Spring scenery on the lake was written by Bai Juyi, a poet in the Tang Dynasty, on the eve of the author's resignation as the secretariat of Hangzhou. During his stay in Hangzhou, Bai Juyi wrote several poems about the West Lake, the most famous of which are three seven-character poems, namely "A Spring Tour in Qiantang", "Looking Back at the Gushan Temple in the West Lake in the Late Night" and this poem "Spring on the Lake". The whole poem depicts the beautiful scenery of the West Lake in spring and expresses the poet's love and praise for the spring scenery of the West Lake.
The first six sentences of the poem describe the scenery, highlighting a "green" word, and the last two sentences describe feelings, highlighting a "love" word, which can be described as lyrical. Later generations commented on this poem, "The end is reluctant to leave half, and the implication is more than affection." The whole poem is not only euphemistic in structure, but also deepens the theme of the poem by borrowing scenery.
A Brief Introduction to the Author of Spring on the Lake
Bai Juyi, the word Lotte, the number Xiangshan layman, Mr. Zuiyin. Xinzheng, Zhengzhou, a native of Taiyuan, was a realistic poet and one of the three great poets in the Tang Dynasty. Bai Juyi was one of the most prolific poets in the Tang Dynasty. His poems have a wide range of themes, simple language and rich feelings. There are 3000 poems at present. Classic works such as Pipa Xing and Song of Eternal Sorrow were widely spread and spread, which had a far-reaching impact on later generations.
Bai Juyi also played an important role in the political field. During his tenure, he showed outstanding talents and good thoughts on governing the country, and made contributions to the political development of the Tang Dynasty. At the same time, Bai Juyi advocated the new Yuefu movement in literature in theory and creative practice, and emphasized the "beautiful thorn" function of poetry.