Introduction to the performance of Simitu, a large-scale musical and poetic drama in Li Yugang.

The theme consists of four chapters: departure and travel, bearing and flying, turning and frolicking, and intoxication, which respectively shape the poetic images of four ancient China beauties: Shi, Wang Zhaojun, Diophantine and Yang Guifei. In this process, we don't tell historical stories, but look for the inner clues of great love through the four beauties, and look for a beautiful spiritual track that is ignored because history is fascinated by external beauty. The first chapter, "Xi Shi Huan Sha Boating", said that everything should rest, even if it is a thousand years, it must be beautiful in the Spring and Autumn Period; First, "The Book of Songs Guan Yu" Guan Yu pigeon, in Hezhou. A beautiful and virtuous woman is a good spouse of a gentleman. Second, the lyrics of "Huansha Song": Composed by Wang Shengning: Luan Kai bloomed for a thousand years, and the spring scenery under Zhuluo Mountain was drunk for a long time. I don't know whose eyes I lost, and the ripples spread at my fingertips ... Third, the lyrics of "Back": Sun Composer: Luan Kai has been reluctant to come back for a long time, but he was homesick as soon as he heard this. I asked when the return date was, and Qingshan was silent ... The poem in the curtain: "Don't be beautiful" has been more than 2,000 years, and the mountains and rivers are old, but your beauty is not. It doesn't matter where we are in another two thousand years. But your beauty can still be found. ............................................................................................................................................ .......... 1. Exodus Lyrics: Composed by Wang Shengning: Luan Kai The north wind rolled up the ghosting of Guan Shanyue and woke up at five o'clock in the cold light. Pipa hurts so much that I can't bear to remember Chang 'an ... 2. Welcome ball 3. Lyrics for Hongyan: Wang Shengning, a Mongolian folk song, Hongyan is flying, flying into the distant sky, thinking about a poem "Moonlight" by ....................................................................................................... all the way. Lyrics for Hao Song: Song Haoyue is so bright and so cold, and his face is so beautiful and so sad. He walked so far, so long, and he was so painful and sad when he left ... Drum music and dance. Lyrics of "Play in Play": Composed by Liu Hongqing: Is the story of Jin Liang and Diusim love or planning, and is the story of Diusim true love or courage? The story of diusim is a beautifully packaged cold weapon? Everything starts with the play and ends with the play. In the end, there is a "hate" that has no ownership and no end ... The fourth chapter "Your Lady is Drunk", which is loved by thousands of people, but ends with a sigh. There is no immortal palace in the world First, the "Drunkenness of the Imperial concubine" island ice wheel turns at the beginning, and the Jade Rabbit gets up early. The ice wheel is particularly bright on the outlying islands, and the bright moon is in the sky, just like Chang 'e leaving the moon palace, and slaves are like Chang 'e leaving the moon palace ... Second, the lyrics of "Dancing in Clothes and Feathers" are written by Li Bai: Xue wants clothes and flowers, and blows open the threshold to show prosperity. If Yushan didn't see her, it would be Yaochi meeting under the moon. Famous flowers fall in love and laugh like kings. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion leans against the threshold in the north. Third, "Farewell to your wife" instantly loves and hates, and raises a glass to the moon. Love and hate are two boundless, asking when to fall in love. Lyrics of "Beauty": Lou Yi Gang composes: Lou Yi Gang butterflies are flying among the flowers, like an ink painting. My eyes are blurred with tears and I don't know where I am. Three cups and two glasses of wine have dyed your face red, full of amorous feelings, but I fiddled with the strings and stayed in a fertile field and a castle. I don't care ... four chapters are naturally transformed from poetry, and each chapter is independent and integrated. From beginning to end, it's really hard to let go of the four beauties in my heart. What is difficult is not only their beauty, but also the elusive spiritual home behind the beautiful figure. Really answered the exclamation in the preface, which one is the true self seen in the stream. Each chapter contains a large number of songs, dances and poems, which fully demonstrates Li Yugang's artistic talent. Li Yugang shuttled back and forth between male body and female body, male voice, female voice, "I" and "beauty", which constituted his brand-new and modern interpretation of classical beauty. Five interrelated modern poems connect the femininity of qi, the magnificence of success, the sadness of turning and the magnificence of harmony in series, showing the watchers of different forms of beauty.