The style of Chu Ci is gorgeous and romantic, and the feelings are fierce and unrestrained. The content is mostly myths, personal feelings and imagination. It has the style of folk songs, using Chu sounds and Chu dialects to describe the special things in Chu. Witchcraft superstition prevailed in Chu, and Chu Ci also absorbed a lot of myths and legends.
Influenced by the southern nationalities, Chuci is passionate and romantic, and its content is full of religious color. Through the description of myths and legends, we can express rich thoughts and feelings and present wonderful and delicate artistic skills, such as metaphor, symbol and association, which can be further developed and applied here.
The length of Chu Ci is long, with different sentence lengths, including five, six and seven sentences. Compared with The Book of Songs, chapters and sentences are less repetitive and more straightforward. In many Chu dialects, the words "Qiang" and "Jian" are used at the beginning of the sentence, and the modal particle "Xi" is used in the sentence or at the end of the sentence. The full text is often summarized and summarized by "Luan".
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Chu ci is the forerunner of Han fu and parallel prose, the ancestor of ci fu, the representative of southern literature, and also belongs to aristocratic literature.
Sao, named after Qu Yuan's work Lisao, is the originator of China's realism and romanticism, and is the representative of southern literature. Compared with The Book of Songs, it is called "wind" because of the style of fifteen countries. Later generations often call poetry coquettish, or call poets "poets".