First, Pushkin's puppy love
When he was seven or eight years old, little Pushkin told a man named Sophia. Nikolayeva? Sushko Eva's little classmates all have a good impression. Little Pushkin often goes to her house. She is fascinated by her flowered skirt and watery blue eyes. The beautiful little girl created a child prodigy poet with her flowing laughter and gentleness.
Second, from elementary school to university, he is pursuing the opposite sex.
After studying in Huangcun Middle School for 18 1 1 year, this precocious little poet's rose dream is more brilliant. He once fell in love with a classmate's sister and gave her a bunch of bright roses and roses-like poems.
He once fell in love with the French girl who lived in the headmaster's house, and provoked the girl's feelings with his "sudden fainting of love" and poetic heart. After watching the play in Huangcun Theater, he fell in love with the serf actress Natalya again, dreaming of a timid and sweet meeting with her in Yun Ni. At the home of Karamsin, a historian whom he admired very much, he naively confessed his love to Mrs Karamsin, which made the couple laugh.
Third, the woman Pushkin pursued after entering the society.
He met a beautiful woman: a girl who is only 16 years old-Natalia? Goncharova.
Classical dignity, melancholy beauty, deep eyes like meditation, light footsteps like a sigh on the lips. When she appeared wearing a golden hair band and a white dress, the poet suddenly discovered that the world was a colorful fairy tale. He was dizzy, kneeling in front of her, begging again and again, and finally they got married.
Characteristics of Pushkin's creation
The spiritual essence of Alexander Sergeyevich Pushkin's creation is the pursuit of beauty and harmony, but the "harmony" here does not blindly refer to the harmony and "friendship" between various parts, but also contains conflicts.
This conflict is reflected in the following three aspects in Pushkin's creation: spirit and body, heroism and pastoral atmosphere, tragic spirit and optimistic principle, which constitute the potential or deep binary opposition spirit in his works; At the same time, this spirit of binary opposition embodies creativity and artistic strength.