The night is long and the ice is between the teeth.
If you don't go to the side yard, you'd better know this.
Grass is white frost, sand is yellow and moonlight is dead.
I can't afford to fly, because I'm sad and frustrated.
Who collects these flowers? In Eden's tent.
To annotate ...
Solon: Also known as Solon, Solon, etc. Economics, Chinese characters, Yao Jiang, good at painting beautiful women and visiting the home of Nalan Mingzhu. In the twenty-first year of Kangxi (1682), Solon was virtuous and accompanied by economic aid. Uncle Jing Yan not only can draw, but also knows Confucianism, attaches great importance to loyalty and is very congenial to sex. There are two other books, Classic Nighttalk and Uncle Fan Yan in Longquan Temple, written for this man. Unique field: far pole plug. When: positive value. You'd better know this: how did you have this personal experience? Protoplasm: feather, also refers to wings.
Comment and analysis
In the twenty-first year of Kangxi (1682), Nalanxing ordered Solon and Yan Shu to accompany him, and this poem was written for this purpose. The poem first creates a bitter and cold frontier scenery: the night is very cold, but the desire to speak is "frozen in the teeth"; The vast Gobi desert was silent, and the lonely goose's wings were frostbitten and could not fly in the cold moonlight. The whole poem is described from the outside to the inside, from far to near, through hearing, vision, touch and other angles, so that readers seem to be outside the German camp, with a strong sense of picture. The poet entered the poem with specific frontier images such as "Ai Hong", "Sand", "Frost", "White Grass" and "Felt Curtain", presenting an extremely miserable and cold picture. The meaning of "frozen purlin can't fly" is the same as that of "and our frozen red flag can't fly in the wind" ("Bai Xuege Farewell Field-Document Wu Comes Home"). This sentence describes the desolation and despair of the desert, but it reveals a little heroism in sadness, which can be regarded as the inheritance of frontier fortress heroism in Tang Dynasty. However, in this extremely sad situation, the language of "Yi Deng" at the end of the couplet suddenly flashed a glimmer of light and warmth: in the shadow of a lamp in the camp, I saw a man singing "Picking Flowers", adding a touch of tenderness to the desolate desert. While following the vigorous and tragic style of frontier fortress poems, sexual morality also incorporates unique soft and tender feelings, so "grass is white in first frost, sand is yellow and moonlight is dead" is absolutely desolate, and it is not as good as "who holds a flower collection and gets a carpet account" to better represent the poet's temperament-unique romance and sadness. This warm and romantic image has made the most important value of this frontier poem-it seems to be seven points chivalrous and three points tender, but in fact it is soft with rigidity, and tender feelings are stronger than chivalry. Talent, clever thinking, predestined relationship, although writing traditional themes, but not rigidly adhere to the old pattern, rigid and flexible, self-contained