There are countless green trees in the smoke, and the geese's backs are as red as the setting sun. People are like clouds flowing into the river after the wind, and feelings are like the wadding stuck to the ground after the rain. Explanation: Smoke shrouds the towering mountains, and there are countless green spots. The returning geese carry the setting sun on their backs, and the sky is full of red clouds. It is almost dusk. Life seems like white clouds drifting into the river and sky with the wind, and the emotion of parting is like the clutter that sticks to the ground after the rain.
There are countless green trees in the smoke, and the setting sun is red on the backs of the wild geese. People are like clouds flowing into the river after the wind, and feelings are like the wadding stuck to the ground after the rain. Explanation: Smoke shrouds the towering mountains, and there are countless green spots. The returning geese carry the setting sun on their backs, and the sky is filled with red clouds. It is almost dusk. Life is like the white clouds drifting into the river and sky with the wind, and the emotion of parting is like the clutter that sticks to the ground after the rain. Poem title: "Spring in the Jade House". Real name: Zhou Bangyan. Font size: Zi Meichenghao halal layman. Era: Song Dynasty. Ethnic group: Han. Birthplace: Qiantang (now Hangzhou, Zhejiang). Date of birth: 1057. Time of death: 1121. Main works: "Worship the Stars and the Moon Slowly", "Sauvignon Blanc", "Spring Rain", "No. 1 in Dizhou", "Dian Lips", etc. Main achievements: The master of the Wanyue School, who bears the title of a generation of poets.
We provide you with a detailed introduction to "Countless Women in the Smoke" from the following aspects:
1. Click here to view the full text of "Spring in the Jade House". Details
If you don’t live calmly in Taoxi, you will never have a place to live in Qiuqiu.
At that time, we were waiting for the Chilan Bridge, but today we are looking for the yellow leaf road alone.
There are countless green trees in the smoke, and the sunset is red behind the geese.
People are like clouds flowing into the river after the wind, and feelings are like the wadding stuck to the ground after the rain.
2. Other poems by Zhou Bangyan
"Su Muzhe", "After the Farewell of the Six Ugly Roses", "Big_Spring Rain", "Feeling Magpies at Night·River Bridge Farewell" "Chapter" and "Lanling Wang Liu". 3. Translation
There is no way to live calmly in the peach stream, and there will be no place for the autumn lotus root to come. At that time, we were waiting for Chilan Bridge, but today we are looking for the yellow leaf road alone.
The rushing peach stream refuses to stay calmly, and the lotus roots in autumn have no connection once they are broken. I recall waiting for each other at Chilan Bridge, and today we are wandering alone on the deserted road covered with yellow leaves.
There are countless green trees in the smoke, and the sunset is red behind the geese. People are like clouds flowing into the river after the wind, and feelings are like the wadding stuck to the ground after the rain.
Smoke shrouds the towering mountains, and there are countless green spots. The returning geese carry the setting sun on their backs, and the sky is full of red clouds. It is almost dusk. Life seems like white clouds drifting into the river and sky with the wind, and the emotion of parting is like the clutter that sticks to the ground after the rain.
4. Notes
Live: stay. connect.
Phase: each other.
Chilan Bridge: It seems that this place is not used as a place name.
Lie Xiu: Chen Yuanlong annotated and quoted "Lie Xiu in the window" from "Selected Works", which is Xie Tiao's poem "Looking leisurely at Gaozhai in the county".
Desire: will.
Like: It seems.
5. Background
The poem was written by Zhou Bangyan in the fourth year of Yuan Dynasty (1089) when the professor of Luzhou Prefecture left his post. The poet is about to say goodbye to Taoxi, recalling the charming life in the past, feeling infinite melancholy in his heart and finding it difficult to leave.
6. Appreciation
This poem begins with a fairy love story. After the poet and his lover parted ways, he felt wistful when he revisited the old place. The whole poem is full of parallels, solemn and fluent, deep and meaningful.
The first sentence of the film, "Taoxi", is an allusion to Liu and Ruan's encounter with immortals in the Eastern Han Dynasty. It is said that during the Eastern Han Dynasty, Liu Chen and Ruan Zhao went to Tiantai Mountain to collect herbs. They met two women by the Taoxi River. They were very beautiful. They fell in love with each other and stayed there for half a year. They were homesick for their hometown, so the women saw them off and gave instructions to return. By the time he returns home, his descendants have lived through seven generations. Later, I visited the rooftop again, but the two girls were no longer seen. In the poetry of the Tang Dynasty, the words "meeting immortals" and "meeting truths" are often used to imply romantic encounters. "Taoxi is not a place to live calmly", implying that the poet once had a romantic encounter like Liu Ruan entering the rooftop, but he did not stay calmly for a long time, and they broke up soon. This is a reminiscence of the love affair that took place when I left my beloved. The tone contains a sense of regret, but the writing is lighter. The use of the word "Taoxi" also implies the meaning of "Liu Lang came to visit again now", which is in line with the story of rediscovering an old place. The second sentence uses a metaphor, implying that the relationship between "Peach Creek" will be severed after they are separated, just like the autumn lotus root (colloquial to "even") can no longer be reconnected, and the tone is full of heavy regret and regret. And the regret of not being able to renew an old relationship. People often use the metaphor of lotus root and broken silk to describe the unforgettable past love. Here, we use the opposite meaning and it seems that the meaning is new and strange, and it is not out of the ordinary. The following two sentences focus on summarizing the narrative, revealing the traces of separation and union, and starting from a distance.
"At that time, we were waiting for Chilan Bridge, and today we are looking for the yellow leaf road alone." The third and fourth sentences respectively inherit the "Peach Creek" encounter and "never come again", with "we were waiting for each other at that time" A sharp contrast to the "Today's Solitary Search" scenario. Chilan Bridge and Huangye Road have different names in the same place. The first two sentences of "Taoxi" and "Autumn Lotus Root" are also dark and bright, indicating spring and autumn. Three and four correspond closely to one and two, using different seasonal elements to exaggerate the joy of gathering and the sadness of isolation. The small bridge with vermilion railings, with its bright and warm tones, highlights the warmth and affection of lovers in the past when they met each other; while the path covered with yellow leaves, with its bleak and desolate tones, enhances the feeling of being alone today. Lonely and sad. Since we are recalling the past while "looking for the yellow leaf road alone", the scene of "waiting for Chilan Bridge at that time" is particularly worthy of cherishing and lingering, and the scene of "looking for the yellow leaf road alone today" is also related to the beautiful past. I feel more and more lonely and embarrassed.
Between the present and the past, not only do we see more sadness and joy due to mutual contrast, but also the emotional connotation becomes more complicated due to mutual blending and penetration. Since "people are like wind and clouds," the so-called "searching alone" is nothing more than revisiting the old place, pursuing the tenderness and tenderness of the past in the memory, and reliving the long-lost love in loneliness. But after all, there is still loneliness and melancholy. Warm and bright memories can also provide temporary comfort to the soul. Comparing the present and the past, many people talk about things being different and people are different, but this couplet specifically uses the meaning of things being changed and people are not, and it also seems novel and interesting. The connotation of the poetic images of "Chilan Bridge" and "Yellow Leaf Road" has gone far beyond the scope of seasonal and material objects, and has become a symbol.
In the next film, "There are countless rows of green trees in the smoke, and the sunset is red on the backs of the wild geese." In two sentences, the pen begins to describe the scene: It is a clear late autumn evening. Amidst the mist, countless green mountains line up in the distance. The afterglow of the setting sun shines on the backs of flying geese in the sky, reflecting a touch of red that is about to fade away. The beauty of it is not mainly about the exquisiteness of the description and depiction of the scenery, nor the symbolic meaning of the scenery itself; but that there is a kind of connection between the emotion and the scenery, which makes people read differently. An indescribable feeling. The countless green peaks standing side by side silently facing each other in silence with the "lone seeker" further highlight the emptiness of the environment and their own loneliness; while the faint red on the back of the wild goose certainly shows the splendor of the evening scene, but it quickly It will dim and disappear into the twilight.
"People are like clouds flowing into the river after the wind, and their feelings are like the wadding stuck to the ground after the rain." Two sentences, a lyrical twist. The clouds scattered by the wind and submerged in the river not only vividly show the scene of the lover of that day passing away, floating and disappearing without a trace, but also making people imagine their light and ethereal appearance. The catkins clinging to the ground after the rain vividly express the strong emotional attachment of the protagonist, and also reveal the distress and confusion that he is unable to get rid of. These two metaphors are neither of the kind that are drawn from the scene and come naturally. It is the result of deliberate search and striving for innovation. However, because they express the poet's feelings vividly and appropriately, when you read them, you only feel that they are deep and powerful, but not that they are carved or carved. "Emotions are like lingering rain that sticks to the ground" is the key word, and what the whole poem expresses is this stubborn feeling that is stubborn and cannot be freed.
This word is purely used in couplets, thus creating a solemn style suitable for the content. The whole poem is still full of turbulent writing and ink, which is dignified and graceful at the same time. The one who speaks above cannot stay, and the one who speaks below cannot stop. It's hard to describe the message in the two arms, which are not affected by the posture. "This passage should be used to evaluate the craftsmanship, depth, flexibility and lightness of this word, which should be accurate.
Poems of the same dynasty
"General Cao", "Xia Qutang", "Tengwang Pavilion" ", "The son is angry and the man abandons his wife and complains about the cold and the anvil, Tang Meishan's poems are also played on the note", "Inscribed on Ai Xi", "The abandoned Gongyuan is a valuable plate for rice and rice", "Send off guests to Linggu", "Sigh_Ci", "Inscribed on Chen Chaoyu's Love for Bamboo Pavilion", and "Four Hao Pictures of Rewarding Chunhu Shi Lu Yonghui".
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