Your pale fingertips caress my temple, and I can't help being like a child.
Hold on to your skirt.
Ah, mom.
In order to keep your faded figure.
Although the morning light has cut the dream into smoke.
I still dare not open my eyes for a long time.
I still cherish that bright red scarf.
Just be afraid to wash.
Lose your unique warmth.
Ah, mom.
Isn't the running water of the years just as ruthless, afraid that the memory will fade? How dare I open its screen easily? I cried to you for a thorn.
Now, with Jing Guan, I dare not complain.
Ah, mom.
I often look up at your photos sadly.
Even if the call can penetrate the loess.
How dare I disturb your sleep?
I dare not show the sacrifice of love like this.
Although I have written many songs.
For flowers, for the sea, for the dawn.
Poetry genre:
The "modernist" poetry school refers to a group of poets around Modern magazine after 1932, including Dai Wangshu, He Qifang, Bian, Fei Ming, etc. He Qifang's "Prophecy" and other poems are gorgeous and exquisite.
The works in Bian's Collection of Lines and Collection of Fish are good at transforming the observation of daily life into philosophical comprehension, and their mature and calm expression techniques are often surprisingly successful.
In 1930s, there was another wave of poetry. The revolutionary poetry movement advocated by the "Left Alliance" took the China Poetry Association established by 1932 as the backbone, which was characterized by closely following the changes of the times, expressing revolutionary passion, and pursuing the popularity and grandeur of forms. Ai Qing and Cang Kejia, who became famous in 1930s, are also poets who are close to reality and have a strong sense of revolutionary mission. Their works can better represent the achievements of realistic poetry in this period.