for me. We seem to be standing on the edge of two worlds. Although close, they can never be combined. Ah, goodbye, our direction is not to go to a place. ...
It's good that you remember.
You'd better forget
The light that shines on each other at this intersection.
I can't force you to forget me, but please you'd better forget. Maybe in this way, the pain in your heart will be lighter and I can feel at ease. ...
I am grateful for this meeting, which made me understand that this dark world can still be so beautiful. However, after all, it is short-lived, and this little light will not illuminate the world. Well, let's forget about it from now on.
The whole article is in one go, interlocking. The structure is rigorous and the words are gorgeous and moving. The syllables are harmonious and beautiful, the artistic conception is far-reaching, and the feelings are so restless. What tricks do you think he used? It can be said that there is no skill everywhere, and it can also be said that there is no skill since it is natural.
This is the highest realm of art, and it is easy to avoid the heavy. The epee has no front, and the clever thinking is ineffective.
The poet left sadly. He didn't want to implicate the innocent woman. I don't want her to suffer the same pain as herself because of impulse. He would rather leave all the pain to himself and the best memories to each other.
Besides Xu Zhimo, there is also a Ludian who writes this kind of thing. Lu Dian's Silent Harp is also quite well written and quite touching.
But Ludian used narrative, while Xu Zhimo used description. Description is higher than description 100.
If you are interested, you can read Lu Dian's Silent Harp, which is quite well written. It was a combination of realism, heroism and romanticism, which was quite touching. Very interesting.
The three beauties of Wen are fully displayed in this poem.
The opinions of the crescent school are fully expressed. Experience it! ~O(∩_∩)O~