Lianshan is in the southwest and Shijiao is in the north.
The two cliffs worship and lean against each other, depicting the shape of battlements.
When a person is angry, he can't get close to 1 million.
Zhu Yu walked in the Central Plains, and he was very miserable.
Before the Three Emperors and Five Emperors, chickens and dogs were released.
The late king was still soft and far away, and the late tribute road was lost.
So far, heroes look up to bullies.
Annexation and division, trying to outdo each other.
I really can kill, I want to shovel!
Jianmen is in the north of Jiange County, Sichuan Province. According to the Annals of the Qing Dynasty: "Sichuan Baoning House: Dajianshan is 25 miles north of Jianzhou. The cutting of the mountain wall is interrupted, and the two cliffs are embedded, such as opening the door to plant a sword, so it is also called Jianmen Mountain. " In the summer of 759 AD (the second year of Gan Yuan), Du Fu passed by when he moved to Chengdu from Qin Zhou Tonggu with his family. He marveled at the danger of the terrain, associated with the Anshi Rebellion caused by the forces of the buffer region, realized that the land of Jiannan was easily taken risks by warlords and was independent, and expressed deep concern about the future of the country. The first eight sentences of this poem are abrupt, describing the author's stunned expression when he first saw Jianmen Mountain. Such a strange and spectacular mountain is really made in heaven! The mountains are connected and surround the southwest, and the stone corners on the mountains all point to the north. Two cliffs are towering, like walls and walls, like battlements. As long as one person is angry and hides, even a million people dare not approach! These vivid descriptions, on the one hand, directly describe the grandeur, precipitousness and grandeur of the mountain by the method of fu, showing great momentum and vividness, which makes people feel immersive. Yang Lun said, "Since Song Qi knew Chengdu, he has recited the first four poems of Du Fu, sighing that they were really recorded." The poem (Du Shi Jing Quan) uses the words "danger" and "strength" to describe the sword gate, and the whole article originates from these two words. On the other hand, it is more important that this poem adopts the method of "promoting fu" and embodies profound political thoughts. In particular, the phrase "even the mountains embrace the southwest, and the stone corners all face north" is rich in meaning and intriguing. Pu Yin long read Du Xinjie and said, "People take land risks as the basis" and "embrace the southwest and take pleasure as protection; Go north and see our enemies clearly. I want to shovel the pile of roots at the end of the text. " The poet has clearly realized from the steep mountains that such a dangerous geographical environment is easy to be used by careerists and is in danger of leaving the central dynasty and local separatist regime at any time. The Stone Corner, which describes mountains on the surface, actually symbolizes local warlords with ulterior motives. On the basis of concrete description, the author expresses his views on current affairs. The poet first wrote that the current imperial court exploited the people, and things like pearls and jade went to the Central Plains day by day, so the Shu people were very poor, and even Minshan Mountain and Emei Mountain felt sorry for them. Among them, the word "Zou" is adapted from "Biography of Han Poetry", and there are six clouds: "Out of the rivers and seas, jade comes out of Kunshan, and those who are not satisfied are still good." This tactfully pointed out the exploitation and exploitation of Sichuan people by the Tang Dynasty, thus revealing the reasons why the world made enemies. Later, the author changed his pen and expressed his views from a historical perspective. Recall that in ancient times, Sichuan did not pass through the Central Plains. At that time, people were indifferent, and even chickens and dogs were casually put. After the Xia, Shang and Zhou Dynasties, although the policy of appeasement was carried out in distant places, the appointment and tribute of its officials set a precedent for future generations to impose exorbitant taxes and miscellaneous levies, and gradually lost control of its arrogance, leading to the arrogance of local warlords, dominating the world, giving way to each other, killing each other and being inextricably linked. Every sentence of these arguments is about history, and every sentence is related to reality. In the last four sentences, the poet expressed his strong anger at those who started the war and split the motherland, and his worries about the future of the motherland. The poet said: I want to condemn God, and I really want to level the mountain. I can't help feeling depressed and silent when I think that something will happen again in the future! These last four sentences are very important and are the key to the whole poem. "Crime Really Killing" and "Shovel Overlapping" echo the strong and dangerous description at the beginning of the article, which makes the above description be implemented; "Afraid of this happening again" is a summary of the arguments of "annexation" and "separatist regime", which further expresses anxiety about the future situation. Mr. Chen Yiyun said: "Poets are worried about two points: First, the sword gate is a natural barrier, which is conducive to warlords to seize danger. It has existed since ancient times and is difficult to protect today; Second, the land of abundance is rich in products. If the requirements are too high, it will inevitably make enemies and create chaos. This is the theme of this poem. " This deep anxiety makes the ending of the poem more gloomy and powerful. However, in the last sentence, the author deliberately made a remark that "the breeze is silent and melancholy", which vividly portrayed the poet's unspeakable image, vaguely revealed his helpless mood and gave people a carefree meaning. Poetry rises, changes in the middle, and finally falls slightly. The rise of the whole poem is like a raging tide, and the characters move around, vividly showing the process of the author's mood change in front of the readers, thus realizing the grandeur and vastness of the poem. Yang Lun commented on this poem in Du Shi Jing Quan: "Debate is rhyme, at least Ling is extreme, Shao Ling is so extreme at this point, and his pen is powerful, and he wants to drive the inscription on Jiange directly." Du Fu's comments in poems are the first in the Song Dynasty, but they are also different from the general Song Dynasty. On the one hand, the poet's discussion is closely combined with the description of scenery and personnel, and the discussion is based on vivid images and naturally comes into being. On the other hand, the author is full of passion in his exposition, and his words touch the hearts of readers, so they are not boring. On the other hand, the author's comments are aimed at the real society in various places, so they are not ambiguous.