(1) The role of the first couplet "Playing the flute under the flowers several times, Han Yin Red Wall looking into the distance" is:
1) dominates the emotional tone of the whole poem: by recalling the scene of playing the flute under the flowers, expressing deep acacia;
2) Rendering the emotional atmosphere: By describing the distance between the red walls of silver-haired men, rendering the sad atmosphere of falling in love with my cousin but not meeting each other.
(2) The characteristics of the third and fourth writing methods:
1) The third triple, "I am thinking all the time, but my heart is peeling the banana skin", implicitly quoted Li Shangyin's untitled poem "Spring silkworms weave to death, and candles weep every night" and "Turn from generation to generation" poem "The banana skin does not show lilac knots, and each worry is the same as the spring breeze", vividly describing that he is tightly surrounded by heavy thoughts and is heartbroken by metaphor.
2) The ending couplet "1March and May, 935, a poor glass of wine has not disappeared" echoes the first couplet, pushing the thoughts back to the past of "playing the flute under the flowers several times" fifteen years ago, and comparing the good times at that time with the pain of falling in love with my cousin today, highlighting the poet's current sadness and pain, which can not be eliminated even after drinking wine, and can not be separated from the gap between the past and reality.
Attached:
Yihuai (15)
Huang Qing Ren Jing
Several times, I sat under the flowers and played the flute, and the red wall of Han Yin looked into the distance.
Like this star is not last night, for whom the wind and dew stand in the middle of the night.
The lingering thoughts are exhausted, and the heart is peeling bananas.
In March and May of 1935, that poor glass of wine not fade away.