Liu Gongquan’s calligraphy has an important historical position in our country, and his calligraphy is powerful and powerful. Liu Gongquan's calligraphy was extremely famous in the Tang Dynasty, and there was a saying among the people that "one character of Liu is worth a thousand pieces of gold". The following are the characteristics of Liu Gongquan’s calligraphy works that I have compiled for you. I hope it will be helpful to everyone. Welcome to read!
Characteristics of Liu Gongquan’s calligraphy works
Calligraphy structure Passionate, rigorous and meticulous in every word. In terms of character characteristics, it is famous for its thinness and strength. The regular script written in it has a strong and charming posture and strong bones and legs. The running script and regular script are the most exquisite. Also because of the unique characteristics of his works.
The calligraphy is balanced, thin and hard, pursuing the unmistakable power of the Wei stele, the stippling is crisp and straight, the bones are powerful and the structure is rigorous, which is said to be "the muscles of the face and the bones of the willow". The regular script of "the more expensive the calligraphy is, the thinner and harder it is, the more it can communicate with the gods". Compared with the Yan style, the regular script is slightly more uniform, thinner and harder.
His calligraphy was famous in the Tang Dynasty, and there was a saying among the people that "one character of Liu character is worth a thousand pieces of gold". The calligraphy is strong, rigorous and meticulous.
Liu Kaishu's writing style is strong and sophisticated, stable but not vulgar, dangerous but not weird, old but not dry, moist but not fat, harmonious in manner, and unparalleled in charm. The strokes are uniform, hard and thin, with exposed edges and corners, and are full of variety to avoid repetition in single strokes.
Most of the horizontal paintings are square and rounded, with strong bones and clear beginnings and ends. The short horizontal ones are strong, and the long horizontal ones are especially slim and graceful. The strokes are thick, slightly short and lifted, and the brush strokes are clean and crisp. Generally speaking, it is restrained and expanded outward, with the middle palace tightened and the limbs spread out, showing a sparse and open style in its rigor.
Characteristics of Liu style regular script writing
1. Both square and round shapes are used, with hardness and softness: the character Liu is elegant, sharp, penetrating bones and showing tendons, and its strokes are thin and hard. , the pens are mostly square pens, and the folding pens are often folded into angular and square shapes at the starting, closing and turning points to show the strength of the bones. At the same time, the square can be used as the main one, supplemented by the round. The square creates a round knot, showing the richness in the strength. Such as "phase, favor, support".
2. The center is straight and strong, and the strength is moist: the center is the basic requirement for Liu style regular script. Liu Shu's brushwork is exquisite. Liu Shu's body pursues the combination of strength and elegance. His bone strength is reflected in his careful operation of the center against the trend, careful in protecting the head and hiding the tail, and diligently focusing his spiritual power on the lines. The center's bone technique Use the brush to make the dots and strokes look delicate, and the kicks and kicks are like strong hands and feet, fresh and straight, thin and strong, and spiritual. Such as "friend, shame, Hong".
What are Liu Gongquan’s calligraphy works?
He has many handwritten calligraphy works handed down from generation to generation, among which the most influential ones include "Mysterious Tower", "Shence Army Stele", "Diamond Sutra", etc.
1. "Shence Army Stele": regular script, established in the third year of Huichang in the Tang Dynasty (843 AD). It is one of Liu Gongquan's masterpieces. It has a more distinctive calligraphy style than the well-known "Mysterious Tower" in later generations. The structure layout is smooth and even, tight on the left and comfortable on the right. It is also a better example for writing.
2. "Liu Shu Diamond Sutra": regular script, engraved in April, Changqinggang Year, Tang Dynasty (AD 824). The original stone was destroyed in the Song Dynasty. An only copy of Tang rubbings from a stone chamber in Dunhuang, Gansu has been handed down from generation to generation without any damage. It is now in the Paris Museum in France. Critics believe that the Diamond Sutra in regular script has the advantages of Zhong (Yao), Wang (Xizhi), Ou (Yang Xun), Yu (Shinan), Chu (Suiliang), and Lu (Dongzhi), and is of high artistic quality. value.
3. "Mysterious Tower Stele": regular script. It was erected in the first February of the first year of Huichang in the Tang Dynasty (AD 841), and the original stele now exists in the Stele Forest in Xi'an, Shaanxi. This monument is the most famous among the calligraphy handed down from generation to generation. It is one of the most influential regular script models in history.
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