The Metre and Rhythm of Five-character Rhyme

The meter and rhyme of five-character poems are as follows:

1, the first sentence of the five laws rhymes.

Average, average, average (rhyming).

Medium flat, medium flat (rhyme)

2, the five laws rhyme with the first sentence.

Medium flat, medium flat (rhyme)

Average, average, average (rhyming).

3. The first sentence of the Five Laws does not rhyme.

Average, average, average (rhyming).

Medium flat, medium flat (rhyme)

The first sentence of five poems rhymes.

Moderately flat, flat and flat (rhyme).

Average flatness, average flatness (rhyme).

5. The first sentence of the Five Musts doesn't rhyme.

Flat, flat (rhyme).

Average flatness, average flatness (rhyme).

6. These five are definitely equal to the rhyme of the first sentence.

Flat, medium flat (rhyme).

Flat, flat (rhyme).

7. Five absolutely equal first sentences don't rhyme.

Average flatness, average flatness (rhyme).

Flat, flat (rhyme).

Characteristics of five-character quatrains:

Five-character quatrains, a genre of China's traditional poems, are short poems with five words and four sentences, which conform to the rules of metrical poems and belong to the category of modern poems. This style originated from Yuefu poems in the Han Dynasty and was deeply influenced by folk songs in the Six Dynasties.

Representative works include Bird Watching Creek by Wang Wei, Thoughts on a Quiet Night by Li Bai, Eight Arrays by Du Fu, In the Heron Tower by Wang Zhihuan and Farewell Master by Liu Changqing.

Features:

1, alternating with the same sentence.

Take Wuyan as an example. Whenever the first rhythm is flat, the second rhythm must be flat and the third rhythm must be flat. On the contrary, the first rhythm must be flat and the third rhythm must be flat. Seven-character verse, and so on, is the rule of sentence-making.

2. The upper and lower sentences are relative.

The sentence is flat, and the antithesis should be flat, and the antithesis should be flat.

It is a rule that the upper and lower couplets are "glued" together, that is, the same.

There are only four quatrains in modern poetry, but there are no antitheses and eight metrical poems. Every two sentences are couplets, and every poem is quadruple.