There are many insights in the book, but the most representative and far-reaching significance of the book is the creation of "poetic style". Since then, it has been a highlight of China's ancient literary theory.
In order to supplement the Poems on June 1st, Sima Guang wrote The Continuation of Poems on June 1st, among which the most commendable one is "the first poem is extremely accurate" (Summary of Sikuquanshu).
Liu Ban's Zhong Shan Shi Hua focuses on textual research and interesting things, but not much on poetic theory.
The above early poetry talks set a precedent for the later popularity of poetry talks in poetry circles. 2. After the mid-Northern Song Dynasty, Jiangxi Poetry School and its followers were active in poetry circles, and some poems with this tendency appeared.
, poetry, poetry of Houshan, poetry of Father, poetry of Qian Xi of Fan Wen, poetry of Zhu Po, poetry of Yanzhou of Xu, etc.
3. In the Southern Song Dynasty, due to the accumulation of early poetry talks, a collection of poetry talks appeared.
(1) The General Turtle of Poetry Talk has created a style of poetry talk classified according to the nature of content, and provided a lot of information in poetry appreciation and poetry theory construction.
(2) Tiaoxi Language Conghua brings together the essence of poetry talks before the Northern Song Dynasty, which is people-oriented and arranged in chronological order. In the book, Li Bai, Du Fu, Su Shi and Huang Tingjian are regarded as "all great poets", especially Du Fu and Su Shi (13 volumes of Du Fu's poems and 14 volumes of Su Shi's poems).
This book has in-depth analysis and research on poetry, especially the experience in poetry creation and appreciation, which is worth learning and learning from.
(3) The Poet Jade Scrap has twenty volumes. The previous volume 1 1 focuses on the theory and practice of poetry. After the twelfth volume, the language of various comments is sorted out in chronological order with people as the key link. The book is rich in information and has important reference value for studying the poetry theory of Song Dynasty.
4. In the late Southern Song Dynasty, the development of poetics has entered a mature stage, and relatively systematic poetic works have appeared, represented by Jiang Kui's poems by Taoist Baishi and Yan Yu's poems by Canglang.
(1) The poetry anthology of Taoist Baishi summarizes some experiences in poetry creation, and specifically discusses the artistic style and writing skills of poetry.
Advocating "language is expensive and subtle", advocating simplicity and nature, and high interest. There are four kinds of lofty poems: "First, the reason is lofty; Second, the significance is lofty; Third, lofty thoughts; Fourth, nature is sublime. " Among them, "natural beauty" is regarded as the ideal realm of poetry creation.
(2) Cang Shi Lang Dialect is highly targeted, theoretical and systematic.
The book discusses poetry discrimination, poetry style, poetry method, poetry criticism and poetry proof respectively. From the discussion, we can see that "using Zen as a metaphor for poetry" is the lifeblood and keynote of his poetic theory, and respecting Tang Dynasty and restraining Song Dynasty is his poetic evaluation standard and basic tendency.
The most striking feature of this book is that it theorizes and systematizes the theories of "Zen as a metaphor for poetry" and "Miao Wu". The so-called "Zen is only in wonderful enlightenment, and poetry is also in wonderful enlightenment." It is advocated that "learning poetry is based on knowledge". Only with the ability of "knowledge" can we distinguish the artistic characteristics of "system" and enter the realm of enlightenment.
The author runs these thoughts and viewpoints through the book, thus forming a systematic and complete theoretical system of poetics, which marks the mature stage of poetry talk in Song Dynasty.
Second, the three major poetic styles in the Song Dynasty: Talking about the Turtle in Poetry, Fishing in Tiaoxi and Conghua, and Poet Jade Chips are also called the three major poetic styles in the Song Dynasty.
1, there are various types of poetry talks, with the most detailed examples and many descriptions of young poets.
2. Tiaoxi Fishing in Conghua mainly describes great poets, not young poets.
3. The poet Jade Chip focuses on the method of writing poems.
Third, the main value of poetry talk in Song Dynasty: 1, the value of data preservation. There are both narrative content and commentary content in the poetry talk in Song Dynasty, and the information is very rich.
(1) has preserved many ancient lost poems, such as Yi Shu, Yi Shi, Anecdotes, etc. In the collection of poems.
(2) Chronicle of Tang Poetry compiles Tang poetry documents, including many poets and poems that were missed in the past. Many original books collected in this book have been lost today.
(3) After the birth of Poems on June 1st, poetic works flourished for a long time, and also appeared in large numbers in Qing Dynasty, indicating that it has the value of stylistic inheritance.
(4) If you want to know how many poems have been preserved since the Song Dynasty, you can get the answer from the book The Complete Works of Song Poetry edited by Mr. Wu. The book contains more than 560 words and nearly 8 million words in the Song Dynasty. It is "voluminous and informative", which makes it inexhaustible for future generations.
2. Learn from the value of enlightenment. Poetry talk in Song Dynasty explored, sorted out, refined and summarized the experience of predecessors' poetry creation, showed their wisdom and artistic achievements, and provided valuable creative experience and research materials for future generations. Poetry works are often used as the starting point in poetry talks, and the artistic problems of poetry creation are discussed in depth and in detail from the aesthetic point of view, which often has incisive opinions, or can play the role of seeing the big picture from the small, drawing inferences from others and hearing ten things.
3. The value of critical methods. There is a way of discourse that often appears in poetry talks in the Song Dynasty, and this is the method of criticism. This method does not seek to be systematic and comprehensive, nor does it consider the coherence between them. It just analyzes and evaluates a certain problem or an abstract theory or sentence, and it comes with emotion, which is clear at a glance. I don't want to speak loudly, but I want to speak deeply, thoroughly and convincingly.
4. Theoretical research value. Poetics in Song Dynasty discussed some important issues in poetic theory, such as regularity, lyricism, functionality, authenticity, typicality and principles of poetic images.
It also involves a series of theoretical problems in poetry creation, such as emotion and reason, elegance and vulgarity, movement and quietness, image and emotion, philosophy and image, implication and implication, poetic and picturesque, similarity and spirit, character and poetry, simulation and innovation, personality and style, truth and fiction.